Examines Shakespeare fragments as agents of appropriation Drawing
on new materialism and object-oriented ontology, Variable Objects
proposes that Shakespeare is a vibrant object replete with a
variable energy that accounts for its infinite meaning-making
capacity. Using critical race theory, object oriented feminism,
performance studies, Global Shakespeares, media studies and game
theory, the collection's essays explore the dialogic relationship
between the Shakespeare object and its appropriation. Each chapter
demonstrates that instead of moving away from the source of
appropriation, an object-oriented approach can centralise
Shakespeare without the constraints of outdated notions of
fidelity. Highlighting the variable materiality inherent in
Shakespeare, the collection foregrounds the political ecologies of
literary objects as a new methodology for adaptation studies.
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