Paying full attention to the whole range of Shakespearean drama but
also looking closely at his two most significant predecessors, his
closest rival, his only known collaborator, and other writers who
influenced and carried forward the genres in which he worked, this
volume shows both the ways in which Shakespearean drama is typical
of its period and of the ways in which it is distinctive. This
collection offers practical suggestions for the integration of
non-Shakespearean drama into the teaching of Shakespeare.
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