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Since the fall of the Berlin Wall in 1989, transnational European
cinema has risen, not only in terms of production but also in terms
of a growing focus on multiethnic themes within the European
context. This shift from national to trans-European filmmaking has
been profoundly influenced by such historical developments as the
collapse of the Iron Curtain and the subsequent ongoing enlargement
of the European Union. In European Cinema after the Wall: Screening
East-West Mobility, Leen Engelen and Kris Van Heuckelom have
brought together essays that critically examine representations of
post-1989 migration from the former Eastern Bloc to Western Europe,
uncovering an array of common tropes and narrative devices that
characterize the influences and portrayals of immigration.
Featuring essays by contributors from backgrounds as divergent as
film studies, Slavic and Russian studies, comparative literature,
sociology, contemporary history, and communication and media
studies, this volume will appeal to scholars of film, European
history, and those interested in the impact of migration, diaspora,
and the global flow of cinematic culture.
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