Jurek Becker (1937-97) is best known for his novel Jacob the Liar, which follows the life of a man, who, like Becker, lived in the Lodz ghetto during the German occupation of Poland in World War II. Throughout his career, Becker also wrote nonfiction, and the essays, lectures, and interviews collected in My Father, the Germans and I share a common thread in that they each speak to Becker's interactions with and opinions on the social, political, and cultural conditions of twentieth-century Germany. Becker, who had lived in both German states and in unified Germany, was passionately and humorously active in the political debates of his time. Becker never directly aligned himself with either the political ideology of East Germany or the capitalist market forces of West Germany. The remains of fascism in postwar Germany, and the demise of Socialism, as well as racism and xenophobic violence, were topics that perpetually interested Becker. However, his writings, as evidenced in this collection, were never pedantic, but always entertaining, retaining the sense of humor that made his novels so admired. My Father, the Germans and I gives expression to an exceptional author's perception of himself and the world and to his tireless attempt to bring his own unique tone of linguistic brevity, irony, and balance to German relations.

An East German schoolteacher, is jolted into an awareness of his mortality by a seeming heart attack. The actions he takes afterword put him on a collisioin course with the state in which he has painlessly, if numbly, lived his life. The rusults, while harsh, are not unwelcome as he finds a new vitality in a world seen through new eyes. Translated by Leila Vennewitz.

East Berlin, 1973: an 18-year-old Jew discovers that his father's friends are holding prisoner a former Nazi concentration camp guard in the family cottage. The three older men have handcuffed the ex-Nazi to the bed and are interrogating and torturing him in an attempt to get him to admit to his war crimes. . . . Becker keenly shows the tension between members of the Holocaust generation and their children, who are unable to understand the complexity of that nightmarish era of human history.--Booklist [A] chilly, disquieting novel about historical slippage; about the seemingly inevitable decline of horror into a vague and generic recollection. The East German writer has devised something between story and allegory to evoke the cold generational millennium that separates a father, with his concentration-camp memories, from a son, adrift in a society with no memories whatsoever.--Richard Eder, Los Angeles Times Book Review Mr. Becker, writing simply and clearly in an unstrained narrative, speaks with the voice of knowledge, and we do well to listen to him.--Eva Figes, New York Times Book Review Jurek Becker (1937-1998) is the author of Jacob the Liar, Sleepless Days, The Boxer, and Amanda Herzlos.

Jurek Becker (1937-97) is best known for his novel "Jacob the Liar," which follows the life of a man, who, like Becker, lived in the Lodz ghetto during the German occupation of Poland in World War II. Throughout his career, Becker also wrote nonfiction, and the essays, lectures, and interviews collected in "My Father, the Germans and I" share a common thread in that they each speak to Becker's interactions with and opinions on the social, political, and cultural conditions of twentieth-century Germany.

Becker, who had lived in both German states and in unified Germany, was passionately and humorously active in the political debates of his time. Becker never directly aligned himself with either the political ideology of East Germany or the capitalist market forces of West Germany. The remains of fascism in postwar Germany, and the demise of Socialism, as well as racism and xenophobic violence, were topics that perpetually interested Becker. However, his writings, as evidenced in this collection, were never pedantic, but always entertaining, retaining the sense of humor that made his novels so admired.

"My Father, the Germans and I" gives expression to an exceptional author's perception of himself and the world and to his tireless attempt to bring his own unique tone of linguistic brevity, irony, and balance to German relations.