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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Performance art
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Relevance and Marginalisation in Scandinavian and European Performing Arts 1770-1860 - Questioning Canons (Paperback)
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Relevance and Marginalisation in Scandinavian and European Performing Arts 1770-1860 - Questioning Canons (Paperback)
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Relevance and Marginalisation in Scandinavian and European
Performing Arts 1770-1860: Questioning Canons reveals how various
cultural processes have influenced what has been included, and what
has been marginalised from canons of European music, dance, and
theatre around the turn of the nineteenth century and the following
decades. This collection of essays includes discussion of the piano
repertory for young ladies in England; canonisation of the French
minuet; marginalisation of the popular German dramatist Kotzebue
from the dramatic canon; dance repertory and social life in
Christiania (Oslo); informal cultural activities in Trondheim;
repertory of Norwegian musical clocks; female itinerant performers
in the Nordic sphere; preconditions, dissemination, and popularity
of equestrian drama; marginalisation and amateur staging of a
Singspiel by the renowned Danish playwright Oehlenschlager, also
with perspectives on the music and its composers; and the perceived
relevance of Henrik Ibsen's staged theatre repertory and early
dramas. By questioning established notions about canon,
marginalisation, and relevance within the performing arts in the
period 1770-1860, this book asserts itself as an intriguing text
both to the culturally interested public and to scholars and
students of musicology, dance research, and theatre studies.
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