First published in 1998. This anthology coomprises a diverse range of historical treatises and tracts that discuss and debate gender and sexual relations in early modern England. Combining complete texts and extracts-many hitherto unavailable in modern editions-the collection focuses on prevailing conceptions of sexuality and gender in major areas and institutions of Tudor and Stuart society. A broad selection of religious sermons, moral handbooks, household manuals, midwifery and legal textbooks, ballads and chapbooks has been chosen.

How did early modern English people write about themselves, and how do we listen to their voices four centuries later? The authors of Early Modern English Lives: Autobiography and Self-Representation 1500-1660 argue that identity is depicted through complex, subtle, and often contradictory social interactions and literary forms. Diaries, letters, daily spiritual reckonings, household journals, travel journals, accounts of warfare, incidental meditations on the nature of time, death and self-reflection, as well as life stories themselves: these are just some of the texts that allow us to address the social and historical conditions that influenced early modern self-writing. The texts explored in Early Modern English Lives do not automatically speak to our familiar patterns of introspection and self-inquiry. Often formal, highly metaphorical and emotionally restrained, they are very different in both tone and purpose from the autobiographies that crowd bookshelves today. Does the lack of emotional description suggest that complex emotions themselves, in all the depth and variety that we now understand (and expect of) them, are a relatively modern phenomenon? This is one of the questions addressed by Early Modern English Lives. The authors bring to our attention the kinds of rhetorical and generic features of early modern self-representation that can help us to appreciate people living four hundred years ago as the complicated, composite figures they were: people whose expression of identity involved an elaborate interplay of roles and discourses, and for whom the notion of privacy itself was a wholly different phenomenon.

In much of the developed world, learning is synonymous with the formal, structured processes that involve teachers, lecturers or trainers. Yet it is experience that is by far the most influential teacher that any of us will have, from the very first moment we are born. Lloyd Davies puts forward a new way of looking at experiential learning; a model that identifies the elements, and points to some of the dynamics. The book highlights the characteristics that are common to the learning process, explains how we learn from experience and why each of us sees our experiences in different ways and, consequently, learns different lessons. It provides advice and guidance on how each of the various elements of the process can be used to greater effect, both for individual and group learning, as well as in mentoring and counselling. The book, which is based on the author's research, is written for a wide readership that includes both learning practitioners and students. If individuals and the organizations within which they work, as students or as employees, understand the basis on which they learn and can turn the process from a passive to an active one, the implications for their development are profound. Lloyd Davies' model for Informal Learning provides a relevant, flexible and significant tool that can offer a sea-change in the way we all learn.

In much of the developed world, learning is synonymous with the formal, structured processes that involve teachers, lecturers or trainers. Yet it is experience that is by far the most influential teacher that any of us will have, from the very first moment we are born. Lloyd Davies puts forward a new way of looking at experiential learning; a model that identifies the elements, and points to some of the dynamics. The book highlights the characteristics that are common to the learning process, explains how we learn from experience and why each of us sees our experiences in different ways and, consequently, learns different lessons. It provides advice and guidance on how each of the various elements of the process can be used to greater effect, both for individual and group learning, as well as in mentoring and counselling. The book, which is based on the author's research, is written for a wide readership that includes both learning practitioners and students. If individuals and the organizations within which they work, as students or as employees, understand the basis on which they learn and can turn the process from a passive to an active one, the implications for their development are profound. Lloyd Davies' model for Informal Learning provides a relevant, flexible and significant tool that can offer a sea-change in the way we all learn.

How did early modern English people write about themselves, and how do we listen to their voices four centuries later? The authors of Early Modern English Lives: Autobiography and Self-Representation 1500-1660 argue that identity is depicted through complex, subtle, and often contradictory social interactions and literary forms. Diaries, letters, daily spiritual reckonings, household journals, travel journals, accounts of warfare, incidental meditations on the nature of time, death and self-reflection, as well as life stories themselves: these are just some of the texts that allow us to address the social and historical conditions that influenced early modern self-writing. The texts explored in Early Modern English Lives do not automatically speak to our familiar patterns of introspection and self-inquiry. Often formal, highly metaphorical and emotionally restrained, they are very different in both tone and purpose from the autobiographies that crowd bookshelves today. Does the lack of emotional description suggest that complex emotions themselves, in all the depth and variety that we now understand (and expect of) them, are a relatively modern phenomenon? This is one of the questions addressed by Early Modern English Lives. The authors bring to our attention the kinds of rhetorical and generic features of early modern self-representation that can help us to appreciate people living four hundred years ago as the complicated, composite figures they were: people whose expression of identity involved an elaborate interplay of roles and discourses, and for whom the notion of privacy itself was a wholly different phenomenon.

This anthology coomprises a diverse range of historical treatises and tracts that discuss and debate gender and sexual relations in early modern England. Combining complete texts and extracts-many hitherto unavailable in modern editions-the collection focuses on prevailing conceptions of sexuality and gender in major areas and institutions of Tudor and Stuart society. A broad selection of religious sermons, moral handbooks, household manuals, midwifery and legal textbooks, ballads and chapbooks has been chosen.

New essays offering fresh glimpses of Romanticism as interdisciplinary and cross-linguistic, illuminating the discursive features and the pan-European nature of the movement. Romanticism bubbled up as lava from such historical eruptions as the Napoleonic Wars. The power of its flow across disciplines and linguistic borders reminds us that the use of the term in a context limited to one linguistic, national, or political tradition, or to one discipline or area of human development, shows an essential ignorance of the ideational configurations elaborated and lived out by the movement. Among its consistent norms are the notion ofreality as a transcendent self-unfolding Geist, everything existing in a dialectical relationship with all else; the position that art reveals mythic understructures of reality; and that all kinds of kinship are more normalthan isolation. This book brings together essays that highlight the inclusivity of Romanticism. A team of eleven scholars offers fresh glimpses of Romanticism as it manifests itself in a number of disciplines, including most prominently literature, but also music, painting, and the sciences. In so doing, the contributors treat Romanticism as interdisciplinary and cross-linguistic, providing data and interpretive viewpoints that illuminate the discursive features and the pan-European nature of the movement. Contributors: Lloyd Davies, Ellis Dye, Stacey Hahn, Hollie Markland Harder, Jennifer Law-Sullivan, Sarah Lippert, Marjean D. Purinton, Ashley Shams, Kaitlin Gowan Southerly. Larry H. Peer is Professor of Comparative Literature at Brigham Young University. Christopher R. Clason is Professor of German at Oakland University.

'Penetration', by Carolyn Lloyd-Davies, is a socially provocative piece of theatre, of particular significance in the light of recent shocking reports in the UK about the low level of prosecutions for rape and sexual assault. Based on true events, the play follows the stories of Anna, a rape complainant, and Sean, the defendant, with insight and sensitivity. Anna's manipulative and coercive boyfriend James, adds an additional undertone to the play, as does the perspective of Felicity, Sean's mother. This heart-breaking, multi-layered play jolts the audience into exploring the implications of consent, focusing on the impact of toxic coercive relationships, the power of social media and the need for healthy sexual boundaries especially when alcohol or drugs blur the lines.

'This novel is a real, out-of-the-blue original. I've never read anything like it' New York Times Book Review THE MILLION-SELLING JAPANESE CRIME PHENOMENON, NOW A UK BESTSELLER. SHORTLISTED FOR THE 2016 CWA INTERNATIONAL DAGGER. NAMED IN NEW YORK TIMES 100 NOTABLE BOOKS OF 2017. SIX FOUR. THE NIGHTMARE NO PARENT COULD ENDURE. THE CASE NO DETECTIVE COULD SOLVE. THE TWIST NO READER COULD PREDICT. For five days in January 1989, the parents of a seven-year-old Tokyo schoolgirl sat and listened to the demands of their daughter's kidnapper. They would never learn his identity. They would never see their daughter again. For the fourteen years that followed, the Japanese public listened to the police's apologies. They would never forget the botched investigation that became known as 'Six Four'. They would never forgive the authorities their failure. For one week in late 2002, the press officer attached to the police department in question confronted an anomaly in the case. He could never imagine what he would uncover. He would never have looked if he'd known what he would find. Loved Six Four and want more Yokoyama? Then why not try Seventeen or Prefecture D . . .

This second edition of the popular introductory textbook Tools for Cultural Studies, has been thoroughly revised and updated for a new generation of students taking introductory courses in cultural studies and cultural analysis at a tertiary level. It provides a solid grounding in the key terms and theories necessary for the study of popular culture and media texts. Without underestimating the complexity of the social, this text encourages a critical and inventive attitude to cultural theory and, through its practical step-by-step approach, is very confidence-building.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Dynamic Aspects Of The Arts Of Selling William Lloyd Davis University of Wisconsin--Madison, 1922 Business & Economics; Sales & Selling; Business & Economics / Sales & Selling; Selling

Contributing Authors Are R. N. Bradt, C. E. Capel, R. L. Davis, And Others.

When Professor Bud Harkness is found dead near the campus of Allegheny State University, Dan Quarrier, an old friend and colleague, cannot accept suicide as the apparent cause of death.

With the help of Wally Fosse, his younger, red-bearded and quick-thinking sidekick, Dan's private investigation, which is sanctioned by local police detective and former student Art Morris, turns up some very disturbing information regarding the victim and his past relationships in the university community.

In addition to solving the crime, Dan and Wally come across some humorous absurdities regarding life in a modern institution of so-called higher learning.

This is the first monograph to consider the significance of madness and irrationality in both Spanish and Spanish American literature. It considers various definitions of madness and explores the often contrasting responses, both positive (figural madness as stimulus for literary creativity) and negative (clinical madness representing spiritual confinement and sterility). The concept of national madness is explored with particular reference to Argentina, where the country's vast expanses have been seen as conducive to madness, while the urban population of Buenos Aires is especially dependent on psychoanalytic therapy. The discussion considers both the work of lesser-known writers such as Nuria Amat, whose personal life is inflected by madness, and that of larger literary figures such as Jose Lezama Lima, whose poetic concepts are suffused with the irrational. The conclusion draws attention to the other side of reason as a source of possible originality in a world dominated by the tenets of logic and conventionalised thinking.

A collection of four novellas: each taking place in 1998, each set in the world of Six Four, and each centring around a mystery and the unfortunate officer tasked with solving it. SEASON OF SHADOWS "The force could lose face . . . I want you to fix this." Personnel's Futawatari receives a horrifying memo forcing him to investigate the behaviour of a legendary detective with unfinished business. CRY OF THE EARTH "It's too easy to kill a man with a rumour." Shinto of Internal Affairs receives an anonymous tipoff alleging a Station Chief is visiting the red-light district - a warning he soon learns is a red herring. BLACK LINES "It was supposed to be her special day." Section Chief Nanao, responsible for the force's 49 female officers, is alarmed to learn her star pupil has not reported for duty, and is believed to be missing. BRIEFCASE "We need to know what he's going to ask." On the eve of a routine debate, Political Liaison Tsuge learns a wronged politician is preparing his revenge. He must now quickly dig up dirt to silence him. Prefecture D continues Hideo Yokoyama's exploration of the themes of obsession, saving face, office politics and inter-departmental conflicts. Placing everyday characters between a rock and a hard place and then dialling up the pressure, he blends and balances the very Japanese with the very accessible, to spectacular effect.

In the mid-1980s, Emmanuel Jal was a seven year old Sudanese boy living in a small village. But after his mother was killed and his father Simon rose to become a powerful commander in the Christian Sudanese Liberation Army, fighting for the freedom of Sudan. Soon, Jal was conscripted into that army, one of 10,000 child soldiers, and fought through two separate civil wars over nearly a decade.
Orphaned and adrift, Jal lived through horror: marching through miles of desert toward Ethiopia, past the bones of adults and children who had fallen on the trek; witnessing the deaths of friends and family members; killing soldiers and civilians with a gun he could barely lift; starving to the point of near-cannibalism, and coming to the edge of suicide. Remarkably, Jal survived, and his life began to change when he was adopted by a British aid worker. He slowly began the journey that would lead him to music: recording and releasing his own album, which produced the number one hip-hop single in Kenya, and from there went on to perform with Moby, Bono, Peter Gabriel, and other international music stars.
Shocking, inspiring, and finally hopeful, War Child is a memoir by a unique young man determined to tell his story and in so doing bring peace to his homeland.
Emmanuel Jal is prominently featured in the forthcoming film THE GOOD LIE, opening September 10, 2014 in NYC, LA & Toronto.