An unmatched guide to the religious dimensions of American politics, Jeff Sharlet journeys into corners of our national psyche where others fear to tread. The Undertow is both inquiry and meditation, an attempt to understand how, over the last decade, reaction has morphed into delusion, social division into distrust, distrust into paranoia, and hatred into fantasies—sometimes realities—of violence. Across the country, men “of God” glorify materialism, a gluttony of the soul, while citing Scripture and preparing for civil war—a firestorm they long for as an absolution and exaltation. Lies, greed, and glorification of war boom through microphones at hipster megachurches that once upon a time might have preached peace and understanding. Political rallies are as aflame with need and giddy expectation as religious revivals. At a conference for incels, lonely single men come together to rage against women. On the Far Right, everything is heightened—love into adulation, fear into vengeance, anger into white-hot rage. Here, in the undertow, our forty-fifth president, a vessel of conspiratorial fears and fantasies, continues to rise to sainthood, and the insurrectionist Ashli Babbitt, killed on January 6 at the Capitol, is beatified as a martyr of white womanhood. Framing this dangerous vision, Sharlet remembers and celebrates the courage of those who sing a different song of community, and of an America long dreamt of and yet to be fully born, dedicated to justice and freedom for all. Exploring a geography of grief and uncertainty in the midst of plague and rising fascism, The Undertow is a necessary reckoning with our precarious present that brings to light a decade of American failures as well as a vision for American possibility.

Nominally Christian churches glorify materialism, a gluttony of the soul, while others celebrate an ecstatic indulgence in hate, citing Scripture whilst preparing for civil war. Lonely men gather to rage against women. There, too, in the undertow, the forty-fifth president of the United States, a vessel of conspiratorial fears and fantasies, continues to rise to sainthood, and the insurrectionist Ashli Babbitt, killed on 6 January at the US Capitol, is beatified as a martyr of white womanhood. Both political inquiry and meditation, as poetic as it is profound and disturbing, The Undertow captures a decade of growing division in the US: roughly 2011–2021. Jeff Sharlet examines currents of gender, faith and money that brought us to the “Trumpocene,” and finally, explores a geography of grief and uncertainty in the midst of plague and rising fascism. Beginning and closing with freedom songs of the past whose critique of American failures are nonetheless a vision of American possibility, The Undertow is a necessary reckoning with the present, precarious condition.

They insist they are just a group of friends, yet they funnel millions of dollars through tax-free corporations. They claim to disdain politics, but congressmen of both parties describe them as the most influential religious organization in Washington. They say they are not Christians, but simply believers.

Behind the scenes at every National Prayer Breakfast since 1953 has been the Family, an elite network dedicated to a religion of power for the powerful. Their goal is "Jesus plus nothing." Their method is backroom diplomacy. The Family is the startling story of how their faith--part free-market fundamentalism, part imperial ambition--has come to be interwoven with the affairs of nations around the world.

The photojournalist Misha Friedman is renowned for his efforts to capture life in contemporary Russia, documenting subjects as varied as political corruption, the dangers of coal mining, the tuberculosis epidemic, and the Bolshoi Ballet. In publications ranging from the "New York Times," the "Washington Post," "Time," and the "New Yorker," Friedman's grimly evocative black-and-white images--"intimate, behind-the-scenes photos" ("Time")--have been credited with capturing moments of intense pathos, bleak existence, and human dignity. He has received multiple international awards for his "unflinching" lens and his intrepid reporting.
For his new collection of photographs, "Lyudmila and Natasha," Friedman trains his lens on a gay couple living on Saint Petersburg, offering a series of intimate snapshots of their relationship as it unfolds over the course of a year. Faced with a hostile political climate, financial difficulties, and often unstable living arrangements, the subjects of this stunning book reveal the possibilities for love in the most uncertain of times. With the fabled city of Saint Petersburg as its backdrop, "Lyudmila and Natasha" powerfully evokes both a vital place and the people who call it home.

A startling and immensely pleasurable collection of American writings on belief, from the Civil War to Occupy Wall Street Beginning with Walt Whitman singing hymns at a wounded soldier's bedside during the Civil War, this surprising and vivid anthology ranges straight through to the twenty-first century to end with Francine Prose crying tears of complicated joy at the sight of Whitman's words in Zuccotti Park during the brief days of the Occupy movement. The first anthology of its kind, Radiant Truths gathers an exquisite selection of writings by both well-known and forgotten American authors and thinkers, each engaged in the challenges of writing about religion, of documenting "things unseen." Their contributions to the genre of literary journalism-the telling of factual stories using the techniques of fiction and poetry-make this volume one of the most exciting anthologies of creative nonfiction to have emerged in years. Jeff Sharlet presents an evocative selection of writings that illuminate the evolution of the American genre of documentary prose. Each entry may be savored separately, but together the works enrich one another, engaging in an implicit and continuing conversation that reaches across time and generations. Including works by: Walt Whitman * Henry David Thoreau * Mark Twain * Meridel Le Sueur * Zora Neale Hurston * Mary McCarthy * James Baldwin * Norman Mailer * Ellen Willis * Anne Fadiman * John Jeremiah Sullivan * Francine Prose * Garry Wills * and many others

C Street - where piety, politics, and corruption meet Jeff Sharlet is the only journalist to have reported from inside the C Street House, the Fellowship residence known simply by its Washington, DC address. The house has lately been the scene of notorious political scandal, but more crucially it is home to efforts to transform the very fabric of American democracy. And now, after laying bare its tenants' past in "The Family," Sharlet reports from deep within fundamentalism in today's world, revealing that the previous efforts of religious fundamentalists in America pale in comparison with their long-term ambitions.
When Barack Obama entered the White House, headlines declared the age of culture wars over. In "C Street, " Sharlet shows why these conflicts endure and why they matter now - from the sensationalism of Washington sex scandals to fundamentalism's long shadow in Africa, where Ugandan culture warriors determined to eradicate homosexuality have set genocide on simmer.
We've reached a point where piety and corruption are not at odds but one and the same. Reporting with exclusive sources and explosive documents from C Street, the war on gays in Uganda, and the battle for the soul of America's armed forces - waged by a 15,000-strong movement of officers intent on "reclaiming territory for Christ in the military" - Sharlet reveals not the last gasp of old-time religion but the new front lines of fundamentalism.

Now in paperback -- the book that caused a religious and critically acclaimed stir. Publishers Weekly called it "the most original and insightful spiritual writing to come out of America since Jack Kerouac first hit the road." The Buffalo News hailed it as "one of the most eccentric and fascinating books of the year." O, The Oprah Magazine said "This collection proves that fear and trembling are human, but a sense of humor is divine." Peter Manseau and Jeff Sharlet have created a work of calling that is as odd, moving, and inspiring as the people and the scriptures they encountered. Whether it is Manseau and Sharlet telling their "psalms" from outposts as unexpected as a strip club or a cattle-auction barn, Peter Trachtenberg unraveling the Gordian logic of Job via the Borscht Belt, Rick Moody finding a modern-day Jonah in Queens, or Haven Kimmel shocking and thrilling us with her Revelation, what emerges is not an attack on religion, but a quizzical, fascinating look at it from the inside. Killing the Buddha is a positively riveting look at the facets of true belief.