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Real Sex Films explores one of the most controversial movements in
international cinema through an innovative interdisciplinary
combination of theories of globalization and embodiment. Risk
sociology, feminist film theory and critical feminist mapping
theory are brought together with concepts of production, narrative,
genre, authorship, stardom, spectatorship and social audience as
several lenses of both 'mutual understanding' and 'galvanizing
extension' in ways of seeing this object of 'real-sex cinema'.
Notions of personal subjectivity and critical distance,
disciplinary co-operation and critique, and cinematic perceptions
of the utopia and dystopia of love within risk modernity are the
tensions exposed reflexively and in parallel, as each chapter
focuses different lenses communicating intimacy, desire, risk and
transgression. This is a book which substantively, methodologically
and theoretically is embracing and engaging in its consideration of
the images, ethics, 'double standards' and embodiments of brutal
cinema. Written in a style free of jargon, and crossing the
boundaries of film studies, media and cultural studies, the
ethnographic turn, risk sociology, feminist psychoanalytical and
geopolitical studies, this is a book for students, academics as
well as general and professional audiences.
Risk and Hyperconnectivity brings together for the first time three
paradigms: new risk theory, neoliberalization theory, and
connectivity theory, to illuminate how the kaleidoscope of risk
events in the opening years of the new century has recharged a
neoliberal battlespace of media, economy, and security. Hoskins and
Tulloch argue that hyperconnectivity is both a conduit of risk and
a form of risk in itself, and that it alters the ways in which we
experience events and remember them. Through interdisciplinary
dialogue and case study analysis they offer original perspectives
on the key questions of risk of our age, including: What is the
path to a balance between individual privacy and state (or
corporate) security? Is hyperconnectivity itself a new risk
condition of our time? How do remembering and forgetting shape
citizen insecurity and cultures of risk, and legitimize neoliberal
governance? How do journalists operate as public intellectuals of
risk? Through probing a series of risk events that have already
scarred the twenty-first century, Hoskins and Tulloch show how both
established and emergent media are central in shaping past, present
and future horizons of neoliberalism, while also propelling wide
pressure for its alternatives on those ranging from economics
students worldwide to potential political leaders cultivated by
austerity policies.
Fighting with the Bengal Yeomanry Cavalry by John Tulloch
Nash
Private Metcalfe at Lucknow by Henry Metcalfe
Two vital recollections of the great Indian uprising
This is another Leonaur volume which includes two essential
perspectives of a single conflict within one book for great value
reading. The first account sees the Mutiny from the perspective of
a hastily thrown together unit of irregular cavalry. The author-a
gentleman volunteer-saw much hard riding, tough campaigning and
brutal action. He has recorded it all here for posterity in this
rare but vital first hand account. By contrast, Private Metcalfe's
is an authentic voice of the ordinary infantryman of the Queen
Empress's regular army. A soldier of the 32nd Foot from the age of
thirteen Metcalfe was of the stuff that 'kept the map red'. Rough,
tough, nostalgic and capable of acts of violence and great kindness
by turns, Metcalfe possessed almost limitless endurance, stoicism
and good humour throughout one of the most demanding actions of the
war-the siege of the Residency at Lucknow.
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