- Written by a celebrated screenwriter, editor and educator. - Offers a unique perspective on crafting the perfect screen play from the eye of an editor. - Includes before-and-after examples stemming from preproduction scripts to post production final cuts, digital resources, and more.

- Written by a celebrated screenwriter, editor and educator. - Offers a unique perspective on crafting the perfect screen play from the eye of an editor. - Includes before-and-after examples stemming from preproduction scripts to post production final cuts, digital resources, and more.

This updated and revised new edition of The Healthy Edit provides aspiring and working editors with creative editing strategies they can employ to enhance a film, while also overcoming common production problems. With decades of experience editing and film doctoring Hollywood features, author John Rosenberg reveals both the aesthetic and technical aspects of the editor's art, demonstrating tricks and techniques for nursing an ailing project back to health or enhancing a well one. Whether it's a bad performance from an actor, a hole in the story or script, a continuity or pacing issue, or a poorly-composed shot, every film or show we watch encounters challenges during production-and fixing these issues becomes the job of the editor. Utilizing an approach comparing film editing to medicine, working editor and professor John Rosenberg offers a software-agnostic guide to best editing practices, offering solutions to everything from story and script inconsistencies to genre-specific structural issues. Accessibly written and brought fully up-to-date to embrace the predominance of file-based digital production, this second edition offers new insights into ultra-high-resolution footage, transitions, visual effects, collaboration, sound and music editing, as well as highlighting historic advances in the art form.

During a short visit to Bremen in December 1989 John Rosenberg had several discussions with me about computer architecture. Although we had previously worked together for more than a decade in Australia we had not seen each other for over a year, following my move to Bremen in 1988. Meanwhile John was spending a year on study leave at the University of St. Andrews in Scotland with Professor Ron Morrison and his persistent programming research group. From our conversations it was quite clear that John was having a most fruitful time in St. Andrews and was gaining valuable new insights into the world of persistent programming. He was very keen to explore the significance of these insights for the MONADS Project, which we had been jOintly directing since the early 1980s. MONADS was not about persistent programming. In fact it had quite different origins, in the areas of software engineering and information protection. In an earlier stage of the project our ideas on these themes had led us into the world of computer architecture and even hardware deSign, in our attempts to provide an efficient base machine for our software ideas. The most important practical result of this phase of the project had been the development of the MONADS-PC, a mini computer which would be better compared with say a V tv< 11/750 than with a personal computer, despite its unfortunate name.

Persistent object systems are systems which support the creation and manipulation of objects in a uniform manner, regardless of how long they persist. This is in direct contrast with conventional systems where temporary objects are created and manipulated using one mechanism (typically programming language data structures) and permanent objects are maintained using a different mechanism (usually a filestore). The unification of temporary and permanent objects yields systems which are smaller and more efficient than conventional systems and which provide a powerful and flexible platform for the development of large, data intensive applications. This volume presents the proceedings of a workshop at which latest research in this area was discussed. The papers are grouped into sections on the following topics: type systems and persistence, persistent programming languages, implementing persistence, object stores, measurement of persistent systems, transactions and persistence, and persistent machines.

This updated and revised new edition of The Healthy Edit provides aspiring and working editors with creative editing strategies they can employ to enhance a film, while also overcoming common production problems. With decades of experience editing and film doctoring Hollywood features, author John Rosenberg reveals both the aesthetic and technical aspects of the editor's art, demonstrating tricks and techniques for nursing an ailing project back to health or enhancing a well one. Whether it's a bad performance from an actor, a hole in the story or script, a continuity or pacing issue, or a poorly-composed shot, every film or show we watch encounters challenges during production-and fixing these issues becomes the job of the editor. Utilizing an approach comparing film editing to medicine, working editor and professor John Rosenberg offers a software-agnostic guide to best editing practices, offering solutions to everything from story and script inconsistencies to genre-specific structural issues. Accessibly written and brought fully up-to-date to embrace the predominance of file-based digital production, this second edition offers new insights into ultra-high-resolution footage, transitions, visual effects, collaboration, sound and music editing, as well as highlighting historic advances in the art form.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.