This handbook is unique in its consideration of social and cultural contributions to sustainable oceans management. It is also unique in its deconstruction of the hegemonic value attached to the oceans and in its analysis of discourses regarding what national governments in the Global South should prioritise in their oceans management strategy. Offering a historical perspective from the start, the handbook reflects on the confluence of (western) scientific discourse and colonialism, and the impact of this on indigenous conceptions of the oceans and on social identity. With regard to the latter, the authors are mindful of the nationalisation of island territories worldwide and the impact of this process on regional collaboration, cultural exchange and the valuation of the oceans. Focusing on global examples, the handbook offers a nuanced, region relevant, contemporary conceptualisation of blue heritage, discussing what will be required to achieve an inclusive oceans economy by 2063, the end goal date of the African Union's Agenda 2063. The analysis will be useful to established academics in the field of ocean studies, policymakers and practitioners engaged in research on the ocean economy, as well as graduate scholars in the ocean sciences.

This handbook is unique in its consideration of social and cultural contributions to sustainable oceans management. It is also unique in its deconstruction of the hegemonic value attached to the oceans and in its analysis of discourses regarding what national governments in the Global South should prioritise in their oceans management strategy. Offering a historical perspective from the start, the handbook reflects on the confluence of (western) scientific discourse and colonialism, and the impact of this on indigenous conceptions of the oceans and on social identity. With regard to the latter, the authors are mindful of the nationalisation of island territories worldwide and the impact of this process on regional collaboration, cultural exchange and the valuation of the oceans. Focusing on global examples, the handbook offers a nuanced, region relevant, contemporary conceptualisation of blue heritage, discussing what will be required to achieve an inclusive oceans economy by 2063, the end goal date of the African Union’s Agenda 2063. The analysis will be useful to established academics in the field of ocean studies, policymakers and practitioners engaged in research on the ocean economy, as well as graduate scholars in the ocean sciences.

This new edition of a textbook first published in 2000 provides a comprehensive account of the law of treaties from the viewpoint of two experienced practitioners. It draws on the combined experience of Anthony Aust, the original author, and Jeremy Hill, until recently Legal Counsellor in the Foreign, Commonwealth and Development Office, London. The book provides a wealth of examples of the problems experienced with treaties on a daily basis. The authors explore numerous precedents from treaties and other related documents, such as non-legally binding instruments. Using clear and accessible language, the authors cover the full extent of treaty law, with both practitioners and students in mind. Modern Treaty Law and Practice is essential reading for officials in governments and international organisations, lawyers practising in international law, and teachers and students of law, political science, international relations and diplomacy who have an interest in treaties.

Lindy is a fantasy, but it's not much like the books that people call fantasy nowadays. It has only a very few swords, almost nothing by way of sorcery, and no werewolves or vampires at all, only a quite ordinary girl who finds herself in an extraordinary world and who must learn how to make the kinds of difficult decisions that all ordinary people have to make. Some readers will probably find this disappointing, but there have been too many books about sorcerers and werewolves and vampires lately anyway, and we could probably do with something a bit different. Besides, I think you will quite like Lindy once you've had the chance to meet her.

Country music evokes a simple, agrarian past, with images of open land and pickup trucks. While some might think of the genre as a repository of nostalgia, popular because it preserves and reveres traditional values, Jeremy Hill argues that country music has found such expansive success because its songs and its people have forcefully addressed social and cultural issues as well as geographic change. Hill demonstrates how the genre and its fans developed a flexible idea of ""country,"" beyond their rural roots, and how this flexibility allowed fans and music to ""come to town,"" to move into and within urban spaces, while retaining a country ""character."" To understand how the genre has become the far-reaching commercial phenomenon that it is today, Hill explores how various players within the country music fold have grappled with the notion of place. He shows both how the industry has transformed the city of Nashville and how country music -- through song lyrics, imagery associated with the music, and branding -- has reshaped ideas about the American landscape and character. As the genre underwent significant change in the last decades of the twentieth century, those who sought to explain its new styles and new locations relied on a traditional theme: ""You can take the boy out of the country, but you can't take the country out of the boy."" Hill demonstrates how this idea -- that you can still be ""country"" while no longer living in a rural place -- has been used to expand country's commercial appeal and establish a permanent home in the urban space of Nashville.