This comprehensive bibliography provides complete coverage of the English-language literature on contemporary Canadian childhood and youth. It covers scholarly, professional, and other substantial writings, including books, monographs, the reports of government commissions, scholarly and professional articles, and magistral and doctoral dissertations. The material is arranged geographically and includes full subject and author indexes. A companion volume covers the literature on the history of Canadian childhood.

This comprehensive bibliography provides complete coverage of the English-language literature on contemporary Canadian childhood and youth. It covers scholarly, professional, and other writings, including books, monographs, the reports of government commissions, scholarly and professional articles, and magistral and doctoral dissertations. The material is arranged geographically, and the work includes an extensive subject index and a full author index. A companion volume provides coverage of contemporary Canadian childhood and youth.

Sophie Morigeau (1836-1916) was a remarkable woman. Of mixed Indian-white heritage, she lived her life on her own terms. She traded in Canadian mining camps and ran pack trains across the Northern Rocky Mountains. For years she maintained a trading post on Tobacco Plains on the border between Canada and the United States. She broke through the accepted roles for women in the nineteenth century to become an Indian entrepreneur. Jean Barman's biography of Morigeau details the available historical evidence of a woman who cut her own path, was an important trader for the Kootenai Indians, and was a member of both the Indian and white communities in nineteenth-century northwest Montana and southern British Columbia. Sophie Morigeau was a resourceful and courageous woman on the cultural frontier.

Can the specific concerns of Indigenous women be addressed within current mainstream feminist and post-colonial discussions? Indigenous Women and Feminism: Politics, Activism, Culture proposes that a dynamic new line of inquiry -- Indigenous feminism -- is necessary to truly engage with the crucial issues of cultural identity, nationalism, and decolonization particular to Indigenous contexts. Through the lenses of politics, activism, and culture, this wide-ranging collection examines the historical roles of Indigenous women, their intellectual and activist work, and the relevance of contemporary literature, art, and performance for an emerging Indigenous feminist project. The questions at the heart of these essays -- What is at stake in conceptualizing Indigenous feminism? How does feminism relate to Indigenous claims to land and sovereignty? What lessons can we learn from the past? How do Indigenous women engage ongoing violence and social and political marginalization? -- cross disciplinary, national, academic, and activist boundaries to explore deeply the unique political and social positions of Indigenous women. A vital and sophisticated discussion that will change the way we think about modern feminism, Indigenous Women and Feminism will be invaluable to scholars, activists, artists, community organizers, and those concerned with Indigenous and feminist issues at home and abroad.

Constance Lindsay Skinner made a living as a writer at a time when few men, and fewer women, managed the feat. Born in 1877 on the British Columbia frontier, she worked as a journalist in Vancouver, Los Angeles, and Chicago, before moving to New York City in 1912, where she supported herself by her pen until her death in 1939. Despite a prolific output - poetry, plays, short stories, histories, reviews, adult and children's novels - and in contrast to her reputation in the United States, she remains virtually unknown in the country of her birth.

Reconstructing Constance Lindsay Skinner's writing life from her papers in the New York Public Library and from her publications, Jean Barman argues for three bases to her success. As well as a capacity to respond to market forces by moving between genres, she possessed an aura of authenticity by virtue of her Canadian frontier heritage. As a literary device, the frontier gave a freedom to tackle contentious issues of Aboriginal and hybrid identities, gender and sexuality, that might otherwise have been far more difficult to get into print. Third, and very important, was her willingness to subordinate a private self to the life of the imagination.

Barman ponders Constance Lindsay Skinner's absence from the Canadian literary canon. She mixed with such twentieth-century personalities as Jack London, Harriet Monroe, Frederick Jackson Turner, Vilhjalmur Stefansson, Cornelia Meigs, Long Lance, and Margaret Mitchell, yet was unrecognized in her own country. Her sex mattered, just as it did for fellow Canadian women writers. So did her facility at multiple genres, a talent that, even as it made possible a writing life, prevented her from achieving a major breakthrough in any one of them. Perhaps most responsible was her identification with the frontier of a nation whose centre long shaped literary matters in its own image. "Constance Lindsay Skinner" makes a significant contribution to Canadian and American history and to literary and gender studies.

The two volumes comprising Indian Education in Canada present the first full-length discussion of this important subject since the adoption in 1972 of a new federal policy moving toward Indian control of Indian education. Volume 1 analyzes the education of Indian children by whites since the arrival of the first Europeans in Canada. Volume 2 is concerned with the wide-ranging changes that have taken place since 1972.

Can the specific concerns of Indigenous women be addressed within current mainstream feminist and post-colonial discussions? Indigenous Women and Feminism: Politics, Activism, Culture proposes that a dynamic new line of inquiry -- Indigenous feminism -- is necessary to truly engage with the crucial issues of cultural identity, nationalism, and decolonization particular to Indigenous contexts. Through the lenses of politics, activism, and culture, this wide-ranging collection examines the historical roles of Indigenous women, their intellectual and activist work, and the relevance of contemporary literature, art, and performance for an emerging Indigenous feminist project. The questions at the heart of these essays -- What is at stake in conceptualizing Indigenous feminism? How does feminism relate to Indigenous claims to land and sovereignty? What lessons can we learn from the past? How do Indigenous women engage ongoing violence and social and political marginalization -- cross disciplinary, national, academic, and activist boundaries to explore deeply the unique political and social positions of Indigenous women. A vital and sophisticated discussion that will change the way we think about modern feminism, Indigenous Women and Feminism will be invaluable to scholars, activists, artists, community organizers, and those concerned with Indigenous and feminist issues at home and abroad.

Jean Barman rewrites the history of the Pacific Northwest from the perspective of the French Canadians involved in the fur economy, the Indigenous women whose presence in their lives encouraged them to stay, and their descendants. For half a century, French Canadians were the region's largest group of newcomers, facilitating early overland crossings, driving the fur economy, initiating non-wholly-Indigenous agricultural settlement, and easing relations with Indigenous peoples. When the region was divided in 1846, they also ensured that the northern half would go to Britain, ultimately giving Canada its Pacific shoreline.