One way to analyze the intensely conflicting feelings Americans hold toward the Vietnam War is to see how the war has been portrayed through film. How the War Was Remembered is the first book to analyze Vietnam War films. Auster and Quart create a typology of these films based on their connection to sociohistorical currents such as the Wounded Hero, Superman, Hunter/Hero, and the Survivor. They also combine aesthetic analysis with a social, historical, and cultural critique. How the War Was Remembered by Albert Auster and Leonard Quart is a full-length treatment of filmic portrayals of the Vietnam War. From Samuel Fuller's China Gate to Francis Coppala's Apocalypse Now they examine the major works of an ever growing genre. The book is divided into four parts. The first deals with the genre, and the other three specific types within the genre. Notes, a bibliography, and an index complete the volume. Communication Booknotes One way to analyze the intensely conflicting feelings Americans hold toward the Vietnam War is to see how the war has been portrayed through film. How the War Was Remembered is the first book to analyze Vietnam War films, beginning with China Gate, and ending with Hamburger Hill. Included are analyses of all the major films about the Vietnam War, including Green Berets, The Deerhunter, Apocalypse Now, The Killing Fields, Rambo, Platoon, and Full Metal Jacket, and others. Auster and Quart create a typology of these films based on their connection to socio-historical currents such as the Wounded Hero, Superman, Hunter/Hero, and the Survivor. They also combine aesthetic analysis with a social, historical, and cultural critique.

From Steven Spielberg's Lincoln to Clint Eastwood's American Sniper, this fifth edition of this classic film study text adds even more recent films and examines how these movies depict and represent the feelings and values of American society. One of the few authoritative books about American film and society, Praeger's American Film and Society since 1945 combines accessible, fun-to-read text with a detailed, insightful, and scholarly political and social analysis that thoroughly explores the relationship of American film to society and provides essential historical context. The historical overview provides a "capsule analysis" of both American and Hollywood history for the most recent decade as well as past eras, in which topics like American realism; Vietnam, counterculture revolutions, and 1960s films; and Hollywood depictions of big business like Wall Street are covered. Readers will better understand the explicit and hidden meanings of films and appreciate the effects of the passion and personal engagement that viewers experience with films. This new edition prominently features a new chapter on American and Hollywood history from 2010 to 2017, giving readers an expanded examination of a breadth of culturally and socially important modern films that serves student research or pleasure reading. The coauthors have also included additional analysis of classic films such as To Kill a Mockingbird (1962) and A Face in the Crowd (1957). Analyzes major political and social currents during the decade and examines how Hollywood film dealt with these events and developments Provides a political overview of the decade in film since the last edition of Praeger's American Film and Society Since 1945 Presents entries organized chronologically, by decades from 1945 to the present, making it easy for readers to quickly find information on films that interest them

thirtysomething: Television, Women, Men and Work examines one of television's most emotionally and culturally resonant programs and the many themes it contained. Addressing what it means to be a modern woman and the many corollary issues that revolve around the lives of the series' major women characters, thirtysomething explores female friendships and sexuality, male/female relationships, and the relationship of women to work and domestic life. Just as the women reflected the dilemmas of contemporary femininity, the men in the series represented many of the problems of modern masculinity at a time of great flux in traditional male roles. thirtysomething discusses how the series dealt with the roles of husbands and fathers, the nature of male sexuality, and the complex tensions that exist in male friendships. Authors Albert Auster and Leonard Quart view the television series as a program that not only provided a penetrating and imaginative portrait of the nature of marriage, friendship and career, but also is a conduit to understanding a particular urban-suburban American class culture and lifestyle during the late eighties and early nineties.

thirtysomething: Television, Women, Men and Work examines one of television's most emotionally and culturally resonant programs and the many themes it contained. Addressing what it means to be a modern woman and the many corollary issues that revolve around the lives of the series' major women characters, thirtysomething explores female friendships and sexuality, male/female relationships, and the relationship of women to work and domestic life. Just as the women reflected the dilemmas of contemporary femininity, the men in the series represented many of the problems of modern masculinity at a time of great flux in traditional male roles. thirtysomething discusses how the series dealt with the roles of husbands and fathers, the nature of male sexuality, and the complex tensions that exist in male friendships. Authors Albert Auster and Leonard Quart view the television series as a program that not only provided a penetrating and imaginative portrait of the nature of marriage, friendship and career, but also is a conduit to understanding a particular urban-suburban American class culture and lifestyle during the late eighties and early nineties.

The Films of Mike Leigh is the first critical study of one of the most important and eccentric directors of British independent filmmaking. Although active since 1971, Leigh has only come to the attention of an international audience in the 1990s through films such as Secrets and Lies, and Career Girls. The authors examine Leigh's working method and films in the intellectual and social contexts in which they were created. All of Leigh's major box office successes are analyzed, interpreted, and shown to be among the finest examples of cinema.

From Steven Spielberg's Lincoln to Clint Eastwood's American Sniper, this fifth edition of this classic film study text adds even more recent films and examines how these movies depict and represent the feelings and values of American society. One of the few authoritative books about American film and society, American Film and Society since 1945 combines accessible, fun-to-read text with a detailed, insightful, and scholarly political and social analysis that thoroughly explores the relationship of American film to society and provides essential historical context. The historical overview provides a "capsule analysis" of both American and Hollywood history for the most recent decade as well as past eras, in which topics like American realism; Vietnam, counterculture revolutions, and 1960s films; and Hollywood depictions of big business like Wall Street are covered. Readers will better understand the explicit and hidden meanings of films and appreciate the effects of the passion and personal engagement that viewers experience with films. This new edition prominently features a new chapter on American and Hollywood history from 2010 to 2017, giving readers an expanded examination of a breadth of culturally and socially important modern films that serves student research or pleasure reading. The coauthors have also included additional analysis of classic films such as To Kill a Mockingbird (1962) and A Face in the Crowd (1957). Analyzes major political and social currents during the decade and examines how Hollywood film dealt with these events and developments Provides a political overview of the decade in film since the last edition of Praeger's American Film and Society Since 1945 Presents entries organized chronologically, by decades from 1945 to the present, making it easy for readers to quickly find information on films that interest them

The Films of Mike Leigh is the first critical study of one of the most important and eccentric directors of British independent filmmaking. Although active since 1971, Leigh has only come to the attention of an international audience in the 1990s through films such as Secrets and Lies, and Career Girls. The authors examine Leigh's working method and films in the intellectual and social contexts in which they were created. All of Leigh's major box office successes are analyzed, interpreted, and shown to be among the finest examples of cinema.

One way to analyze the intensely conflicting feelings Americans hold toward the Vietnam War is to see how the war has been portrayed through film. "How the War Was Remembered" is the first book to analyze Vietnam War films. Auster and Quart create a typology of these films based on their connection to sociohistorical currents such as the Wounded Hero, Superman, Hunter/Hero, and the Survivor. They also combine aesthetic analysis with a social, historical, and cultural critique. "How the War Was Remembered" by Albert Auster and Leonard Quart is a full-length treatment of filmic portrayals of the Vietnam War. From Samuel Fuller's "China Gate" to Francis Coppala's "Apocalypse NoW" they examine the major works of an ever growing genre. The book is divided into four parts. The first deals with the genre, and the other three specific types within the genre. Notes, a bibliography, and an index complete the volume. "Communication BooknoteS"

One way to analyze the intensely conflicting feelings Americans hold toward the Vietnam War is to see how the war has been portrayed through film. "How the War Was Remembered" is the first book to analyze Vietnam War films, beginning with China Gate, and ending with Hamburger Hill. Included are analyses of all the major films about the Vietnam War, including "Green BeretS," "The Deerhunter," "Apocalypse NoW," "The Killing FieldS," "Rambo," "Platoon," and "Full Metal Jacket," and others. Auster and Quart create a typology of these films based on their connection to socio-historical currents such as the Wounded Hero, Superman, Hunter/Hero, and the Survivor. They also combine aesthetic analysis with a social, historical, and cultural critique.