This is the hardback version. The Hollywood Canteen was the jewel in the crown of World War II Hollywood. From 1942 to 1945, over three million servicemen came through its doors on their way to fight in the Pacific - some never to return. There, in a converted barn in the heart of Hollywood, soldiers were fed, entertained by and danced with some of the biggest stars in the world. The Canteen was free to all servicemen or women, regardless of race, inviting them to jive to the music of Kay Kyser and Harry James, laugh at Bob Hope's jokes, be handed sandwiches by Rita Hayworth, or dance with Hedy Lamarr. Knowing they were so appreciated, the soldiers were armed with the kinds of hope and encouragement that would help them win a war. "The Hollywood Canteen: Where The Greatest Generation Danced With The Most Beautiful Girls In The World" is the only complete history of the Canteen. Meticulously researched, it is filled with exclusive interviews and over 160 evocative photographs that preserve the memories that would otherwise be lost. "Here's a welcome look inside the nightclub/restaurant co-founded by Bette Davis and John Garfield to entertain servicemen during World War II. While it's been mentioned in many surveys of 1940s Hollywood (and was the subject of a Warner Bros. feature film) this book chronicles the history of the institution, offering facts and figures along with personal anecdotes. Best of all, it is profusely illustrated, with many shots of stars (from Marlene Dietrich to Orson Welles) who volunteered there." - Leonard Maltin

In Creativity as Co-Therapist, experienced psychotherapist and creativity expert, Lisa Mitchell, bridges the gap between theoretical knowledge and therapeutic application by teaching psychotherapists of all backgrounds to see therapy as their art form. Readers are guided through the five stages of the creative process to help them understand the complexities of approaching their work creatively and to effectively identify areas in which they tend to get stuck when working with clients. Along the way workbook assignments, case studies, personal stories, and hands-on art directives will inspire the reader to think outside the box and build the creative muscles that hold the key to enlivening their work.

In Hailing the State, Lisa Mitchell explores the methods of collective assembly that people in India use to hold elected officials and government administrators accountable, demand inclusion in decision making, and stage informal referendums. Mitchell traces the colonial and postcolonial lineages of collective forms of assembly, in which—rather than rejecting state authority—participants mobilize with expectations that officials will uphold the law and fulfill electoral promises. She shows how assembly, which ranges from sit-ins, hunger strikes, and demands for meetings with officials to massive general strikes and road and rail blockades, is fundamental to the functioning of democracy in India. These techniques are particularly useful for historically marginalized groups and others whose voices may not be easily heard. Moving beyond an exclusive focus on electoral processes, Mitchell argues that to understand democracy—both in India and beyond—we must also pay attention to what occurs between elections, thereby revising understanding of what is possible for democratic action around the world.

In Creativity as Co-Therapist, experienced psychotherapist and creativity expert, Lisa Mitchell, bridges the gap between theoretical knowledge and therapeutic application by teaching psychotherapists of all backgrounds to see therapy as their art form. Readers are guided through the five stages of the creative process to help them understand the complexities of approaching their work creatively and to effectively identify areas in which they tend to get stuck when working with clients. Along the way workbook assignments, case studies, personal stories, and hands-on art directives will inspire the reader to think outside the box and build the creative muscles that hold the key to enlivening their work.

In Hailing the State, Lisa Mitchell explores the methods of collective assembly that people in India use to hold elected officials and government administrators accountable, demand inclusion in decision making, and stage informal referendums. Mitchell traces the colonial and postcolonial lineages of collective forms of assembly, in which-rather than rejecting state authority-participants mobilize with expectations that officials will uphold the law and fulfill electoral promises. She shows how assembly, which ranges from sit-ins, hunger strikes, and demands for meetings with officials to massive general strikes and road and rail blockades, is fundamental to the functioning of democracy in India. These techniques are particularly useful for historically marginalized groups and others whose voices may not be easily heard. Moving beyond an exclusive focus on electoral processes, Mitchell argues that to understand democracy-both in India and beyond-we must also pay attention to what occurs between elections, thereby revising understanding of what is possible for democratic action around the world.

The Hollywood Canteen was the jewel in the crown of World War II Hollywood. From 1942 to 1945, over three million servicemen came through its doors on their way to fight in the Pacific - some never to return. There, in a converted barn in the heart of Hollywood, soldiers were fed, entertained by and danced with some of the biggest stars in the world. The Canteen was free to all servicemen or women, regardless of race, inviting them to jive to the music of Kay Kyser and Harry James, laugh at Bob Hope's jokes, be handed sandwiches by Rita Hayworth, or dance with Hedy Lamarr. Knowing they were so appreciated, the soldiers were armed with the kinds of hope and encouragement that would help them win a war. "The Hollywood Canteen: Where The Greatest Generation Danced With The Most Beautiful Girls In The World" is the only complete history of the Canteen. Meticulously researched, it is filled with exclusive interviews and over 160 evocative photographs that preserve the memories that would otherwise be lost.

What makes someone willing to die, not for a nation, but for a language? In the mid-20th century, southern India saw a wave of dramatic suicides in the name of language. Lisa Mitchell traces the colonial-era changes in knowledge and practice linked to the Telugu language that lay behind some of these events. As identities based on language came to appear natural, the road was paved for the political reorganization of the Indian state along linguistic lines after independence.