Let acclaimed Tolkien artist John Howe take you on an unforgettable journey across Middle-earth, from Bag End to Mordor, in this richly illustrated sketchbook fully of previously unseen artwork, anecdotes and meditations on Middle-earth. Middle-earth has been mapped, Bilbo's and Frodo's journeys plotted and measured, but it remains a wilderland for all that. The roads as yet untravelled far outnumber those down which J.R.R. Tolkien led us in his writings. A Middle-earth Traveller presents a walking tour of Tolkien's Middle-earth, visiting not only places central to his stories, but also those just over the hill or beyond the horizon. Events from Tolkien's books are explored - battles of the different ages that are almost legend by the time of The Lord of the Rings; lost kingdoms and ancient myths, as well as those places only hinted at: kingdoms of the far North and lands beyond the seas. Sketches that have an 'on-the-spot' feel to them are interwoven with the artist's observations gleaned from Tolkien's books as he paints pictures with his words as well as his pencil. He also recollects his time spent working alongside Peter Jackson on the Lord of the Rings and Hobbit film trilogies. Combining concept work produced for films, existing Middle-earth art and dozens of new paintings and sketches exclusive to this book, A Middle-earth Traveller will take the reader on a unique and unforgettable journey across Tolkien's magical landscape.

For the first time, fans of Sarah J. Maas's sweeping New York Times bestselling Throne of Glass saga can experience the vivid imagery of her expansive world. Celaena battling the ridderak in the catacombs, Chaol in the gardens of the glass castle, Manon riding her wyvern through the Crossing, and many other favourite moments, characters and objects come to life as readers explore the vibrantly detailed realm of Throne of Glass. Stunning original black and white drawings will bring fans deeper into the series than ever before - making this a must-have companion to Sarah J. Maas's beloved books.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

To celebrate its 40th anniversary, the first ever illustrated edition of this collection of tales which takes readers further into the stories told in The Hobbit, The Lord of the Rings and The Silmarillion, featuring 18 full-colour paintings depicting scenes from the First, Second and Third Ages of Middle-earth. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Hobbit and The Lord of the Rings with a whole collection of background and new stories. The book concentrates on the realm of Middle-earth and comprises such elements as The Quest of Erebor, Gandalf’s lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End; the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand; and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Númenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantíri and the legend of Amroth. The tales were edited by Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father’s writings. In celebration of its 40th anniversary, this new edition features 18 stunning paintings from critically acclaimed Tolkien artists, Alan Lee, John Howe & Ted Nasmith, which reveal the three Ages of Middle-earth like never before.

By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history ... The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life. In A Philosophy of Walking, a bestseller in France, leading thinker Frédéric Gros charts the many different ways we get from A to B-the pilgrimage, the promenade, the protest march, the nature ramble-and reveals what they say about us. Gros draws attention to other thinkers who also saw walking as something central to their practice. On his travels he ponders Thoreau's eager seclusion in Walden Woods; the reason Rimbaud walked in a fury, while Nerval rambled to cure his melancholy. He shows us how Rousseau walked in order to think, while Nietzsche wandered the mountainside to write. In contrast, Kant marched through his hometown every day, exactly at the same hour, to escape the compulsion of thought. Brilliant and erudite, A Philosophy of Walking is an entertaining and insightful manifesto for putting one foot in front of the other.

Stunning 40th anniversary collector's edition of this collection of tales which takes readers further into stories told in The Hobbit, The Lord of the Rings and The Silmarillion, featuring 18 full-colour paintings, housed in a matching illustrated slipcase with two removable full-colour posters unique to this edition. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Hobbit and The Lord of the Rings with a whole collection of background and new stories. The book concentrates on the realm of Middle-earth and comprises such elements as The Quest of Erebor, Gandalf's lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End; the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand; and an exact description of the military organization of the Riders of Rohan. Unfinished Tales also contains the only story about the long ages of Numenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantiri and the legend of Amroth. The tales were edited by Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his father's writings. In celebration of its 40th anniversary, this new edition features 18 stunning paintings from critically acclaimed Tolkien artists, Alan Lee, John Howe & Ted Nasmith, which reveal the three Ages of Middle-earth like never before. This special collector's edition is printed on superior quality paper, features a unique special binding and ribbon marker and is housed in a custom-made, fully illustrated slipcase.

Fruits of the most recent research on the worlds of the eleventh and twelfth centuries. This volume of the Haskins Society Journal furthers the Society's commitment to historical and interdisciplinary research on the early and central Middle Ages, focusing on the Anglo-Saxon, Anglo-Norman, and Angevin worlds.The topics of the essays range from the complexities of landholding and service in England after the Norman Conquest and the place of Portugal in the legal renaissance of the twelfth century, to the purpose and audiences of copiesof Anglo-Saxon charters produced by the late medieval community at Bury St Edmunds. There is an investigation of the hitherto overlooked narrative role of material objects in Orderic Vitalis'History, continuing the Journal's investigation of source-specific analyses, together with an exploration of the date and reliability of an important, but neglected, witness to the Norman conquest of Sicily. Other essays look at the longue duree of the ascetic practice of self-flagellation and its emergence in eleventh-century Italy; the place and meaning of religious practices in crusading, using the De expugnatione Lyxbonensi as laboratory; and aural and visual experience in the life and musical opus of Godric of Finchale. Contributors: Howard B. Clarke, Sarah Foot, John Howe, Monika Otter, Daniel Roach, Charles D. Stanton, Susanna A. Throop, Andre Vitoria.