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Showing 1 - 7 of 7 matches in All Departments
Jeffrey Frank, author of the bestselling Ike and Dick, returns with the “beguiling” (The New York Times) first full account of the Truman presidency in nearly thirty years, recounting how a seemingly ordinary man met the extraordinary challenge of leading America through the pivotal years of the mid-20th century. The nearly eight years of Harry Truman’s presidency—among the most turbulent in American history—were marked by victory in the wars against Germany and Japan; the first use of an atomic bomb and the development of far deadlier weapons; the start of the Cold War and the creation of the NATO alliance; the Marshall Plan to rebuild the wreckage of postwar Europe; the Red Scare; and the fateful decision to commit troops to fight a costly “limited war” in Korea. Historians have tended to portray Truman as stolid and decisive, with a homespun manner, but the man who emerges in The Trials of Harry S. Truman is complex and surprising. He believed that the point of public service was to improve the lives of one’s fellow citizens and fought for a national health insurance plan. While he was disturbed by the brutal treatment of African Americans and came to support stronger civil rights laws, he never relinquished the deep-rooted outlook of someone with Confederate ancestry reared in rural Missouri. He was often carried along by the rush of events and guided by men who succeeded in refining his fixed and facile view of the postwar world. And while he prided himself on his Midwestern rationality, he could act out of instinct and combativeness, as when he asserted a president’s untested power to seize the nation’s steel mills. The Truman who emerges in these pages is a man with generous impulses, loyal to friends and family, and blessed with keen political instincts, but insecure, quick to anger, and prone to hasty decisions. Archival discoveries, and research that led from Missouri to Washington, Berlin and Korea, have contributed to an indelible and “intimate” (The Washington Post) portrait of a man, born in the 19th century, who set the nation on a course that reverberates in the 21st century, a leader who never lost a schoolboy’s love for his country and its Constitution.
An absorbing account of "the most intriguing--and
dysfunctional--political marriage in history" ("The" "New York
Times Book Review," front page review).
"This is the real Andersen, restored to life, in the flavor of
Danish. He was a perpetual traveler and guest who left behind only
this work, and here at last you will find him."--Garrison Keillor
"This beautiful and useful volume combines new translations of
the canonical stories with some of the original illustrations. The
introduction and annotations are clear and helpful."--"New York
Times Book Review "A superb book of Andersen's tales, lively to read and true to
the originals. . . . [It] is a perfect place to start for anyone
interested in understanding the complex nature of Andersen and his
writings."--Jack Zipes, professor of German at the University of
Minnesota, in the Minneapolis "Star Tribune
In Brandon Sladder, author Jeffrey Frank has created one of the
most memorable rogues in contemporary fiction. A prominent
Washington columnist, Sladder has known just about everyone of
importance. He has spoken on intimate terms with world leaders,
been a witness to enormous change, and expressed weighty opinions
on important matters of state. When former President Bush
encourages him to write his memoirs, Sladder believes that his life
story could add much more than a footnote to our age and attempts
to burnish his image for posterity. What emerges instead is the
story of an irresistibly loathsome man and the misadventures that
got him to the top. Self-important, social climbing, and
dangerously oblivious, Brandon Sladder is the type of character
everyone loves to hate.
In the twilight of the Reagan era, as prospects appear brighter than ever for a Democratic restoration, the lawyers, lobbyists, advisers and socialites of Washington are looking ahead -- but over their shoulders, too. With good reason. Charlie Dingleman, a former congressman, has gotten a tantalizing job offer that could rescue him from the drudgery of lawyering. But he's being shadowed by an increasingly unsavory rumor started by Judith Grust, a young associate at Charlie's firm. Judith has a few dark secrets of her own, like one she shares with Hank Morriday, a lazy, shiftless welfare policy expert. That helps to drive Hank into the orbit of Candy Romulade, a P.R. executive paralyzed by a dwindling client list. Then Candy signs up a veteran local anchorman, who has a very peculiar view of the world. As these men and women collide in a lusty, mad scramble, their savage ambitions and reversals of fortune test the idea that there's no such thing as bad publicity. The result, Bad Publicity, is a pitch-perfect, often poignant novel in the classic Swiftian mold.
Years of backstabbing and betrayal start to catch up with one of Washington's elite opinion writers, "a character that deserves to jump outside the Beltway and enter the language like 'Uncle Tom, ' 'Peter Pan, ' or 'Scrooge.'" (Ron Charles, Christian Science Monitor). During a cocktail party, George H. W. Bush encourages Brandon Sladder, the prominent Washington columnist, to write his memoirs. Sladder has, after all, known just about everyone of importance. From talking on intimate terms with world leaders, being a witness to enormous change, and expressing his weighty opinions on matters of state, he believes that his own story could add so much more than a footnote to our age. But what is meant to be a look back at his life and our times turns out to be far more revealing. The Columnist is Sladder's attempt to burnish his image for posterity. What emerges is something else: the misadventures of an irresistibly loathsome man--self-important, social climbing, dangerously oblivious, "an unforgettable character who is lovably hateable" (Susan Orlean, author of The Library Book) and one of the most memorable rogues in contemporary fiction. The Columnist is a dead-on, elegantly written portrait of the media and politics of the second half of the twentieth century--"It's Balzac as word-processed by Philip Roth, only, for my two cents...funnier...[A] great American novel" (Christopher Buckley, author of Thank You for Smoking).
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