A bestseller in 1924, this vivid piece of outlaw history has inexplicably faded from the public consciousness. Jim Tully takes us across the seamy underbelly of pre-WWI America on freight trains, and inside hobo jungles and brothels while narrowly averting railroad bulls (cops) and wardens of order.

Written with unflinching honesty and insight, "Beggars of Life" follows Tully from his first ride at age thirteen, choosing life on the road over a deadening job, through his teenage years of learning the ropes of the rails and -living one meal to the next.

Tully's direct, confrontational approach helped shape the hard-boiled school of writing, and later immeasurably influenced the noir genre. "Beggars of Life" was the first in Tully's five-volume memoir, dubbed the "Underworld Edition," recalling his transformation from road-kid to novelist, journalist, Hollywood columnist, chain maker, boxer, circus handyman, and tree surgeon.

Jim Tully (1891-1947) was a best-selling novelist and popular Hollywood journalist in the 1920s and '30s. Known as "Cincinnati Red" during his years as a road-kid, he counted prizefighter and publicist of Charlie Chaplin among his many jobs. He is considered (with Dashiel Hammett) one of the inventors of the hard-boiled style of American writing.

This is a new release of the original 1927 edition.

1927. Tully, novelist, journalist, lecturer, Hollywood columnist of the 1920s and 30s, road kid, chainmaker, boxer, circus handyman, tree surgeon; an inheritor of the tradition of the literary wanderer, and father of another, the school of hard-boiled writing. A quote in the beginning of the book by George Jean Nathan reads, If there is a writer in America today who can lay hold of mean people and mean lives and tear their mean hearts out with more appalling realism, his work is unknown to me. One of his autobiographical works, Circus Parade is a series of his none too happy and often ironical incidents with a circus.

1927. Tully, novelist, journalist, lecturer, Hollywood columnist of the 1920s and 30s, road kid, chainmaker, boxer, circus handyman, tree surgeon; an inheritor of the tradition of the literary wanderer, and father of another, the school of hard-boiled writing. A quote in the beginning of the book by George Jean Nathan reads, If there is a writer in America today who can lay hold of mean people and mean lives and tear their mean hearts out with more appalling realism, his work is unknown to me. One of his autobiographical works, Circus Parade is a series of his none too happy and often ironical incidents with a circus.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

1927. Tully, novelist, journalist, lecturer, Hollywood columnist of the 1920s and 30s, road kid, chainmaker, boxer, circus handyman, tree surgeon; an inheritor of the tradition of the literary wanderer, and father of another, the school of hard-boiled writing. A quote in the beginning of the book by George Jean Nathan reads, If there is a writer in America today who can lay hold of mean people and mean lives and tear their mean hearts out with more appalling realism, his work is unknown to me. One of his autobiographical works, Circus Parade is a series of his none too happy and often ironical incidents with a circus.

1927. Tully, novelist, journalist, lecturer, Hollywood columnist of the 1920s and 30s, road kid, chainmaker, boxer, circus handyman, tree surgeon; an inheritor of the tradition of the literary wanderer, and father of another, the school of hard-boiled writing. A quote in the beginning of the book by George Jean Nathan reads, If there is a writer in America today who can lay hold of mean people and mean lives and tear their mean hearts out with more appalling realism, his work is unknown to me. One of his autobiographical works, Circus Parade is a series of his none too happy and often ironical incidents with a circus.

A picture of life in the boxing ring "Few novelists captured the contradictions of his country so simply or so honestly in the metaphor of the pure, fatalistic, and merciless community of bruising."—from the Foreword When The Bruiser was first published in 1936, almost every reviewer praised Jim Tully's gritty boxing novel for its authenticity—a hard-earned attribute. Twenty-eight years before the appearance of The Bruiser, Tully began a career in the ring, fighting regularly on the Ohio circuit. He knew what it felt like to step inside the ropes, hoping to beat another man senseless for the amusement of the crowd. Having won acclaim in the 1920s for such hard-boiled autobiographical novels as Beggars of Life and Circus Parade, Tully thus became both fighter and writer. "It's a pip of a story because it is written by a man who knows what he is writing about," said sportswriter and Guys and Dolls author Damon Runyon. "He has some descriptions of ring fighting in it that literally smell of whizzing leather. He has put bone and sinew into it, and atmosphere and feeling." The Bruiser is the story of Shane Rory, a drifter who turns to boxing and works his way up the heavyweight ranks. Like Tully, Shane starts out as a road kid who takes up prizefighting. While The Bruiser is not an autobiographical work, it does draw heavily on Tully's experiences of the road and ring. Rory is part Tully, but the boxers populating these briskly paced chapters are drawn from the many ring legends the writer counted among his friends: Jack Dempsey, Joe Gans, Stanley Ketchel, Gene Tunney, Frank Moran, and Johnny Kilbane, to name a few. The book is dedicated to Dempsey, the Roaring Twenties heavyweight champion, who said, "If I still had the punch in the ring that Jim Tully packs in The Bruiser, I'd still be the heavyweight champion of the world today." More than just a riveting picture of life in the ring, The Bruiser is a portrait of an America that Jim Tully knew from the bottom up.