Jerzy Koch, vertaler, digter, akademikus, is hoof van die Afdeling Nederlandse en Suid-Afrikaanse Studies by die Fakulteit Engels van A. Mickiewicz-Universiteit in Poznań. Hy doseer veral Nederlandse literatuur, koloniale literatuur en Afrikaans. Hy is ook die skrywer van ’n omvattende literatuurgeskiedenis oor Afrikaans. Hy besoek Suid-Afrika gereeld sedert 1992 en het die Afrikaanse taal sodanig sy eie gemaak dat hy dit vlot praat en gedigte daarin skryf.

Hy het werke vertaal van H. Claus, J. Bernlef, H. de Coninck, S. Hertmans, G. Kouwenaar, Lucebert, H. Mulisch, Multatuli, L. Nolens, P. Rodenko, F. Timmermans e.a. Vir sy vertaal-oeuvre het hy in die Lae Lande die M. Nijhoff-prys ontvang. Hy het ook Ingrid Jonker (1993) vertaal en sy onlangse vertalings in Poolse is bloemlesings uit Antjie Krog (2017) en Breyten Breytenbach (2018) se gedigte.

In sy digbundel Pleks van plaas skryf hy onder meer oor sy familiegeskiedenis in Pole, maar die grootste deel van die bundel word in beslag geneem deur verse oor Suid-Afrika. Indrukwekkend is veral die seegedigte. Dit is nie net die branders wat sy “oor vang en oorrompel” nie, maar ook die Afrikaanse taal.

Twee broers en hulle vrouens gaan een aand eet in ’n deftige restaurant: Paul Lohman, mislukte onderwyser en sy slim vrou Claire, saam met Serge Lohman, kandidaat vir die premierskap in die opkomende verkiesing, en sy vrou Babette. Teen die agtergrond van die bediening van keurige geregte en tipiese restaurantpraatjies ontvou ’n ontstellende verhaal.

Though you may not know the man, you probably know his music. Arkansas-born Louis Jordan's songs like "Baby, It's Cold Outside," "Caldonia" and "Ain't Nobody Here But Us Chickens" can still be heard today, decades since Jordan ruled the charts. In his five-decade career, Jordan influenced American popular music, film and more and inspired the likes of James Brown, B.B. King, Chuck Berry and Ray Charles. Known as the "King of the Jukeboxes," he and his combo played a hybrid of jazz, swing, blues and comedy music during the big band era that became the start of R&B.

In a stunning narrative portrait of Louis Jordan, author Stephen Koch contextualizes the great, forgotten musician among his musical peers, those he influenced and the musical present.

Taylor Kitsch and Brendan Gleeson star in this comedy drama directed by Don McKellar. The community of the small harbour village of Tickle Head in Newfoundland is in urgent need of employment. Since the need for fishermen has rapidly decreased over the years, the majority of the people have been out of work. When news reaches the mayor of Tickle Head that there are talks of opening a petrochemical factory in the village, the people set out to do everything they can to make it happen; the only problem is that there is a condition in place that states they must have a resident doctor. When young doctor Paul Lewis (Kitsch) is caught by airport security with cocaine, the mayor of Tickle Head sees an opportunity and tells him that there will be no charges made but he must stay in the village to serve as their doctor for one month. Plans are made to get every member of the community to try their hardest to make him stay.

Given growing caseloads, limited funding and staff shortages, the need for coordination in healthcare and elderly care is at an all-time high. This timely book conducts a cross-national analysis of coordination problems in healthcare and long-term care systems, providing novel insights on how to improve the lives of the elderly. This book focuses on four European welfare states with well-developed healthcare and long-term care systems: Germany, the Netherlands, Sweden, and Switzerland. It examines the two critical interfaces of the transition from hospital care to home care and integrated home care arrangements. Using empirical data and extensive interviews with major stakeholder organisations, the authors identify best practice examples of healthcare and long-term coordination. The book ultimately considers both professional-level and system-level coordination problems, suggesting original solutions in financing reform, institutionalisation, and academisation. Healthcare and Elderly Care in Europe will be a fascinating read for scholars and students interested in health policy, long-term care, the sociology of health, welfare states and comparative public policy. It will also be a valuable guide for policymakers seeking to design effective healthcare and long-term care systems.

Koch's A History of South African Literature: Afrikaans Literature, Part 2 is an extensive and thorough study of the development of Afrikaans literature during the first three decades of the 20th century. It follows Part 1, in which the earlier origins of Afrikaans and Afrikaans literature as well as the local Dutch writings tradition were discussed. Koch uses the metaphor of mapping to describe the work of the historiographer, and it becomes clear that his study analyses the literary texts within the context of space and time. Accordingly, it includes information on the authors' lives and times as well as the developments in Afrikaans literature, criticism and literary historiography. The exposition starts with the origin and development of the Afrikaans language during the so-called 'Second Language Movement'. Koch also describes the polemics between historians emphasising the 'spontaneous development' of Afrikaans from Dutch and those regarding it as a creole language; his balanced conclusion is that neither of the two groups can lay absolute claim to the truth. The interest of the book is heightened by the inclusion of texts written in Dutch, as Koch discussed in Part 1, and also works which are not 'literary' in the strict sense of the word, like war diaries. These are discussed not primarily for their literary value but for the insights they provide into the effect of the Anglo-Boer War on the formation of Afrikaner identity. It confirms that this literary history does not isolate the development of Afrikaans literature from the development of Afrikaner ideology and identity. This is followed by the two main parts of the study: a discussion of the literary works of the 'first generation' (Celliers, Totius and Leipoldt) and those of the 'writers of the twenties' (Toon van den Heever, A G Visser, C J Langenhoven and Eugene Marais). Jerzy Koch is professor in the Department of Dutch and South African Studies, Faculty of English, at the Adam Mickiewicz University in Poznan, Poland, research fellow at the Free State University, Bloemfontein, and extraordinary professor at Stellenbosch University. He is an acclaimed translator of Dutch and Afrikaans literature into Polish and has published widely on Dutch and post-colonial literature.

Literary history is a problematic and shifting discourse, especially in the multilingual, post-colonial South African situation. In this book, the author draws on his intimate knowledge of documents written in Dutch during the 17th century and the texts that were produced in this language and its variations as it gradually became Afrikaans by the end of the 19th century. A History of South African Literature: Afrikaans Literature 17th-19th centuries brings an important expansion and regeneration of Afrikaans historiography within the context of South African literary history. A History of South African Literature: Afrikaans Literature 17th-19th centuries is divided into three broad historical periods: the Dutch colonial time (1652-1795), British colonial time (first part of the 19th century) and the time of the language movements (latter half of the 19th century). It follows an inclusive approach, discussing and contextualising a wide variety of documents, like travelogues and personal as well as official journals and other "non-literary texts". The thorough analyses of previously neglected works, like those produced at Genadendal, provide a rich and textured image of the history of writing in South Africa.

Fun 5-minute drawing lessons for kids-great for young artists, birthday gifts, homeschool art lessons, and elementary art classes! Perfect for budding artists and kids who have never drawn before, this beginner drawing book will teach your kid how to draw their favorite animals in no time! Author and professional artist Alli Koch's kid friendly, mini drawing lessons will help your child practice their basic art skills and teach them how to draw with confidence. This book is perfect for kids 7-12, but kids as young as 5 with an interest in art will be able to easily follow along as well. No experience required! Easy-to-Follow Instructions: Simple steps and diagrams from start to finish 40+ Cool Projects: Learn how to draw favorite animals from the farm, forest, jungle, and sea, including everything from a llama to a dolphin to a kangaroo Layflat Binding: Making it easier for kids to keep the book open as they follow along Perforated Pages and Premium Paper: Easily removable pages that are thick and sturdy 9 x 9 Size: Big pages so your kid has no problem seeing each step

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

With human-induced environmental impacts disrupting human life in deeper ways and at a wider scale than anything previously experienced, this multidisciplinary book looks at the ways that current knowledge bases seem inadequate to help us deal with such realities. It offers a critical appraisal of the current knowledge infrastructure, including science, technology, innovation, education and informal knowledge systems. Contributions from a wide spectrum of social scientists, philosophers, activists and decision-makers tackle the importance of knowledge for the Anthropocene using a mosaic of data, theories, cases, models, methods and experiences. Chapters highlight what relevant knowledge will become critical to dealing with deteriorating environmental conditions, as well as how science, technology, education and innovation can be radically transformed to deal with these challenges. The book further explores the behavioural, economic, social and cultural aspects of the Anthropocene, and how knowledge impacts both these and our possible futures. This will be a critical read for human geography and environmental science scholars, as well as social science scholars more broadly, particularly with its in-depth glossary and digital resource list. It will also aid practitioners in the planning, design, management and evaluation of knowledge systems by providing deeper understandings of the potential circumstances of knowledge in the Anthropocene.

This authoritative Handbook presents a comprehensive analysis of the spatial transformation of the state; a pivotal process of globalization. It explores the state as an ongoing project that is always changing, illuminating the new spaces of geopolitics that arise from these political, social, cultural, and environmental negotiations. Drawing together a diverse set of expert contributors, this book showcases compelling scholarship on the changing geographies of the state. Chapters examine the state from a range of theoretical angles and analyse a variety of relevant themes, including feminist geographies, the relationship between state and environment, urbanization, security geographies, nation-building, and geographical political economies. The book considers the state as spatial in both form and outlook, illustrating how it occupies existing and constantly-changing political geographic conditions, and how it is maintained by the practices of categorizing and managing territory. Taking a multidisciplinary approach, this Handbook will be a valuable resource for academics and students across a range of subjects, including human geography, international relations, political science, spatial planning, and urban studies. The key case studies explored will also provide valuable examples for scholars and policy-makers seeking a better understanding of the broad scope of geopolitics in a globalizing world.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.