Displaying the Ideals of Antiquity investigates the study and display of ancient sculpture from archaeological, art historical, and museum studies perspectives. Ancient sculptures not only give us knowledge about ancient Greek and Roman pasts, but they also mediate ideals that inform modern perceptions of antiquity. This book analyzes how an art historical tradition establishes and preserves an idealized view of antiquity in classical archaeology and in museum exhibitions. The authors investigate how these ideals are kept alive today-an approach that often is neglected in studies on ancient reception.This book offers an international scope and illustrates how academic conceptual foundations influence museum exhibitions.This timely volume discusses contemporary museum exhibitions of ancient sculpture and clarifies how old discourses continue to affect museum exhibitions and conceptualizations of ancient sculptures. The authors analyze close to 100 museums around the world, and demonstrate the ways in which ancient sculptures are mediated across Europe and the West.

Displaying the Ideals of Antiquity investigates the study and display of ancient sculpture from archaeological, art historical, and museum studies perspectives. Ancient sculptures not only give us knowledge about ancient Greek and Roman pasts, but they also mediate ideals that inform modern perceptions of antiquity. This book analyzes how an art historical tradition establishes and preserves an idealized view of antiquity in classical archaeology and in museum exhibitions. The authors investigate how these ideals are kept alive today-an approach that often is neglected in studies on ancient reception.This book offers an international scope and illustrates how academic conceptual foundations influence museum exhibitions.This timely volume discusses contemporary museum exhibitions of ancient sculpture and clarifies how old discourses continue to affect museum exhibitions and conceptualizations of ancient sculptures. The authors analyze close to 100 museums around the world, and demonstrate the ways in which ancient sculptures are mediated across Europe and the West.

Our picture of Iron Age and Archaic Crete is constantly changing due to the increasing number of field investigations that reveal new information on these centuries. Results from many recent excavations (at sites like Azoria in Eastern Crete and Thronos/Kephala (ancient Sybrita) in the Western region of the island) will eventually transform our view of the period. The focus of this particular study is centred on sites with a long-established history of research. Sites like, for example, Phaistos, Knossos, Praisos, Axos, Dreros, Gortyn, Vrokastro, Kavousi, Kato Syme and Aphrati have thus received a large amount of attention in the analyses. However, the author has also tried to introduce lesser well-known sites of a rural character in order to obtain a more varied rendering of Iron Age and Archaic Crete. As the title indicates, she is interested in site variations within the different site-categories and how these change during the 8th, 7th and 6th centuries. 84 tables, figures, maps, plans; illustrations and drawings; site Gazeteer.