First published in 1990. What had been left out of Left thought? What had allowed the Left to substitute nostalgia for programme and action, and to continue to address itself exclusively to labouring men, despite insistent demands for inclusion from others - notably women - who recognised themselves as belonging to the Left? What's Left?, a feminist challenge to the male-dominated ideology of the Labour Party, took shape under the pressure of two crucial events: the third successive election defeat of Labour by the Conservative Party, and the death of Raymond Williams. Swindells and Jardine analyse the difficulties the Left had including women in its account of class, to clarify general problems in British Left thought. They conclude that there was a serious and widely-perceived discrepancy between the Labour Party's model of working-class consciousness and the experiences of the contemporary workforce as a whole. An important exploration of the intellectual history of the Labour Movement, What's Left? looks critically at the Left from within the Left. It will be fascinating reading for students of cultural studies, history, politics and women's studies.

First published in 1990. What had been left out of Left thought? What had allowed the Left to substitute nostalgia for programme and action, and to continue to address itself exclusively to labouring men, despite insistent demands for inclusion from others - notably women - who recognised themselves as belonging to the Left? What's Left?, a feminist challenge to the male-dominated ideology of the Labour Party, took shape under the pressure of two crucial events: the third successive election defeat of Labour by the Conservative Party, and the death of Raymond Williams. Swindells and Jardine analyse the difficulties the Left had including women in its account of class, to clarify general problems in British Left thought. They conclude that there was a serious and widely-perceived discrepancy between the Labour Party's model of working-class consciousness and the experiences of the contemporary workforce as a whole. An important exploration of the intellectual history of the Labour Movement, What's Left? looks critically at the Left from within the Left. It will be fascinating reading for students of cultural studies, history, politics and women's studies.

Original and thought-provoking, this collection sheds new light on an important yet understudied feature of seventeenth-century England's political and cultural landscape: exile. Through an essentially literary lens, exile is examined both as physical departure from England-to France, Germany, the Low Countries and America-and as inner, mental withdrawal. In the process, a strikingly wide variety of contemporary sources comes under scrutiny, including letters, diaries, plays, treatises, translations and poetry. The extent to which the richness and disparateness of these modes of writing militates against or constructs a recognisable 'rhetoric' of exile is one of the book's overriding themes. Also under consideration is the degree to which exilic writing in this period is intended for public consumption, a product of private reflection, or characterised by a coalescence of the two. Importantly, this volume extends the chronological range of the English Revolution beyond 1660 by demonstrating that exile during the Restoration formed a meaningful continuum with displacement during the civil wars of the mid-century. This in-depth and overdue study of prominent and hitherto obscure exiles, conspicuously diverse in political and religious allegiance yet inextricably bound by the shared experience of displacement, will be of interest to scholars in a range of disciplines.

Original and thought-provoking, this collection sheds new light on an important yet understudied feature of seventeenth-century England's political and cultural landscape: exile. Through an essentially literary lens, exile is examined both as physical departure from England-to France, Germany, the Low Countries and America-and as inner, mental withdrawal. In the process, a strikingly wide variety of contemporary sources comes under scrutiny, including letters, diaries, plays, treatises, translations and poetry. The extent to which the richness and disparateness of these modes of writing militates against or constructs a recognisable 'rhetoric' of exile is one of the book's overriding themes. Also under consideration is the degree to which exilic writing in this period is intended for public consumption, a product of private reflection, or characterised by a coalescence of the two. Importantly, this volume extends the chronological range of the English Revolution beyond 1660 by demonstrating that exile during the Restoration formed a meaningful continuum with displacement during the civil wars of the mid-century. This in-depth and overdue study of prominent and hitherto obscure exiles, conspicuously diverse in political and religious allegiance yet inextricably bound by the shared experience of displacement, will be of interest to scholars in a range of disciplines.

Reading Shakespeare Historically is a passionate, provocative book by one of the most renowned and popular Renaissance scholars writing today. Charting ten years of critical development, these challenging, witty essays shed new light on Renaissance studies. It also raises intriguing questions about how the culture and history of the past illuminates the key social and political issues of today. Lisa Jardine re-reads Renaissance drama in its historical and cultural context, from laws of defamation in Othello to the competing loyalties of companionate marriage and male friendship in The Changeling. In doing so she reveals a wealth of new insights, sometimes surprising but always original and engrossing. At the same time, these essays also provide a fascinating account of the rise of feminist scholarship since the 1980s and the diversifying of new historicist' approaches over the same period.

Reading Shakespeare Historically will fascinate and provoke students of shakespeare and his historical age, and general readers with an urge to understand how the culture and history of our past illuminates the key scoial and political issues of today.

Contents:
Introduction 1. `Why should he call her whore?': Defamation and Desdemona's case 2. `No offence i' th' world': Unlawful marriage in Hamlet 3. Cultural confusion and Shakespeare's learned heroines: `These are old paradoxes' 4. Twins and travesties: Gender, dependency and sexual availability in Twelfth Night 5. Reading and the technology of textual affect Eramus's familiar letters and Shakespeare's King Lear 6. Alien intelligence: Mercantile exchange and knowledge transactions in Marlowe's Jew of Malta 7. Companionate marriage versus male friendship: Anxiety for the lineal family in Jacobean drama Coda: Unpicking the tapestry - The scholar of women's history as Penelope among her suitors Conclusion: What happens in Hamlet? Notes

By modern standards Bacon's writings are striking in their range and diversity, and they are too often considered a separate specialist concerns in isolation from each other. Dr Jardine finds a unifying principle in Bacon's preoccupation with 'method', the evaluation and organisation of information as a procedure of investigation or of presentation. She shows how such an interpretation makes consistent (and often surprising) sense of the whole corpus of Bacon's writings: how the familiar but misunderstood inductive method for natural science relations to the more information strategies of argument in his historical, ethical, political and literary work. There is a substantial and valuable study of the intellectual Renaissance background from which Bacon emerged and against which he reacted. Through a series of details comparisons and contrasts we are led to appreciate the true originality and ingenuity of Bacon's own views and also to discount the more superficial resemblances between them and later developments in the philosophy of science.

Francis Bacon's New Organon, published in 1620, was revolutionary in its attempt to give formal philosophical shape to a new and rapidly emerging experimental science. It challenged the entire edifice of the philosophy and learning of Bacon's time, and left its mark on all subsequent discussions of scientific method. This volume presents a new translation of the text into modern English by Michael Silverthorne, together with an introduction by Lisa Jardine that sets the work in the context of Bacon's scientific and philosophical activities.

Francis Bacon's New Organon, published in 1620, was revolutionary in its attempt to give formal philosophical shape to a new and rapidly emerging experimental science. It challenged the entire edifice of the philosophy and learning of Bacon's time, and left its mark on all subsequent discussions of scientific method. This volume presents a new translation of the text into modern English by Michael Silverthorne, together with an introduction by Lisa Jardine that sets the work in the context of Bacon's scientific and philosophical activities.

One of our most eminent historians presents a powerful look at the buildup to and aftermath of one of the most decisive moments of World War II - Kristallnacht - not only for the Jewish population suddenly identified as a group to be destroyed, but also in terms of the international response it inspired and its larger implications. In 'Kristallnacht', Martin Gilbert seamlessly combines a moving account of the suffering of the victims of the Nazi regime with a sophisticated analysis of the gradual process which made the horrors of the Third Reich possible. Broadening his canvas, Gilbert also powerfully depicts how the rest of the world failed Europe's increasingly desperate Jewish population: in the aftermath to Kristallnacht almost every country was asked to help; most would not do so, despite the transport of a staggering 10,000 German Jewish children to Britain. This international indifference had direct implications for future German policy, while the events of Kristallnacht went on to radically influence the attitudes of governments - and people - outside Germany towards Nazism.

In this radical and wide-ranging reassessment of Renaissance art, Jerry Brotton and Lisa Jardine examine the ways in which European culture came to define itself culturally and aesthetically in the years 1450 to 1550. Looking outwards for confirmation of who they were and of what defined them as civilized', Europeans encountered the returning gaze of what we now call the East, in particular the powerful Ottoman Empire of Mehmed the Conqueror and Suleyman the Magnificent. "Global Interests" explores these historical interactions by offering new and exciting accounts of three often neglected art objects: portrait medals, tapestries and equestrian art. The portability of medals and tapestries, and the transportability of, and esteem accorded to, pure-bred Eastern horses made them frequently exchanged objects, and, as such, highly revealing of the cultural currents flowing between Occident and Orient. The authors provide fascinating new responses to some of the most iconic paintings of the period, including the work of Pisanello, Leonardo, Durer, Holbein and Titian. "Global Interests" also offers a timely reassessment of the development of European imperialism, focusing on the Habsburg Empire of Charles V, and concludes with a consideration of the impact this history continues to have upon contemporary perceptions of European culture and ethnic identity.

The brilliant, largely forgotten maverick Robert Hooke was an engineer, surveyor, architect, and inventor who worked tirelessly with his intimate friend Christopher Wren to rebuild London after the Great Fire of 1666.He was the first Curator of Experiments at the Royal Society, and his engravings of natural phenomena seen under the new microscope appeared in his masterpiece, the acclaimed Micrographia, one of the most influential volumes of the day.

But Hooke's irascible temper and his passionate idealism provedfatal for his relationships with important political figures, most notably Sir Isaac Newton: their quarrel is legendary. As a result, historical greatness eluded Robert Hooke. Now, eminent historian Lisa Jardine does this original thinker of indefatigable curiosity and imagination justice and allows him to take his place as a major figure in the seventeenth century intellectual and scientific revolution.

This is a new student edition of Erasmus' crucial treatise on political theory and also contains a new, excerpted translation from his Panegyric. The Education of a Christian Prince is one of the most important "advice-to-princes" texts published in the Renaissance and was dedicated to Charles V. It is a strongly pacifist work in which Erasmus sought to ensure that the prince governed justly and benevolently. This edition also includes an original introduction, a chronology of the life and work of Erasmus, and a comprehensive guide to further reading.

The name Erasmus of Rotterdam conjures up a golden age of scholarly integrity and the disinterested pursuit of knowledge, when learning could command public admiration without the need for authorial self-promotion. Lisa Jardine, however, shows that Erasmus self-consciously created his own reputation as the central figure of the European intellectual world. Erasmus himself--the historical as opposed to the figural individual--was a brilliant, maverick innovator, who achieved little formal academic recognition in his own lifetime. What Jardine offers here is not only a fascinating study of Erasmus but also a bold account of a key moment in Western history, a time when it first became possible to believe in the existence of something that could be designated "European thought."

An exciting retelling of one of the moments that shook the world - Waterloo, one of the truly decisive battles of history. In 'Waterloo', Roberts provides not only a fizzing account of one of the most significant forty-eight hour periods of all time, but also a startling interrogation into the methodology of history - is it possible to create an accurate picture from a single standpoint? What we can say for certain about the battle is that it ended forever one of the great personal epics. The career of Napoleon was brought to a shuddering halt on the evening of 18 June 1815. Interwoven in the clear-cut narrative are exciting revelations brought to light by recent research: accident rather than design led to the crucial cavalry debacle that lost the battle. Amongst the all-too-human explanation for the blunder that cost Napoleon his throne, Roberts sets the political, strategic and historical scene, and finally shows why Waterloo was such an important historical punctuation mark. The generation after Waterloo saw the birth of the modern era: ghastly as the carnage here was, henceforth the wars of the future were fought with infinitely more ghastly methods of trenches, machine-guns, directed starvation, concentration camps, and aerial bombardment. By the time of the Great War, chivalry was utterly dead. The honour of bright uniform and tangible spirit of elan met their final dance at Waterloo.

The assassination of Prince William of Orange by a French Catholic in 1584 had immediate political consequences and a profound effect on the course of history. It was a serious setback for Protestants in the Netherlands, who were struggling for independence from the Catholic rule of the Hapsburg Empire. But the crime's ramifications were even more earth-shattering, for it heralded the arrival of a new threat to the safety of world leaders and the security of nations: a pistol that could easily be concealed on one's person and employed to lethal effect at point-blank range.

In this provocative, fascinating, and enormously engaging work, noted author and historian Lisa Jardine brilliantly recounts the brazen act of religious terrorism that changed everything--and explores its long and bloody legacy, from the murder of Abraham Lincoln in 1865 to the slaying of Archduke Ferdinand in 1914, to the plague of terror and violent zealotry that infects our world today.

In this groundbreaking, highly provocative examination of the Renaissance, Jerry Brotton and Lisa Jardine raise questions about the formation of cultural identity in Western Europe. Through an analysis of the circulation of art and luxury objects, the authors challenge the view that Renaissance culture defined itself in large part against an exotic, dangerous, always marginal East. Featuring more than seventy illustrations, including many in color and some published for the first time, their book provides fascinating insights into the works of Pisanello, Leonardo, Durer, Holbein, and Titian.

Global Interests explores the trade in portrait medals, tapestries, and equestrian art, all items that Brotton and Jardine demonstrate were markers of power and influence in both the West and the East. The authors reveal that this trade represented a remarkably equal exchange between Renaissance Europe and the Ottoman East. Their findings lead them to argue that the East, and in particular the Ottoman Empire of Mehmet the Conqueror and Suleiman the Magnificent, was not the antithetical "other" to the emergence of a Western European identity in the sixteenth century. Instead, Paris, Venice, and London were linked with Istanbul and the East through networks of shared political and commercial interests. By showing that the traditional view of Renaissance culture is misleading, the authors offer a more truly global understanding of historical experience.

BETWEEN THE ACTS, one of Virginia Woolf's most lyrical works, was published shortly after her death in 1941. Its central focus is the performance of a village pageant, written and directed by the energetic Miss La Trobe, encompassing the whole history of England from the Middle Ages to the verge of war in the Summer of 1939. The comic events on stage, the reactions of the villagers in the audience,the blend of past and present are all presented with affection and insight affirming Virginia Woolf's belief in art as the unifying principle of life. This edition contains the original text which Virginia Woolf was working on when she died.