An intimate look at one majestic hundred-year-old oak tree through four seasons--and the reality of global climate change it reveals. In the life of this one grand oak, we can see for ourselves the results of one hundred years of rapid environmental change. It's leafing out earlier, and dropping its leaves later as the climate warms. Even the inner workings of individual leaves have changed to accommodate more CO2 in our atmosphere. Climate science can seem dense, remote, and abstract. But through the lens of this one tree, it becomes immediate and intimate. In Witness Tree, environmental reporter Lynda V. Mapes takes us through her year living with one red oak at the Harvard Forest. We learn about carbon cycles and leaf physiology, but also experience the seasons as people have for centuries, watching for each new bud, and listening for each new bird and frog call in spring. We savor the cadence of falling autumn leaves, and glory of snow and starry winter nights. Lynda takes us along as she climbs high into the oak's swaying boughs, and scientists core deep into the oak's heartwood, dig into its roots and probe the teeming life of the soil. She brings us eye-level with garter snakes and newts, and alongside the squirrels and jays devouring the oak's acorns. Season by season she reveals the secrets of trees, how they work, and sustain a vast community of lives, including our own. The oak is a living timeline and witness to climate change. While stark in its implications, Witness Tree is a beautiful and lyrical read, rich in detail, sweeps of weather, history, people, and animals. It is a story rooted in hope, beauty, wonder, and the possibility of renewal in people's connection to nature.

Seasonal changes in nature are among the most readily observable clues to the biological effects of climate change. "It came to me," writes acclaimed environment reporter Lynda Mapes, "You could tell the story of climate change-and more-through a single, beloved, living thing: a tree." Mapes chronicles her yearlong quest to understand a wizened witness to our world: a red oak, over one hundred years old, in the Harvard Forest. A tree that has seen it all, from our changing relationship with nature in our industrialized and digitized lives to the altered clockwork of nature. Mapes evokes the wonder and joy of forests, and the poetics and botany of trees, living intimately with her oak through four seasons. She dives deeply into the world of self-described "tree geeks" and becomes one herself, exploring her tree from roots to crown. She also offers a clear-eyed assessment of what the tree tells us about climate change, from the heartwood at its core to the photosynthetic cycle deep in its leaves. Mixing storytelling, tree lore, and cutting-edge science, Mapes offers a new approach to thinking about how we might live together into the far future on a planet we have changed in ways we never intended-and how trees help show us the way.

In 2003, a backhoe operator hired by the state of Washington to work on the Port Angeles waterfront discovered what a larger world would soon learn. The place chosen to dig a massive dry dock was atop one of the largest and oldest Indian village sites ever found in the region. Yet the state continued its project, disturbing hundreds of burials and unearthing more than 10,000 artifacts at Tse-whit-zen village, the heart of the long-buried homeland of the Klallam people. Excitement at the archaeological find of a generation gave way to anguish as tribal members working alongside state construction workers encountered more and more human remains, including many intact burials. Finally, tribal members said the words that stopped the project: "Enough is enough." Soon after, Lower Elwha Klallam Tribe chairwoman Frances Charles asked the state to walk away from more than $70 million in public money already spent on the project and find a new site. The state, in an unprecedented and controversial decision that reverberated around the nation, agreed. In search of the story behind the story, Seattle Times reporter Lynda V. Mapes spent more than a year interviewing tribal members, archaeologists, historians, city and state officials, and local residents and business leaders. Her account begins with the history of Tse-whit-zen village, and the nineteenth- and twentieth-century impacts of contact, forced assimilation, and industrialization. She then engages all the voices involved in the dry dock controversy to explore how the site was chosen, and how the decisions were made first to proceed and then to abandon the project, as well as the aftermath and implications of those controversial choices. This beautifully crafted and compassionate account, illustrated with nearly 100 photographs, illuminates the collective amnesia that led to the choice of the Port Angeles construction site. "You have to know your past in order to build your future," Charles says, recounting the words of tribal elders. Breaking Ground takes that teaching to heart, demonstrating that the lessons of Tse-whit-zen are teachings from which we all may benefit. A Capell Family Book

In 2003, a backhoe operator hired by the state of Washington to work on the Port Angeles waterfront discovered what a larger world would soon learn. The place chosen to dig a massive dry dock was atop one of the largest and oldest Indian village sites ever found in the region. Yet the state continued its project, disturbing hundreds of burials and unearthing more than 10,000 artifacts at Tse-whit-zen village, the heart of the long-buried homeland of the Klallam people.

Excitement at the archaeological find of a generation gave way to anguish as tribal members working alongside state construction workers encountered more and more human remains, including many intact burials. Finally, tribal members said the words that stopped the project: "Enough is enough."

Soon after, Lower Elwha Klallam Tribe chairwoman Frances Charles asked the state to walk away from more than $70 million in public money already spent on the project and find a new site. The state, in an unprecedented and controversial decision that reverberated around the nation, agreed.

In search of the story behind the story, "Seattle Times" reporter Lynda V. Mapes spent more than a year interviewing tribal members, archaeologists, historians, city and state officials, and local residents and business leaders. Her account begins with the history of Tse-whit-zen village, and the nineteenth- and twentieth-century impacts of contact, forced assimilation, and industrialization. She then engages all the voices involved in the dry dock controversy to explore how the site was chosen, and how the decisions were made first to proceed and then to abandon the project, as well as the aftermath and implications of those controversial choices.

This beautifully crafted and compassionate account, illustrated with nearly 100 photographs, illuminates the collective amnesia that led to the choice of the Port Angeles construction site. "You have to know your past in order to build your future," Charles says, recounting the words of tribal elders. "Breaking Ground" takes that teaching to heart, demonstrating that the lessons of Tse-whit-zen are teachings from which we all may benefit.

Lynda V. Mapes is an award-winning journalist with a twenty-year career in newspaper reporting, much of it with the "Seattle Times." She is the author of "Washington: The Spirit of the Land."

"Compelling, moving, inspirational, and profound. This is a captivating human interest story brought to life by a fascinating historical subplot, juxtaposed with a modern tragedy." - CHiXapkaid (Michael Pavel), Skokomish, Traditional Bearer of Southern Puget Salish cultures

"A wonderful project . . . both because of the author's passion and accessible style and her attention to critical issues of ethics and relationship-building. A significant contribution to the region and to scholarship more broadly." - Coll Thrush, author of "Native Seattle"