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Black Manhattan (Paperback)
James Weldon Johnson; Foreword by Zadie Smith
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First published in 1912, Johnson’s pioneering fictional “memoir” is an unprecedented analysis of the social causes and artistic consequences of a black man’s denial of his heritage.
Introduced by Maya Angelou, the inspiring sermon-poems of James
Weldon Johnson James Weldon Johnson was a leading figure of the
Harlem Renaissance, and one of the most revered African Americans
of all time, whose life demonstrated the full spectrum of struggle
and success. In God's Trombones, one of his most celebrated works,
inspirational sermons of African American preachers are reimagined
as poetry, reverberating with the musicality and splendid eloquence
of the spirituals. This classic collection includes Listen Lord (A
Prayer), The Creation, The Prodigal Son, Go Down Death (A Funeral
Sermon), Noah Built the Ark, The Crucifixion, Let My People Go, and
The Judgment Day. For more than seventy years, Penguin has been the
leading publisher of classic literature in the English-speaking
world. With more than 1,700 titles, Penguin Classics represents a
global bookshelf of the best works throughout history and across
genres and disciplines. Readers trust the series to provide
authoritative texts enhanced by introductions and notes by
distinguished scholars and contemporary authors, as well as
up-to-date translations by award-winning translators.
Masked in the tradition of the literary confession as practiced by
such writers as St. Augustine and Rousseau, this "autobiography"
purports to be the candid account of its narrator's private views
and feelings as well as an acknowledgement of the central secret of
his life: that though he lives as a white man, he is, by heritage
and experience, an African American. Tracing his journey from the
South to the North and from America to Europe and back again, the
narrator's first hand experiences on both sides of the colourline
intimately demonstrates the qualities of race that are both
established yet mutable. An important exploration into identity and
how to establish it, Autobiography of an Ex-Coloured Man is a
timeless and vital novel.
James Weldon Johnson's The Autobiography of an Ex-Colored Man is a
powerful, trailblazing novel that exposes the intricate
relationship between race and class in late nineteenth-century
America. Complete & Unabridged. Part of the Macmillan
Collector's Library; a series of stunning, clothbound, pocket-sized
classics with gold foiled edges and ribbon markers. These beautiful
books make perfect gifts or a treat for any book lover. This
edition is introduced by Dr Sam Halliday. After losing his mother
at a very young age, the narrator is thrust from his comfortable,
middle-class environment, afforded by his distant but aristocratic
father, into the wider world. His passion for music begins in
Georgia's all-black church community and takes him from New York,
where he plays ragtime for a rich white gentleman, to the South,
where he witnesses lynchings and out of fear gives up his passion,
as well as his race, to pass for white. Relevant to this day, The
Autobiography of an Ex-Colored Man is an unflinching account of
black experience in America.
Known only as the Ex-Colored Man, the protagonist in Johnson s
novel is forced to choose between celebrating his African American
heritage or passing as an average white man in a
post-Reconstruction America that is rapidly changing. This Norton
Critical Edition is based on the 1912 text. It is accompanied by a
detailed introduction, explanatory footnotes, and a note on the
text. The appendices that follow the novel include materials
available in no other edition: manuscript drafts of the final
chapters, including the original lynching scene (chapter 10, ca.
1910) and the original ending (chapter 11, ca. 1908). An unusually
rich selection of Backgrounds and Sources focuses on Johnson s
life; the autobiographical inspirations for The Autobiography of an
Ex-Colored Man; the cultural history of the era in which Johnson
lived and wrote; the noteworthy reception history for the 1912,
1927, and 1948 editions; and related writings by Johnson. In
addition to Johnson, contributors include Eugene Levy, W. E. B. Du
Bois, Marcy A. Sacks, Carl Van Vechten, Blanche W. Knopf, Victor
Weybright, and Cecile Fishbein, among others. The seven critical
essays and interpretations in this volume speak to The
Autobiography of an Ex-Colored Man s major themes, among them
irony, authorship, passing, and parody. Early assessments (1930s
70s) are provided by Robert A. Bone, Robert Fleming, and Robert B.
Stepto. Recent contributors are Jacqueline Goldsby, Samira Kawash,
Christina L. Ruotolo, and M. Giulia Fabi. A chronology of Johnson s
life and work and a selected bibliography are also included."
The Book of American Negro Poetry (1922) is an anthology by James
Weldon Johnson. Alongside some of his own poems, Johnson includes
the work of such legendary artists as Paul Laurence Dunbar, W. E.
B. Du Bois, Jessie Fauset, and Georgia Douglas Johnson. Carefully
selected and supported with a masterful preface by Johnson, the
poems herein reflect a range of voices, styles, and subjects drawn
from tradition and experience alike. In his preface, Johnson
justifies his anthology by identifying its vital purpose: "The
public, generally speaking, does not know that there are American
Negro poets-to supply this lack of information is, alone, a work
worthy of somebody's effort." And the effort was his. In his poem
"O Black and Unknown Bards," he asks "O black and unknown bards of
long ago, / How came your lips to touch the sacred fire?"
Recognizing the need for a reconciliation between the long
tradition of black culture and the overwhelming erasure of his own
contemporary artists, Johnson highlights the efforts of those poets
who "Within [their] dark-kept soul[s], burst into song." Like
Johnson himself, many of the poets included in The Book of American
Negro Poetry work in a variety of voices, moving expertly from
dialect to the traditional lyric in poems that harness the spirit
of song and sermon alike. To borrow the words of Joseph S. Cotter
Jr., a poet included in this anthology, these poems are elemental
in their power to rejuvenate an exclusive national culture, and
they "Rise and fall triumphant / Over every thing." With a
beautifully designed cover and professionally typeset manuscript,
this edition of James Weldon Johnson's The Book of American Negro
Poetry is a classic of African American literature reimagined for
modern readers.
The Book of American Negro Poetry (1922) is an anthology by James
Weldon Johnson. Alongside some of his own poems, Johnson includes
the work of such legendary artists as Paul Laurence Dunbar, W. E.
B. Du Bois, Jessie Fauset, and Georgia Douglas Johnson. Carefully
selected and supported with a masterful preface by Johnson, the
poems herein reflect a range of voices, styles, and subjects drawn
from tradition and experience alike. In his preface, Johnson
justifies his anthology by identifying its vital purpose: "The
public, generally speaking, does not know that there are American
Negro poets-to supply this lack of information is, alone, a work
worthy of somebody's effort." And the effort was his. In his poem
"O Black and Unknown Bards," he asks "O black and unknown bards of
long ago, / How came your lips to touch the sacred fire?"
Recognizing the need for a reconciliation between the long
tradition of black culture and the overwhelming erasure of his own
contemporary artists, Johnson highlights the efforts of those poets
who "Within [their] dark-kept soul[s], burst into song." Like
Johnson himself, many of the poets included in The Book of American
Negro Poetry work in a variety of voices, moving expertly from
dialect to the traditional lyric in poems that harness the spirit
of song and sermon alike. To borrow the words of Joseph S. Cotter
Jr., a poet included in this anthology, these poems are elemental
in their power to rejuvenate an exclusive national culture, and
they "Rise and fall triumphant / Over every thing." With a
beautifully designed cover and professionally typeset manuscript,
this edition of James Weldon Johnson's The Book of American Negro
Poetry is a classic of African American literature reimagined for
modern readers.
A gifted musician's decision to navigate society as a white man
causes an internal debate about anti-blackness and the explicit
nature of intent versus impact. James Weldon Johnson presents a
distinct conflict driven by a person's desires and overwhelming
fear. The Autobiography of an Ex-Colored Man follows the story of
an unnamed narrator and his unique experience as a fair-skinned
Black person. As a child, he is initially unaware of his race, but
his mother soon clarifies their family's ancestry. The young man's
ability to pass for white allows him to negate the harsh and
discriminatory treatment most Black people face. This leads to a
series of events that significantly shape the way he views his
place in society. James Weldon Johnson delivers a captivating tale
of identity politics in the U.S. and abroad. The main character is
living a life of omission that provides public gain at a personal
cost. This story maintains its relevance as a critical examination
of race in society. With an eye-catching new cover, and
professionally typeset manuscript, this edition of The
Autobiography of an Ex-Colored Man is both modern and readable.
A gifted musician's decision to navigate society as a white man
causes an internal debate about anti-blackness and the explicit
nature of intent versus impact. James Weldon Johnson presents a
distinct conflict driven by a person's desires and overwhelming
fear. The Autobiography of an Ex-Colored Man follows the story of
an unnamed narrator and his unique experience as a fair-skinned
Black person. As a child, he is initially unaware of his race, but
his mother soon clarifies their family's ancestry. The young man's
ability to pass for white allows him to negate the harsh and
discriminatory treatment most Black people face. This leads to a
series of events that significantly shape the way he views his
place in society. James Weldon Johnson delivers a captivating tale
of identity politics in the U.S. and abroad. The main character is
living a life of omission that provides public gain at a personal
cost. This story maintains its relevance as a critical examination
of race in society. With an eye-catching new cover, and
professionally typeset manuscript, this edition of The
Autobiography of an Ex-Colored Man is both modern and readable.
Fifty Years and Other Poems (1917) is a collection of poems by
James Weldon Johnson. Although less popular than his book God's
Trombones: Seven Negro Sermons in Verse (1927), Johnson's second
poetry collection showcases his talents as a rising star of African
American literature. Including some poems that would be featured in
The Book of American Negro Poetry (1922), an influential anthology
compiled and edited by the poet himself, Fifty Years and Other
Poems remains essential to Johnson's legacy as a leading figure of
the Harlem Renaissance. "Fifty Years" opens the collection with an
ode to emancipation, a starting point from which millions of men,
women, and children were given the opportunity, however fragile it
was, to pursue better lives. Rather than give thanks for freedom
granted, however, Johnson implores his fellow Black Americans to
remain proud, assured that liberty is their hard-earned right:
"This land is ours by right of birth, / This land is ours by right
of toil; / We helped to turn its virgin earth, / Our sweat is in
its fruitful soil." Hopeful and resilient, Johnson reflects on his
own place in this history of struggle, paying particular heed to
his status as a poet, his ability to sing despite centuries of
violent oppression. In his poem "O Black and Unknown Bards," he
asks "O black and unknown bards of long ago, / How came your lips
to touch the sacred fire?" Recognizing the need for a
reconciliation between the long tradition of black culture and the
overwhelming erasure of his own contemporary artists, Johnson
highlights the efforts of those poets such as himself, who "Within
[their] dark-kept soul[s], burst into song." >With a beautifully
designed cover and professionally typeset manuscript, this edition
of James Weldon Johnson's Fifty Years and Other Poems is a classic
of African American literature reimagined for modern readers.
First published anonymously in 1912, this resolutely unsentimental
novel gave many white readers their first glimpse of the double
standards - and double consciousness - experienced by Black people
in modern America. Republished in 1927, at the height of the Harlem
Renaissance, with an introduction by Carl Van Vechten, The
Autobiography of an Ex-Colored Man became a pioneering document of
African-American culture and an eloquent model for later novelists
ranging from Zora Neale Hurston to Richard Wright and Ralph
Ellison. Narrated by a man whose light skin enables him to 'pass'
for white, the novel describes a journey through the strata of
Black society at the turn of the century - from a cigar factory in
Jacksonville to an elite gambling club in New York, from genteel
aristocrats to the musicians who hammered out the rhythms of
Ragtime. The Autobiography of an Ex-Colored Man is a complex and
moving examination of the question of race and an unsparing look at
what it meant to forge an identity as a man in a culture that
recognized nothing but colour.
Sterling A. Brown was renowned for his prolific poetry and
scholarship on African American folklife. A contemporary of
Langston Hughes, Claude McKay, and Jean Toomer and the first poet
laureate of the District of Columbia, Brown gained acclaim for
blues, jazz, and southern folklore. His celebrated works, including
Southern Road, are collages of narrative and dialect unique to
Brown's unflinching poetic voice. Edited by the late distinguished
poet Michael S. Harper, this new edition includes a foreword by
award-winning poet Cornelius Eady and introductory texts by James
Weldon Johnson and Sterling Stuckey. The result is a tour de force
by one of the most distinctive poets in American letters.
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