Examining the geometry of pattern, repetition and colour within her surroundings, British artist Tess Jaray has explored painterly perspective since the 1960s. This comprehensive and richly illustrated volume was produced in celebration of a 2014 exhibition of paintings and prints by Jaray. Although her work is resolutely abstract, Jaray's two-dimensional work and public art - both of which celebrate the vitality inherent within archetypal rhythms and patterns - have been informed by her interest in the spaces of Italian Renaissance art and architecture, along with more contemporary influences. Jaray focuses on producing the illusion of space, using perspective to create a field of spatial paradox that equates to distance and closeness in the mind. In many of her works the area of pattern - whether polygons, waves or rectangles - is contained by a strong, grounding background colour, thereby controlling the movement of the forms. From Italian architecture and Islamic mosaics to Kazimir Malevich and Lucio Fontana, this volume situates the artist within the tradition of abstract painting and the history of art. Featuring texts by fellow artists, alongside illustrations of a large group of Jaray's paintings, this first monograph explores her contemporary influence.

With a career spanning over five decades, Tess Jaray has continually explored geometry, colour, pattern and repetition, often inspired by architectural structures. Unlike the certainties of mathematical geometry, Jaray focuses on what she describes as the 'geometry of human relationships', challenging the viewers' perception and relationship with the space surroundings us. Accompanies the exhibition, Tess Jaray: Into Light at Marlborough Fine Art, London (25 May - 17 June 2017) and is co-published by Marlborough Fine Art and Ridinghouse.

British Conceptual artist John Stezaker is renowned for his innovative approach to found photographic imagery. This artist book focuses on his 'Crossing Over' series (2005-13), which reframes image fragments from postcards to stimulate new readings. Building upon Stezaker's corresponding 'The 3rd Person Archive' series, the image fragments in this volume span the history of postcard production. Moving from the Victorian era to the postwar period and black and white to colour imagery, Stezaker focuses on the female figure as well as notions of return and crossing back. Exploring time and memory, Crossing Over frames seemingly minor details, such as figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves. Exploring time and memory, Stezaker focuses on the female figure as well as notions of return and crossing back - framing seemingly minor details such as figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves. Reproduced at actual size, the 65 image fragments in this artist project are collected here for the first time.