Expressed through poetry, essays, and short stories, "Voices from a Black Heart Speak" examines deep-seated beliefs, perspectives, and emotional feelings derived from the cultural development of black people in the United States.We live in a world where television tells us what to want, how we want to live, and what we want to do. We live in a world where fear of the unknown is to be feared and that's considered normal. It may be considered normal and acceptable, but it's totally irrational as our entire lives and world is based on the unknown. We slide through life on a hope and wish that our lives work out as we planned them. If we look at the major earthquake in the Indian Ocean on December 26, 2004 that created a Tsunami or Great Wave that killed over 100,000 people and destroyed towns, cities and property in the billions in Asia, we can realize the truth of the fact is that we live our lives in the unknown from moment to moment. The one thing that sustains us is our faith as we journey through life.

This book focuses on female tragic heroes in England from c.1610 to c.1645. Their sudden appearance can be linked to changing ideas about the relationships between bodies and souls; men's bodies and women's; marriage and mothering; the law; and religion. Though the vast majority of these characters are closer to villianesses than heroines, these plays, by showing how misogyny affected the lives of their central characters, did not merely reflect their culture, but also changed it.

Paying full attention to the whole range of Shakespearean drama but also looking closely at his two most significant predecessors, his closest rival, his only known collaborator, and other writers who influenced and carried forward the genres in which he worked, this volume shows both the ways in which Shakespearean drama is typical of its period and of the ways in which it is distinctive. This collection offers practical suggestions for the integration of non-Shakespearean drama into the teaching of Shakespeare.

This book charts the major events of Stoker's life, which included friendships with many of the major figures of the age and a high public profile as manager of Henry Irving's Lyceum, and maps them onto the contours of his literary career. It offers sustained critical evaluation both of "Dracula" and also of Stoker's lesser-known works, which prove to yield much interest when reinserted into their original cultural contexts.

In 2008, the United States made history when it elected the first African American to serve as its country's president. This was a momentous occasion for both black and white Americans. "In Somebody in the White House Looks like me," author Rosetta L. Hopkins shares interviews of average people in the black community to reveal how they felt about the election of a black president and his inauguration and what their expectations of the new president-elect were at the time.

Ms. Hopkins interviewed ordinary black people ages sixteen to ninety-three of both sexes and from a broad occupational spectrum to capture their feelings and thoughts about the election of the first black president. Including original poetry and photos, "Somebody in the White House Looks like Me" documents the interviewees' emotions of joy or disbelief as they discuss their recollections on the state of America today and in the past.

Recording the silent and unheard voices of everyday black people whose opinions are often neglected, "Somebody in the White House Looks like Me" recognizes that moment in time when the division among the races was minimized for a greater good.

Marriage features to a greater or lesser extent in virtually every play Shakespeare wrote - as the festive end of comedy, as the link across the cycles of the history plays, as a marker of the difference between his own society and that depicted in the Roman plays, and, all too often, as the starting-point for the tragedies. Situating his representations of marriage firmly within the ideologies and practices of Renaissance culture, Lisa Hopkins argues that Shakespeare anatomises marriage much as he does kingship, and finds it similarly indispensable to the underpinning of society, however problematic it may be as a guarantor of personal happiness.

Marriage features to a greater or lesser extent in virtually every play Shakespeare wrote - as the festive end of comedy, as the link across the cycles of the history plays, as a marker of the difference between his own society and that depicted in the Roman plays, and, all too often, as the starting-point for the tragedies. Situating his representations of marriage firmly within the ideologies and practices of Renaissance culture, Lisa Hopkins argues that Shakespeare anatomises marriage much as he does kingship, and finds it similarly indispensable to the underpinning of society, however problematic it may be as a guarantor of personal happiness.

It was front-page news throughout the country - the largest gathering of Union and Confederate veterans ever held. “[It] will be talked about and written about as long as the American people boast of the dauntless courage of Gettysburg,” declared a woman who accompanied her father to the reunion. But as the years passed, the memorable event was all but forgotten. John Hopkins’s The World Will Never See the Like: The Gettysburg Reunion of 1913 goes a long way toward making sure the world will remember. The 1913 Gettysburg reunion is a story of 53,000 old comrades and former foes reunited, and of the tension, even half a century later, between competing narratives of reconciliation and remembrance. For seven days the old soldiers lived under canvas in the stifling heat on a 280-acre encampment run by the U.S. Army. They swapped stories, debated still-simmering controversies about the battle, and fed tall tales to gullible reporters. On July 3, the aging survivors of Pickett’s Division and the Philadelphia Brigade shook hands across the wall on Cemetery Ridge, in the reunion’s climactic photo op. Some of the battle’s leading personalities were in attendance including Union III Corps commander Dan Sickles, who at 92 was still eager to explain to anyone who would listen the indispensable role he had played in the Union victory. Also present was Helen Dortch Longstreet, the widow of Confederate Lt. Gen. James Longstreet, who devoted her life and considerable energies to defending the reputation of her general. Both wrote articles from the reunion that were syndicated in newspapers across the country. There was even a cameo appearance by a young and as yet unknown cavalry officer named George S. Patton Jr. Hopkins fills his marvelous account with detail from the letters, diaries, and published accounts of Union and Confederate veterans, the extensive archival records of the reunion’s organizers, and the daily stories filed by the scores of reporters who covered it.The World Will Never See the Like offers the first full story of this extraordinary event’s genesis and planning, the obstacles overcome on the way to making it a reality, its place in the larger narrative of sectional reunion and reconciliation, and the individual stories of the veterans who attended. Every reader interested in Gettysburg will find this a welcome addition to their library.

Christopher Marlowe: A Literary Life situates the individual works of Marlowe within the context of his overall literary career. Areas covered include: Marlowe's preference for foreign settings and his unusually accurate depictions of them; the importance of his scholarly background; his consistent portrayal of family groups as fissured and troubled; the challenge that his works posed to contemporary orthodoxies about religion, sexuality, and government; and the long and sometimes spectacular afterlife of his works and of his literary reputation as a whole.

This new Chronology allows for quick and easy retrieval of all the major dates pertaining to Christopher Marlowe's life and career. It also helpfully gives dates relevant to the real people and historical events dramatized in his plays and to those who acted in, produced them, the dates of publication of the works which he used as sources, the dates of principal revivals of his works, and the dates at which various key facts about his life and works were later rediscovered.

Amateur astronomers interested in learning more about astronomical spectroscopy now have the guide they need. It provides detailed information about how to get started inexpensively with low-resolution spectroscopy, and then how to move on to more advanced high-resolution spectroscopy. Uniquely, the instructions concentrate very much on the practical aspects of using commercially-available spectroscopes, rather than simply explaining how spectroscopes work. The book includes a clear explanation of the laboratory theory behind astronomical spectrographs, and goes on to extensively cover the practical application of astronomical spectroscopy in detail. Four popular and reasonably-priced commercially available diffraction grating spectrographs are used as examples. The first is a low-resolution transmission diffraction grating, the Star Analyser spectrograph. The second is an inexpensive fiber optic coupled bench spectrograph that can be used to learn more about spectroscopy. The third is a newcomer, the ALPY 600 spectrograph. The fourth spectrograph considered is at the other end of the market both in performance and cost, the high-resolution Lhires III. While considerably more expensive, this is a popular and excellent scientific instrument, that allows more advanced amateur astronomers to produce scientifically valuable data. With all of these tools in place, the amateur astronomer is well-prepared to forger deeper into the night sky using spectroscopy.

This collection offers practical suggestions for the integration of non-Shakespearean drama into the teaching of Shakespeare. It shows both the ways in which Shakespearean drama is typical of its period and of the ways in which it is distinctive, by looking at Shakespeare and other writers who influenced and developed the genres in which he worked.

This book focuses on female tragic heroes in England from c.1610 to c.1645. Their sudden appearance can be linked to changing ideas about the relationships between bodies and souls; men's bodies and women's; marriage and mothering; the law; and religion. Though the vast majority of these characters are closer to villainesses than heroines, these plays, by showing how misogyny affected the lives of their central characters, did not merely reflect their culture, but also changed it.

Christopher Marlowe: A Literary Life situates the individual works of Marlowe within the context of his overall literary career. Areas covered include Marlowe's preference for foreign settings and his unusually accurate depictions of them, the importance of his scholarly background, his consistent portrayal of family groups as fissured and troubled, the challenge that his works posed to contemporary orthodoxies about religion, sexuality, and government, and the long and sometimes spectacular afterlife of his works and of his literary reputation as a whole.

This new Chronology offers a unique and accessible overview of key dates relevant to Christopher Marlowe's life and works, and enables readers to navigate their way through the various pieces of evidence for the hotly contested dating of his plays and poems. Since Marlowe's plays often focus on real historical figures, details of their lives are also included to allow readers to see what liberties Marlowe has taken in his dramatizations of their lives.

This book charts the major events of Stoker's life, including friendships with many of the major figures of the age and as manager of Henry Irving's Lyceum, with his literary career. It offers critical evaluation of Dracula and of Stoker's lesser-known works, yielding much interest when reinserted into their original cultural contexts.