The Social Construction of Communities draws on archaeological research in the Southwest to examine how communities are created through social interaction. The archaeological record of the Southwest is important for its precise dating, exceptional preservation, large number of sites, and length of occupation-making it most intensively researched archaeological regions in the world. Taking advantage of that rich archaeological record, the contributors to this volume present case studies of the Mesa Verde, Rio Grande, Kayenta, Mogollon, and Hohokam regions. The result is an enhanced understanding of the ancient Southwest, a new appreciation for the ways in which humans construct communities and transform society, and an expanded theoretical discussion of the foundational concepts of modern social theory.

Michael Potter, Fritz Melchers, Martin Weigert The second workshop on Mechanisms of B Cell Neoplasia was held in Bethesda, Maryland in Wilson Hall at the National Institutes of Health on March 5, 6, and 7, 1984. It followed a workshop on the same topic that was held at the Basel Institute for Immunology, March 15-17, 1983. That first meeting attempted to bring together cell biologists, experimental pathologists and molecular geneti- cists interested in B cells, to discuss pathogenetic processes in the development and maintenance of the neoplastic state. The impetus for this discussion emanated from two important developments: first, the discovery of the viral promoter insertion mechanism for acti- vating the myc oncogene in bursal lymphomatosis by Hayward, Neil, and Astrin;-second, the findings that the non-random chromosomal trans locations involving the immunoglobulin gene chromosomes occur- red in very high frequencies in murine plasmacytomas and human Burkitt's lymphomas. During the planning stages of that meeting Shen-Ong et al. discovered that non-random translocations activated the myc oncogene. Promoter insertions and non-random trans locations were-rwo mechanisms that caused transcription of the myc oncogene messages in three different kinds of well defined experimental and clinical B cell tumors. Unregulated myc gene transcription provided the first evidence of a specific bioChemical lesion in B cell neo- plasia.

Do you know how animals sleep? Otters fall asleep while holding hands; zebra finches practise their songs while dreaming; dolphins keep one half of their brain awake . . . Beautiful poems about sleeping animals are interspersed with fascinating facts and beautiful illustrations - making this the perfect bedtime book!

This important book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis. She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi period to influence the conception of music history-including that of American musical scholarship-down to the present time. Potter reveals that prominent German musicologists went beyond other scholars in serving the state by publicizing the German musical legacy as a source of national pride; exploring politically relevant research topics, including pseudo-scientific race theories; and participating in the Germanization of occupied and annexed territories during World War II. Nazi leaders recognized musicology's potential service to Nazi causes, says Potter, and musicological ventures enjoyed generous support from the government, party, and SS. Scrutinizing private papers, archives, and rare publications, Potter breaks the silence imposed by the postwar German musicological establishment and demonstrates the extent to which the entire profession was politicized during the Nazi era.

This landmark study of Zengbu, a Cantonese community, is the first comprehensive analysis of a rural Chinese society by foreign anthropologists since the Revolution in 1949. Jack and Sulamith Potter examine the revolutionary experiences of Zengbu's peasant villagers and document the rapid changeover from Maoist to post-Maoist China. In particular, they seek to explain the persistence of the deep structure of Chinese culture through thirty years of revolutionary praxis. The authors assess the continuities and changes in rural China, moving from the traditional social organization and cultural life of the pre-revolutionary period through the series of large-scale efforts to implement planned social change which characterized Maoism - land reform, collectivization, the Great Leap Forward, and the Cultural Revolution. They examine in detail late Maoist society in 1979-80 and go on to describe and analyse the extraordinary changes of the post-Mao years, during which Zengbu was decollectivized, and traditional customs and religious practices reappeared.

This landmark study of Zengbu, a Cantonese community, is the first comprehensive analysis of a rural Chinese society by foreign anthropologists since the Revolution of 1949. The authors examine the revolutionary experiences of Zengbu's peasant villagers and document the rapid changeover from Maoist to post-Maoist China. In particular, they seek to explain the persistence of the deep structure of Chinese culture through thirty years of revolutionary praxis. A video documentary, produced by the Potters and Tom Luehrsen, Zengbu After Mao, is available from New Dimension Media. For video purchase or rental information contact New Dimension Media, 85895 Lorane Highway, Eugene, Oregon 97405.

This provocative study asks why we have held on to vivid images of the Nazis' total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other "enemies of the state" was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.

How can music withstand the death and destruction brought on by war? Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of "war music" in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized "home" and constructing politicized notions of national and ethnic identity. This fascinating and well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II.