French-Moroccan artist Yto Barrada (born 1971) explores postcolonial history and contemporary geopolitical shifts from a non-western perspective, with a particular focus on her hometown of Tangiers. In 2004 she won recognition for her photographic series "A Life Full of Hopes--The Strait Project." This volume provides a retrospective of her films, installations, sculptures and publications.

These poems by Carlos Fuentes Lemus (1973-1999), son of the author of Terra Nostra and Christopher Unborn, are an introduction to the unique voice of a sensitive but unsentimental young poet who became aware of his mortality at a very early age. A hemophiliac who as a child contracted HIV from contaminated blood products, he struggled to come to terms with his condition through the practice of art while paying homage to those artists from the Western canon (and from the Rock & Roll Hall of Fame) whose work inspired and shaped his own, such as Keats, Van Gogh, Wilde, Rimbaud, Schiele, Kerouac, Elvis, Hendrix, and Dylan. 4:56's heartbreaking "songs and visions" record his fleeting passage through our world.From the Afterword by Juan Goytisolo: "Beautiful, startling lines, without the least self-complacency, imbued with a hidden and unsettling pain. I have always been enchanted by the magic of English poetry, and its ability to express more in fewer words than can other languages that I know. Carlos Fuentes Lemus moved within its sphere almost on tiptoe, oblivious to any rhetoric and easy sentimentalism, with the delicacy and weightlessness with which he fleetingly traced his path through life."

Landscapes of War: From Sarajevo to Chechnya is an incisive examination of the tensions that exist between the West and Islamic societies of Europe, North Africa, and the Middle East. These essays, originating in Goytisolo's travels in the late 1990s, provide rich historical analysis and moving first-person reportage of life in four explosive war-zones: Sarajevo, Algeria, the West Bank and Gaza, and Chechnya. From the 17th century to the Gulf War, the West has regarded Islam as the enemy on the doorstep, and this book elucidates how relations between Islam and the West continue to be shaped in a climate of ideological, political, and cultural confrontation. Goytisolo examines the fratricidal frenzy in Algeria and the war waged by French police against North African migrants in France, and he describes a besieged Sarajevo transformed into a concentration camp surrounded by barbed wire. He contemplates the despair and poverty of Palestinian youth living in the Occupied Territories and details the brutality of the Russian war in the Caucasus. Whether reporting on the fate of the Bosnians after the break up of the former Yugoslavia or analyzing the growing appeal of fundamentalisms - Islamic, Jewish, and Russian Orthodox - Goytisolo displays the same blend of intelligence, vision, and warm fellow-feeling that has made him one the most imposing literary figures of our time. Many of these succinct and eloquent essays first appeared in Spain's leading newspaper El Pais, and English translations were published in the Times Literary Supplement (London). Juan Goytisolo was born in Barcelona in 1931. In 1993 he was awarded the Nelly Sachs Prize for his literary achievement and contribution to world culture. His translated works include a two volume autobiography, Forbidden Territory and Realms of Strife, the trilogy Marks of Identity, Count Julian and Juan the Landless, and the essays, Saracen Chronicles. Other works by him and published by City Lights Publishers includeThe Marx Family Saga, published in 1999, and A Cock-Eyed COmedy published in 2005. Peter Bush is Director of the British Center for Literary Translation and translated Juan Goytisolo's The Marx Family Saga, which was awarded the Premio Valle-Inclan.

The racy and irreverent Spanish tragicomedy that is considered the first European novel-in a spirited new translation
A Spanish "Romeo and Juliet," "Celestina" was published in 1499 and became Spain's first-ever bestseller. Readers thrilled to the salty character of Celestina and her world of prostitutes and black magic even as they mourned the fate of Calisto and Melibea, the young lovers she unites using her wiles as a seller of perfumes and potions. Fernando de Rojas's exhilarating mix of street wit, obscenity, and cultured rhetoric mark "Celestina" as a masterpiece: an original, explosive, genre-defying work that paved the way for the picaresque novel and for Cervantes.

For forty-five years, the expatriate Juan Goytisolo has been widely acknowledged as both Spain's greatest living writer and its most scabrous critic. In some thirty books of fiction, autobiography, essays and journalism, he has turned the Spanish language against what he derides as 'Sunnyspain', flaying the 'Hispanos' while excavating their culture's Moorish and Jewish roots. This, his masterful two-volume autobiography first published in the mid-1980s, broke new ground in Spanish letters with its introspective sexual and emotional honesty. It charts the writer's unique journey from a Barcelona childhood violently disrupted by the Spanish civil war to student rebellion against the Francoist dictatorship and exile as a 'self-banished Spaniard' to Paris in 1956. In Paris, Goytisolo fell in love with Monique Lange, befriended Jean Genet, and discovered his own homosexuality as he supported the struggles for Algerian independence. His passionate, iconoclastic pen spares no one, least of all himself, in this striking portrayal of politics and sexuality in twentieth-century France and Spain.

Legend has it that Count Julian opened the gates of Spain to the Moorish invaders and introduced eight hundred years of Islamic influence. The narrator dreams of another invasion of his fatherland. Destruction will be total - myths central to the Hispanic psyche will crumble: the myth of the Christian knight always ready to do battle to defend the faith, the myth of the macho male and its inverse the virgin female, and the myth of the heroic Spanish personality forged in the rout of Islam. The hatred of Spain is intense but it is a hatred that recognizes the debt the exile owes to his homeland.