This book explores the consequences of the changing landscape of media communication on Black interactions in the virtual space. Current developments in technology, such as facial recognition, have already disproportionately affected people of color, especially people of African descent. The rise of DeepFakes and other forms of Fake News online has brought a host of new impacts and potential obstacles to the way that Black communities communicate. With a focus on the emergence of DeepFakes, and AI Synthetic Media, contributors have explored a range of themes and topics, including but not limited to: How do AI and digital algorithms impact people of color? How does Social Media shape Black women's perception of their body? How vulnerable are young Africans to social media generated fake news? Contributions have examined how Black virtual, in person and digital communication is affected by the current onslaught of misinformation, manipulated images and videos, and changing social media landscape.

Most Western-driven theories do not have a place in Black communicative experience, especially in Africa. Many scholars interested in articulating and interrogating Black communication scholarship are therefore at the crossroads of either having to use Western-driven theory to explain a Black communication dynamic, or have to use hypothetical rules to achieve their objectives, since they cannot find compelling Black communication theories to use as reference. Colonization and the African slave trade brought with it assimilationist tendencies that have dealt a serious blow on the cognition of most Blacks on the continent and abroad. As a result, their interpersonal as well as in-group dialogic communication had witnessed dramatic shifts. Black/Africana Communication Theory assembles skilled communicologists who propose uniquely Black-driven theories that stand the test of time. Throughout the volume's fifteen chapters theories including but not limited to Afrocentricity, Afro-Cultural Mulatto, Venerative Speech Theory, Africana Symbolic Contextualism Theory, HaramBuntu-Government-Diaspora Communications Theory, Consciencist Communication Theory and Racial Democracy Effect Theory are introduced and discussed.

Black Lives and Digi-Culturalism: An Afrocentric Perspective uses several lenses to examine the role of African Americans and Africans in the production and consumption of information in digital spaces. This book explores topics such as Black confluence of digital and in-person spaces, cyberculture and Black identity, cyberfeminists and Black gendered voices, digi-culture and racism, capitalism and digital colonization, digital activism and politics, minorities and artificial intelligence, among other topics. Scholars of African and Black Diaspora studies, digital media culture, and communication will find this book particularly interesting.

This book argues for hybridity of Western and African cultures within cybercultural and subcultural forms of communication. Kehbuma Langmia argues that when both Western and African cultures merge together through new forms of digital communication, marginalized populations in Africa are able to embrace communication, which could help in the socio-cultural and political development of the continent. On the other hand, the book also engages Richard McPhail's Electronic Colonization Theory in order to demonstrate how developing areas such as Africa experience a new form of imperialistic subjugation because of electronic and digital communication. Globalization and Cyberculture illustrates how new forms of communication inculcate age-old traditional forms of communications into Africa's cyberculture while complicating notions of identity, dependency, and the digital divide gap.

Black Lives and Digi-Culturalism: An Afrocentric Perspective uses several lenses to examine the role of African Americans and Africans in the production and consumption of information in digital spaces. This book explores topics such as Black confluence of digital and in-person spaces, cyberculture and Black identity, cyberfeminists and Black gendered voices, digi-culture and racism, capitalism and digital colonization, digital activism and politics, minorities and artificial intelligence, among other topics. Scholars of African and Black Diaspora studies, digital media culture, and communication will find this book particularly interesting.

Social Media: Culture and Identity examines the global impact of social media in the formation of various identities and cultures. New media scholars- both national and international- have posited thought-provoking analyses of sociocultural issues about human communication that are impacted by the omnipresence of social media. This collection examines issues of gender, class, and race inequities along with social media's connections to women's health, cyberbullying, sexting, and transgender issues both in the United States and in some developing countries.

Media Role in African Changing Electoral Process analyzes the effect of mass media on African elections. Featuring contributions by leading African scholars and professionals, this book covers a wide array of social science disciplines, political discourses, and political communication issues. In addition, the book is an essential reference guide for mass media scholars, political scientists, consultants, professionals, and diplomats interested in the media s role in the electoral process.

Media and Technology in Emerging African Democracies is a standard text that will give students an opportunity to familiarize themselves with some of the best literature in media technology impact in emerging African democracies with relevant concentration on information and communication technology (ICT). This textbook is a collection of essays that may be used as primary reading for courses on mass media technology, and information communication technology (ICT). It is also suitable as supplementary reading in media and politics, political science and courses that focus on political communication, and business communication. The book serves as a reference guide to mass media scholars, development communication experts, government leaders, and diplomats interested in media review, most importantly as it pertains to African democratic dispensations. The book includes contributions by scholars whose research interests in media and its relevant impact on African democratic system have stirred considerable academic discourse. The chapters span several social science disciplines, giving students, professionals, and government agencies an opportunity to see challenges from an interdisciplinary perspective.

Communication in an Era of Global Conflicts assesses trends and issues in communication and their implications for conflicts in the African context. In doing so, the various chapters draw from culture, tradition, folklore, communication and conflict theories, principles and strategies, and from systems approach to conflict resolution. The underlying assumption of all the chapters is the pivotal role of communication-new media, traditional mass communication, interpersonal communication, intercultural communication, and communication technologies-in conflict and conflict resolution. This book is unique for its multidimensional perspectives, a long overdue addition to the growing literature on conflicts in Africa.

The Internet has become a powerful medium for Africans in the Diaspora to meet for cross border dialogue. Cameroonians all over the world are using this tool for what the present study considers to be a public-sphere discourse. Cameroonians living in the United States and other nations use the Internet to discuss and debate the political, social, economic, and cultural aspects of the nationhood of Cameroon with the aim of seeking solutions to some of those pressing needs that confront the country. This study builds on Habermas and other leading feminist authors' conceptualization of the democratic public sphere, central to Habermas' theory of communicative action. This study's theoretical framework incorporates elements of the African experience in order to examine the dominant, oppositional and parallel themes that arise from four Cameroonian websites just before the national presidential election in 2004. The methodology adapts Jager's critical discourse analytical (CDA) framework, which was deemed an appropriate methodology because it sought not only to analyze the linguistic component of the discourse in the four websites, but more importantly to examine the holistic structure of the discourse that is its history and context. This study concludes that gender disparity existed in the dialogue between Cameroonian men and women. Cameroonian men were more dominant than the women in the discourse on the central themes involving the Cameroonian presidential election of 2004. The all-female website was more focused on the infrastructural development of Cameroon. Lastly, these findings suggest that future studies should focus on the ways that the Cameroonians and other Diasporic populations utilize the Internet to create alternative discursive spaces for political and social purposes.

Digital communication as it is practiced in Africa today is at a crossroad. This edited collection takes that crossroad as its starting point, as it both examines the complicated present and looks to the uncertain future of African communication systems. Contributing authors explore how western digital communication systems have proliferated in the African communication landscape, and argue that rich and long-cherished African forms of communal, in-person communication have been increasingly abandoned in favor of assimilation to western digital norms. As a result, future generations of Africans born on the continent and abroad may never recognize and appreciate African systems of communications. Acknowledging that globalized digital communication systems are here to stay, the volume contends that in order to comprehend the past, present, and future of African communications, scholars need to decolonize their approach to teaching and consuming mediated and in-person communications on the African continent and abroad.

Most Western-driven theories do not have a place in Black communicative experience, especially in Africa. Many scholars interested in articulating and interrogating Black communication scholarship are therefore at the crossroads of either having to use Western-driven theory to explain a Black communication dynamic, or have to use hypothetical rules to achieve their objectives, since they cannot find compelling Black communication theories to use as reference. Colonization and the African slave trade brought with it assimilationist tendencies that have dealt a serious blow on the cognition of most Blacks on the continent and abroad. As a result, their interpersonal as well as in-group dialogic communication had witnessed dramatic shifts. Black/Africana Communication Theory assembles skilled communicologists who propose uniquely Black-driven theories that stand the test of time. Throughout the volume's fifteen chapters theories including but not limited to Afrocentricity, Afro-Cultural Mulatto, Venerative Speech Theory, Africana Symbolic Contextualism Theory, HaramBuntu-Government-Diaspora Communications Theory, Consciencist Communication Theory and Racial Democracy Effect Theory are introduced and discussed.

This book argues for hybridity of Western and African cultures within cybercultural and subcultural forms of communication. Kehbuma Langmia argues that when both Western and African cultures merge together through new forms of digital communication, marginalized populations in Africa are able to embrace communication, which could help in the socio-cultural and political development of the continent. On the other hand, the book also engages Richard McPhail's Electronic Colonization Theory in order to demonstrate how developing areas such as Africa experience a new form of imperialistic subjugation because of electronic and digital communication. Globalization and Cyberculture illustrates how new forms of communication inculcate age-old traditional forms of communications into Africa's cyberculture while complicating notions of identity, dependency, and the digital divide gap.

Social Media: Pedagogy and Practice examines how interactive technologies can be applied to teaching, research and the practice of communication. This book demonstrates how social media can be utilized in the classroom to build the skillsets of students going into journalism, public relations, integrated marketing, and other communications fields.

Digital communication as it is practiced in Africa today is at a crossroad. This edited collection takes that crossroad as its starting point, as it both examines the complicated present and looks to the uncertain future of African communication systems. Contributing authors explore how western digital communication systems have proliferated in the African communication landscape, and argue that rich and long-cherished African forms of communal, in-person communication have been increasingly abandoned in favor of assimilation to western digital norms. As a result, future generations of Africans born on the continent and abroad may never recognize and appreciate African systems of communications. Acknowledging that globalized digital communication systems are here to stay, the volume contends that in order to comprehend the past, present, and future of African communications, scholars need to decolonize their approach to teaching and consuming mediated and in-person communications on the African continent and abroad.

Social Media: Culture and Identity examines the global impact of social media in the formation of various identities and cultures. New media scholars- both national and international- have posited thought-provoking analyses of sociocultural issues about human communication that are impacted by the omnipresence of social media. This collection examines issues of gender, class, and race inequities along with social media's connections to women's health, cyberbullying, sexting, and transgender issues both in the United States and in some developing countries.

Contemporary Bali Nyonga is a rapidly growing town of over 80,000 in habitants, sixteen kilometres southwest of Bamenda, the capital of the North West region, Cameroon. If Cameroon has been aptly referred to in many circles as Africa in miniature, then Bali Nyonga, since its founding in the mid 19th century is emblematic of this so-called 'multicultural' region. This book is about change in Bali Nyonga, but it is also about change in a typical postcolonial African setting grappling with a challenging new world reality. It aims to provide cutting-edge analyses of cultural change in Bali as well as inspire a new kind of scholarship in the Cameroon Grasslands - championed by indigenous intellectuals. The contributors to this volume come from diverse academic backgrounds and as will be evident in the various chapters, their disciplinary perspectives have largely shaped their approaches to the topics under study. Hence, this book draws on anthropological, theological, literary and media studies perspective.

The fight against evil remains at the core of this play, pitting Kamsi and her supporters against a few daring councillors. Skilfully scripted by a renowned actor and playwright, this drama exposes the alliances and explosive tensions in Nyong village overwhelmed by unseen but supposedly harmful forces. Spiced with witty proverbs and humour, The Earth Mother will not fail to thrill its readers.

An Evil Meal of Evil is a play about greed and its consequences. Set in the traditional African village of 'Ntisong', the play exposes the complexities of unravelling the issue of Death. Sunyin, the young wife of Dohbani epitomizes what is wrong with coerced marriages. A group of blood thirsty vampires popularly known in the village as members of 'Nda Saah' superstitiously kill targeted individuals purposely to enrich themselves. Sunyin, the protagonist in the play suffers from a premature widowhood simply because her father Njukebim forced her into marrying Dohbani. As the play unravels with the culprit of 'Nda Saah' brought to justice, questions still linger about the fate of 'Ntisong'. This play examines the advantages and disadvantages of 'black art' mysticism in Africa.

Titabet and the Takumbeng is a play that relives the unprecedented political upheaval of the 1992 first ever multiparty presidential elections in Cameroon. Following the controversial elections, Bamenda - the stronghold of the main opposition party, the Social Democratic Front (SDF) - was plunged into a tense and intense civil disobedience campaign. The violence which ensued pitted SDF militants who claimed their victory was stolen against regime loyalists. The government reacted by imposing a curfew on Bamenda. The army that was dispatched to keep the peace committed ferocious kidnapping, rape, theft and torture, driving women, children and men into the arms of terror. Titabet the protagonist emerges as the leader of the oppressed. He and the sacred women's cult of Takumbeng were the only hope for the people. The sacred cleansing cult and Titabet's courageous resistance apparently brought an end to what would have been too devastating a tale to narrate. Kehbuma Langmia teaches courses in Mass Communications, Broadcast Journalism and Media Studies at Bowie State University. With previous degrees in fine arts, television and film, he earned his PhD in Mass Communication and Media Studies from Howard University. He also has an MA degree in theatre arts from the University of Yaound, Cameroon. He is also a graduate from the Television Academy in Munich, Germany. Dr. Langmia writes, produces and directs independent productions, and serves as executive producer for students' television projects at Bowie State University.