The Shakespeare Multiverse: Fandom as Literary Praxis argues that fandom offers new models for a twenty-first century reading practice that embraces affective pleasure and subjective self-positioning as a means of understanding a text. Part critical study, part source book, The Shakespeare Multiverse suggests that fannish contributions to the ongoing expansion of the object that we call Shakespeare is best imagined as a multiverse, encompassing different worlds that consolidate the various perspectives that different fans bring to Shakespeare. Our concept of the multiverse redefines 'Shakespeare' not as a singular body of work, but as space where a process of inquiry and cultural memory - memories in the making, and those already made - is influenced and shaped by the technologies available to the reader. Characteristic of fandom is an intertextual reading strategy that we term cyborg reading, an approach that accommodates the varied elements of identity, politics, culture, sexuality, and race that shape the ways that Shakespeare is explored and appropriated throughout fannish reading communities. The Shakespeare Multiverse intersects literary theory, fan studies, and popular culture as it traverses Shakespeare fandom from the 1623 Folio to the age of the Internet, exploring the different textures of fan affect, from those who firmly uphold fidelity to the text to those who sit on the very edge of the fandom, threatening to cross over into Shakespearean anti-fandom. By recognizing the literary value of fandom, The Shakespeare Multiverse offers a new approach to literary criticism that challenges the limits of hegemonic authority and recognizes the value of a joyfully speculative critical praxis.

Appropriating Shakespeare: A Cultural History of Pyramus and Thisbe argues that the vibrant, transformative history of Shakespeare's play-within-a-play from A Midsummer Night's Dream across four centuries allows us to see the way in which Shakespeare is used to both create and critique emergent cultural trends. Because of its careful distinction between "good" and "bad" art, Pyramus and Thisbe's playful meditation on the foolishness of over-reaching theatrical ambition is repeatedly appropriated by artists seeking to parody contemporary aesthetics, resulting in an ongoing assessment of Shakespeare's value to the time. Beginning with the play's own creation as an appropriation of Ovid, designed to keep the rowdy clown in check, Appropriating Shakespeare is a wide-ranging study that charts Pyramus and Thisbe's own metamorphosis through opera, novel, television, and, of course, theatre. This unique history illustrates Pyramus and Thisbe's ability to attract like-minded, experimental, genre-bending artists who use the text as a means of exploring the value of their own individual craft. Ultimately, what this history reveals is that, in excerpt, Pyramus and Thisbe affirms the place of artist as both consumer and producer of Shakespeare.

This innovative collection explores uses of Shakespeare in a wide variety of 21st century contexts, including business manuals, non-literary scholarship, database aggregation, social media, gaming, and creative criticism. Essays in this volume demonstrate that users' critical and creative uses of the dramatist's works position contemporary issues of race, power, identity, and authority in new networks that redefine Shakespeare and reconceptualize the ways in which he is processed in both scholarly and popular culture. While The Shakespeare User contributes to the burgeoning corpus of critical works on digital and Internet Shakespeares, this volume looks beyond the study of Shakespeare artifacts to the system of use and users that constitute the Shakespeare network. This reticular understanding of Shakespeare use expands scholarly forays into non-academic practices, digital discourse communities, and creative critical works manifest via YouTube, Twitter, blogs, databases, websites, and popular fiction.

Originally published in 1955 Atmospheric Turbulence examines dynamic meteorology and the fundamental part it plays in the overall science of meteorology. The book examines the theory of atmospheric turbulence as a more mathematically developed area than largescale motions of the atmosphere and examines its significance in economic, military and industrial spheres. The book focuses on the effect and importance of atmospheric turbulence, not only to meteorologists, but the designers of large aircraft. The book addresses the effects of turbulence and the properties of the atmosphere that can be found closer to the ground. This book will be of interest to atmospheric physicists and meteorologists.

Examines Shakespeare fragments as agents of appropriation Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection's essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies.

Originally published in 1955 Atmospheric Turbulence examines dynamic meteorology and the fundamental part it plays in the overall science of meteorology. The book examines the theory of atmospheric turbulence as a more mathematically developed area than largescale motions of the atmosphere and examines its significance in economic, military and industrial spheres. The book focuses on the effect and importance of atmospheric turbulence, not only to meteorologists, but the designers of large aircraft. The book addresses the effects of turbulence and the properties of the atmosphere that can be found closer to the ground. This book will be of interest to atmospheric physicists and meteorologists.

This innovative collection explores uses of Shakespeare in a wide variety of 21st century contexts, including business manuals, non-literary scholarship, database aggregation, social media, gaming, and creative criticism. Essays in this volume demonstrate that users' critical and creative uses of the dramatist's works position contemporary issues of race, power, identity, and authority in new networks that redefine Shakespeare and reconceptualize the ways in which he is processed in both scholarly and popular culture. While The Shakespeare User contributes to the burgeoning corpus of critical works on digital and Internet Shakespeares, this volume looks beyond the study of Shakespeare artifacts to the system of use and users that constitute the Shakespeare network. This reticular understanding of Shakespeare use expands scholarly forays into non-academic practices, digital discourse communities, and creative critical works manifest via YouTube, Twitter, blogs, databases, websites, and popular fiction.

Examines Shakespeare fragments as agents of appropriation Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection's essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies.