The weather went from being beautiful to tempestuous: torrential thunderstorms plagued the Shelleys, Byron and Polidori. The weather -- along with the company and the eerie ambiance of the locale -- contributed to the genesis of _Frankenstein, _ Polidori's "The Vampyre," and, in all likelihood, modern weird fiction. On the night of June 16th, the group read aloud a collection of German ghost stories, _The Fantasmagoriana._ This inspired Byron to challenge the group to write a ghost story. Shelley wrote an forgettable story; Byron wrote a story fragment; and Polidori began the "The Vampyre," the first modern vampire tale. (Jacketless library hardcover.)

`Upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein: - to this the men pointed, crying, simultaneously struck with horror, "a Vampyre, a Vampyre!"' John Polidori's classic tale of the vampyre was a product of the same ghost-story competition that produced Mary Shelley's Frankenstein. Set in Italy, Greece, and London, Polidori's tales is a reaction to the dominating presence of his employer Lord Byron, and transformed the figure of the vampire from the bestial ghoul of earlier mythologies into the glamorous aristocrat whose violence and sexual allure make him literally a 'lady-killer'. Polidori's tale introduced the vampire into English fiction, and launched a vampire craze that has never subsided. `The Vampyre' was first published in 1819 in the London New Monthly Magazine. The present volume selects thirteen other tales of the macabre first published in the leading London and Dublin magazines between 1819 and 1838, including Edward Bulwer's chilling account of the doppelganger, Letitia Landon's elegant reworking of the Gothic romance, William Carleton's terrifying description of an actual lynching, and James Hogg's ghoulish exploitation of the cholera epidemic of 1831-2. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

One of the original tales of the figure of a vampire, The Vampyre is a classic of horror literature that should be read by anyone interested in the subject.

"The Vampyre" was first published on 1 April 1819 by Henry Colburn in the New Monthly Magazine with the false attribution "A Tale by Lord Byron." The name of the work's protagonist, "Lord Ruthven," added to this assumption, for that name was originally used in Lady Caroline Lamb's novel Glenarvon (from the same publisher), in which a thinly-disguised Byron figure was also named Lord Ruthven. Despite repeated denials by Byron and Polidori, the authorship often went unclarified. The tale was first published in book form by Sherwood, Neely, and Jones in London, Paternoster-Row, in 1819 in octavo as The Vampyre; A Tale in 84 pages. The notation on the cover noted that it was: "Entered at Stationers' Hall, March 27, 1819." Initially, the author was given as Lord Byron. Later printings removed Byron's name and added Polidori's name to the title page. The story was an immediate popular success, partly because of the Byron attribution and partly because it exploited the gothic horror predilections of the public. Polidori transformed the vampire from a character in folklore into the form that is recognized today-an aristocratic fiend who preys among high society

John Polidori's novella 'The Vampyre' had its genesis in the famous 'Year Without a Summer' (1816), when Lord Byron challenged a group of his friends to each write a chilling horror story (Mary Shelley's 'Frankenstein' also emerged from this session). Polidori's work was highly influential, and has been described as "the first story successfully to fuse the disparate elements of vampirism into a coherent literary genre." It was a major influence on Bram Stoker's 'Dracula'.

"The Vampyre" is a short story written by John William Polidori and is a progenitor of the romantic vampire genre of fantasy fiction. The work is described by Christopher Frayling as "the first story successfully to fuse the disparate elements of vampirism into a coherent literary genre." Polidori's work had an immense impact on contemporary sensibilities and ran through numerous editions and translations