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Quilts and Human Rights (Paperback)
Marsha MacDowell, Beth Donaldson, Mary Worrall, Lynne Swanson; Foreword by Desmond & Leah Tutu Legacy Foundation NPC
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R1,085
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Quilts and Human Rights offers a new understanding of the history
of global human rights as seen through textiles of awareness and
activism. Of all the textile forms linked to human rights
activities, one form—the quilt—has proved an especially potent
and popular form for individuals, working alone or as part of
organized groups, to subversively or overtly act for human rights.
Through a description of this activity over time and space, Quilts
and Human Rights advances awareness of critical human rights
issues: suffrage, race relations, civil wars, natural disasters,
HIV/AIDs, and ethnic, sexual, and gender discrimination. Quilts and
Human Rights pays tribute to the individuals who have used needle
skills to prick the conscience and encourage action against human
rights violations.  Â
Caraboose is a funny creature who takes over for the tooth fairies
when they go on vacation: "They pack up their bags and fly straight
to Cancun or Aruba or Brussels or even the moon." Caraboose says:
"You have to believe in the fairy tooth moose while shaking and
wiggling your tooth 'til it's loose, then carry it home in your
pocket from school, keep it in there while watching TV as a rule."
He has lots of other advice, and promises to give the teeth to the
fairies for their brew so the magic "will float back to you." Great
for parents, teachers, and librarians to read to very young readers
and fun for older children to read on their own. The brightly
illustrated poem wil light up every dental office, too.
A Moonbeam Children's Book Awards winner. Suggested for readers
ages 10 to 13. Sara is thirteen and in the northern Michigan woods
at Lakewood Dance Camp where she is excited, scared, and challenged
by class auditions, rehearsals, and performances of authentic
ballets. She just HAS to win one of the three scholarships for the
next summer so she can continue her training or there's no chance
of returning. She is determined to be a REAL dancer in a REAL
company some day. But how can she look good enough to win a
scholarship when she has to learn new forms of dance, try to figure
out what Madame is saying with her Russian accent, dance all day
long, and stay out of trouble? Robin keeps getting in her way,
messing up rehearsals, blaming her for a sprained foot, and for
problems with the boys across the lake. Even her new friend Erin
seems more interested in having fun sometimes than taking their
classes and rehearsals seriously. When dancers from The San
Francisco Ballet make a visit and perform for the young dancers,
Sara is even more inspired. Taking a master class with Yuri from
the company is awesome and watching them perform "Swan Lake" is so
romantic. But it could all be ruined by not keeping up in class, by
getting caught looking into a secret practice room in the basement
of the dance studio, or being caught off-limits on the boys' side
of the lake in the mysterious cabin in the woods. Sara wants more
than anything to sing the Lakewood song on stage after the final
performance with a scholarship in hand, but she has trouble even
making up a dance for the student concert where the boys will be
the audience. If that isn't problem enough, she is paired with
Robin for the final dance performance and they just can't get it
together. Instead of making everything worse, Sara needs to find a
way to bring teamwork and success. A glossary of dance and theater
terms is included, along with a "What Do You Think?" discussion
section at the end of the book.
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