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Most German of the Arts - Musicology and Society from the Weimar Republic to the End of Hitler`s Reich (Hardcover, New)
Loot Price: R1,518
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Most German of the Arts - Musicology and Society from the Weimar Republic to the End of Hitler`s Reich (Hardcover, New)
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This important book investigates the role played by German
musicology in buttressing Nazi institutions and ideology. Pamela
Potter examines the social, economic, and intellectual factors that
caused some German musical scholars to support with such fervor the
ideological aims of the Nazis. She argues convincingly that many of
the ideas that served the regime not only predated Hitler's rise to
power but survived the Nazi period to influence the conception of
music history-including that of American musical scholarship-down
to the present time. Potter reveals that prominent German
musicologists went beyond other scholars in serving the state by
publicizing the German musical legacy as a source of national
pride; exploring politically relevant research topics, including
pseudo-scientific race theories; and participating in the
Germanization of occupied and annexed territories during World War
II. Nazi leaders recognized musicology's potential service to Nazi
causes, says Potter, and musicological ventures enjoyed generous
support from the government, party, and SS. Scrutinizing private
papers, archives, and rare publications, Potter breaks the silence
imposed by the postwar German musicological establishment and
demonstrates the extent to which the entire profession was
politicized during the Nazi era.
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