The Student Book is organized as follows: Welcome Unit introduces students to the group of characters and the story of their island Eight ten page theme-based units Review after every two units Wider World pages teach culture from around the world: one topic for every two units Goodbye unit to wrap up and consolidate Four festival pages teach about holidays Picture Dictionary Activity stickers for further consolidation of language

Student Book w/ CD-ROM * Each level of the Student Book contains a Welcome unit and 8 units each designed for 3-5 hours of class per week. Each unit includes a values lesson, a cross curricular lesson and a phonics lesson. The access code printed at the back of the book gives students and parents unique and safe access to the online world. * The CD-ROM contains additional interactive games and puzzles related to each unit of the Student Book. It also includes the songs and chants.

The Teacher's Edition provides step-by-step lesson plans covering all the Student Book material. Tips and guidance throughout make the most of the course. Each lesson is clearly structured into 3 stages: "Warm up" activities Step-by-step lesson plans Pop Quiz Lesson notes are designed to be flexible support for all teachers, including those who may lack time for planning or who have limited access to resources. Clear explanation as to how the Poptropica English World can be best integrated with the print materials. Photocopiable materials can be found in the Teacher's Edition: Story cards Activity sheets Tests

In this major study, leading Austen scholar John Wiltshire offers new interpretations of Jane Austen's six novels, Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1816), Northanger Abbey and Persuasion (1818). Much recent criticism of Austen has concentrated on the social, historical and intellectual context of her work, but Wiltshire turns attention back to Austen's prose techniques. Arguing that each of Austen's works has its own distinct focus and underlying agenda, he shows how Austen's interest in psychology, and especially her treatment of attention and the various forms of memory, helped shape her narratives. Through a series of compelling close readings of key passages in each novel, Wiltshire underscores Austen's unique ability to penetrate the hidden inner motives and impulses of her characters, and reveals some of the secrets of her narrative art.

Frances Burney is primarily known as a novelist and playwright, but in recent years there has been an increased interest in the medical writings found within her private letters and journals. John Wiltshire advocates Burney as the unconscious pioneer of the modern genre of pathography, or the illness narrative. Through her dramatic accounts of distinct medical events, such as her own infamous operation without anaesthetic, to those she witnessed, including the 'madness' of George III and the inoculation of her son against smallpox, Burney exposes the ethical issues and conflicts between patients and doctors. Her accounts are linked to a range of modern narratives in which similar events occur in the changed conditions of the public hospital. The genre that Burney initiated continues to make an important contribution to our understanding of medical practice in the modern world.

In recent years, Mansfield Park has come to be regarded as Austen's most controversial novel. It was published in two editions in her lifetime and here the 1814 and 1816 texts are fully collated for the first time. All the variants are included on the page, allowing readers to see the differences between the first edition and the second, which include some important amendments made by Jane Austen herself. Also included, with a brief note on Elizabeth Inchbald, is the text of Lovers' Vows, the play around which much of the plot of Mansfield Park revolves. The volume provides comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life, and an authoritative textual apparatus. This edition is an indispensable resource for all scholars and readers of Austen.

Recreating Jane Austen is a book for readers who know and love Austen's work. Stimulated by the recent crop of film and television versions of Austen's novels, John Wiltshire examines how her work has been "recreated" in another age and medium. Written in an engaging and readable style, this accessible study approaches the central question of the role Jane Austen plays in the contemporary cultural imagination.

Jane Austen has been read as a novelist of manners, whose work discreetly avoids discussing the physical. John Wiltshire shows, on the contrary, how important are faces and bodies in her texts, from complainers and invalids like Mrs Bennet and Mr Woodhouse, to the frail, debilitated Fanny Price, the vulnerable Jane Fairfax, and the 'picture of health', Emma. Talk about health and illness in the novels is abundant, and constitutes community, but it also serves to disguise the operation of social and gender politics. Behind the medical paraphernalia and incidents are serious concerns with the nature of power as exerted through and on the body, and with the manifold meanings of illness. 'Nerves', 'spirits', and sensibility figure largely in these books, and Jane Austen is seen to offer a critique of the gendering power of illness and nursing or attendance upon illness. Drawing both on modern - medical and feminist - theories of illness and the body as well as on eighteenth-century medical sources to illuminate the novels, this book offers new and controversial, but also scholarly, readings of these familiar texts.

Samuel Johnson has become known to posterity in two capacities: through his own works as the great literary essayist of the eighteenth century, and, through Boswell's Life, as a man - notoriously a medical patient with a string of physical and psychological ailments. John Wiltshire brings the two together in this 1991 study of Johnson the writer as 'Doctor' and patient. The subject of modern medical historians' case studies, Johnson also cultivated the acquaintance of doctors in his own day, and was himself a 'dabbler in physics'. John Wiltshire illuminates Johnson's life and work by setting them in their medical context, and also examines the importance of medical themes in Johnson's own writings. He discusses the many parts of Johnson's work touching on doctors, medicines, hospitals and medical experimentation, and analyses the central theme of human suffering - in body and mind - and its alleviation.

The novels of Jane Austen are typified by their comedic power, often most powerfully demonstrated by the singular voice of their narrators. Yet what makes them arresting novels can also produce a less than satisfactory transformation to the world of cinema, where the voice of a narrator often becomes obtrusive. This work argues that despite the difficulties in adapting Austen's writing for the screen, there have been many successes. Each author examines Austen's texts for their inherent cinematic features, analyzing the use of these features in film versions of the novels.

In this major study, leading Austen scholar John Wiltshire offers new interpretations of Jane Austen's six novels, Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1816), Northanger Abbey and Persuasion (1818). Much recent criticism of Austen has concentrated on the social, historical and intellectual context of her work, but Wiltshire turns attention back to Austen's prose techniques. Arguing that each of Austen's works has its own distinct focus and underlying agenda, he shows how Austen's interest in psychology, and especially her treatment of attention and the various forms of memory, helped shape her narratives. Through a series of compelling close readings of key passages in each novel, Wiltshire underscores Austen's unique ability to penetrate the hidden inner motives and impulses of her characters, and reveals some of the secrets of her narrative art.

Jane Austen has been read as a novelist of manners, whose work discreetly avoids discussing the physical. John Wiltshire shows, on the contrary, how important are faces and bodies in her texts, from complainers and invalids like Mrs Bennet and Mr Woodhouse, to the frail, debilitated Fanny Price, the vulnerable Jane Fairfax, and the 'picture of health', Emma. Talk about health and illness in the novels is abundant, and constitutes community, but it also serves to disguise the operation of social and gender politics. Behind the medical paraphernalia and incidents are serious concerns with the nature of power as exerted through and on the body, and with the manifold meanings of illness. 'Nerves', 'spirits', and sensibility figure largely in these books, and Jane Austen is seen to offer a critique of the gendering power of illness and nursing or attendance upon illness. Drawing both on modern - medical and feminist - theories of illness and the body as well as on eighteenth-century medical sources to illuminate the novels, this book offers new and controversial, but also scholarly, readings of these familiar texts.

Samuel Johnson has become known to posterity in two capacities: through his own works as the great literary essayist of the eighteenth century, and through Boswell's Life, as a man--notoriously a medical patient with a string of physical and psychological ailments. John Wiltshire brings the two together in this original study of Johnson the writer as "doctor" and patient. The subject of modern medical historians' case studies, Johnson also cultivated the acquaintance of doctors in his own day, and was himself a "dabbler in physic." Dr. Wiltshire illuminates Johnson's life and work by setting them in their medical context and also examines the importance of medical themes in Johnson's own writings. He discusses the many parts of Johnson's work touching on doctors, medicine, hospitals and medical experimentation, and analyzes the central theme, running throughout, of human suffering--in body and mind--and its alleviation.

Recreating Jane Austen is a book for readers who know and love Austen's work. Stimulated by the recent crop of film and television versions of Austen's novels, John Wiltshire examines how her work has been "recreated" in another age and medium. Written in an engaging and readable style, this accessible study approaches the central question of the role Jane Austen plays in the contemporary cultural imagination.

In recent years, Mansfield Park has come to be regarded as Austen's most controversial novel. It was published in two editions in her lifetime and here the 1814 and 1816 texts are fully collated for the first time. All the variants are included on the page, allowing readers to see the differences between the first edition and the second, which include some important amendments made by Jane Austen herself. Also included, with a brief note on Elizabeth Inchbald, is the text of Lovers' Vows, the play around which much of the plot of Mansfield Park revolves. The volume, first published in 2005, provides comprehensive explanatory notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life and an authoritative textual apparatus.

There were no reviews of "Mansfield Park" when it first appeared in 1814. Austen's reputation grew in the Victorian period, but it was only in the twentieth century that formal and sustained criticism began of this work, which addresses the controversies of its time more than Austen's earlier novels did. Lionel Trilling praised "Mansfield Park" for exploring the difficult moral life of modernity; Edward Said brought postcolonial theory to the study of the novel; and twenty-first-century critics scrutinize these and other approaches to build on and go beyond them.

This volume is the third in the MLA Approaches series to deal with Austen's work ("Pride and Prejudice" and "Emma" were the subject of the first and second volumes on Austen, respectively). It provides information about editions, film adaptations, and digital resources, and then nineteen essays discuss various aspects of "Mansfield Park," including the slave trade, the theme of reading, elements of tragedy, gift theory, landscape design, moral improvement in the spirit of Samuel Johnson and of the Reformation, sibling relations, card playing, and interpretations of Fanny Price, the heroine, not as passive but as having some control.

Jane Austen is a favorite with many students, whether they've read her novels or viewed popular film adaptations. But Persuasion (1817), completed at the end of her life, can be challenging for students to approach. They are surprised to meet a heroine so subdued and self-sacrificing, and the novel's setting during the Napoleonic Wars may be unfamiliar. This volume provides teachers with avenues to explore the depths and richness of the novel with both Austen fans and newcomers.Part 1, "Materials," suggests editions for classroom use, criticism, and multimedia resources. Part 2, "Approaches," presents strategies for teaching the literary, contextual, and philosophical dimensions of the novel. Essays address topics such as free indirect discourse and other narrative techniques; social class in Austen's England; the role of the navy during war and peacetime; key locations in the novel, including Lyme Regis and Bath; and health, illness, and the ethics of care.