Jane Ellen Panton (1847-1923) was the second daughter of the artist William Powell Frith, and an expert on domestic issues. First published in 1911, this is a further collection of her memoirs, following her earlier autobiography Leaves from a Life (also reissued in this series). The focus of this book is her close friend Basil Hodges and his great influence on her life. She describes Hodges, an artist she met in her childhood, as an 'underdog' whom she set out to help, and went on to support him through difficulties in his marriage and career, accompanying him on his travels. Her friendship with Hodges led her to travel abroad and meet a range of colourful characters, all recounted here in vivid and often humorous detail. Offering reflections on life in England and France in the later nineteenth and early twentieth centuries, this book has much to offer social historians.

Jane Ellen Panton (1847-1923) was the second daughter of the artist William Powell Frith, and a journalist and author on domestic issues. She grew up in London, where she developed an aesthetic and practical interest in the various homes she lived in, and went on to publish a series of advice guides on buying property, decorating, and running households. Given her family's background and diverse interests, art, literature and theatre were also prominent in her life, as well as law and religion. First published in 1908, this is Panton's revealing autobiography, in which she recalls the places she lived, as well as the painters, actors, writers, and religious and legal figures who were central to her family's circle, influencing her tastes and interests. Offering a portrait of a creative milieu in the late nineteenth and early twentieth centuries, this book is both historically valuable and highly readable.

Jane Ellen Panton (1847-1923) was the second daughter of the artist William Powell Frith, and an expert on domestic issues. Published in 1909, this is a further collection of Panton's memoirs, following her earlier autobiography Leaves from a Life (also reissued in this series). It looks back on life in mid-nineteenth-century England and the changes that had taken place since then, beginning by asking the question of how much the present generation knew about their country's past. Over fifteen chapters, Panton explores developments in the nature and structure of institutions such as the family, the community, the church, the electorate and the military, deeming certain changes as negative, such as the decline of county families and the gentry, while welcoming others, such as increased opportunities for women. Providing revealing insight into English middle-class concerns in the nineteenth and early twentieth centuries, this book remains of interest to social historians.

Jane Ellen Panton (1847 1923) was the second daughter of the artist William Powell Frith, and an expert on domestic issues. First published in 1896, this is her guide to creating the 'dream house'. In it she draws on the experiences of Deborah and Dick, clients who sought her advice after looking unsuccessfully for a suitable home. The book is based on the notion that turning an existing building into a dream house is impossible, and begins by offering advice on finding land and building on it to create a home that could be 'the cradle of the race', passed on to successive generations. Panton devotes a chapter to each of the different parts of the house, from the governess's rooms to the maids' quarters. Providing a revealing insight into domestic middle-class tastes and concerns in late nineteenth-century England, this book remains of interest to social historians.

Jane Ellen Panton (1847 1923) was the second daughter of the artist William Powell Frith, and a journalist and author on domestic issues. First published in 1896, this was one of a series of advice guides written by Panton on life and work in the middle-class home. In it she offers ideas to those with 'middle sized incomes' for overcoming the pitfalls of suburban life, such as selecting the optimal location, avoiding noise and disputes between neighbours, decorating and furnishing the home, and employing various domestic techniques in order to achieve the 'perfect house and housekeeping'. Drawing on twelve years' experience of suburban living, the author makes suggestions for each part of the house, and the concluding chapter addresses the question of whether to employ a servant. Providing a revealing snapshot of life in late nineteenth-century England, this book will be of great interest to historians and sociologists.

Jane Ellen Panton (1847 1923) was the second daughter of the artist William Powell Frith, and a journalist and author on domestic issues. First published in 1887, this is the revised 1893 edition of her guide for young married couples on how to set up their first home. In it she draws on twenty-three years' experience of living in London to advise on everything from choosing a house and internal decoration to budgeting effectively and entertaining friends. Updated extensively, the book contains a thorough index, a selection of illustrations, and new information on many of the topics discussed. The author devotes each chapter to a different part of the house, and concludes by advising her readers to let 'love, beauty, carefulness and economy' rule their lives. Providing revealing insight into domestic middle-class life in late nineteenth-century England, this book remains of interest to historians and sociologists.

Jane Ellen Panton (1847 1923) was the second daughter of the artist William Powell Frith, and a journalist and author on domestic issues. First published in 1890, this was one of a series of advice guides written by Panton on life and work in the middle-class home. With each chapter focusing on a different area of the house, the book offers advice to young married couples on how to make their homes 'tasteful without undue expense' by devoting time and effort to renovation and furnishing, and by choosing decorative styles that would not date. The author encourages her readers to become 'house proud', and to this end suggests that men should learn basic carpentry and refurbishment skills, while women should become proficient in needlework, as opposed to 'dawdling' over 'mere society flutter'. Providing a revealing snapshot of life in late nineteenth-century England, this book will appeal to historians and sociologists.