By the early twenty-first century neo-nationalist forces have established themselves in a number of the world's large regions and subcontinents. From Australia to South Asia, in Eastern and Western Europe, comparable parties and movements have positioned themselves in national parliaments and governments, with some considerable impact on state power. In contrast to right-wing extremist parties in the past, these recent movements mostly operate within legal parliamentary channels, using essentialized notions of local culture to mobilize against real and alleged threats to local identities of status, gender, religion, nationhood and ethnicity. Prompted by this near-simultaneous rise to political influence of more than a dozen apparently similar parties across Western Europe, this collection offers a range of European case studies with selected global examples, such as the Front National, the late Pim Fortuyn, India and the BJP, and Pauline Hanson and her One Nation Party in Australia. It takes up the theoretical and methodological challenges posed by this phenomenon and asks what distinctive contributions anthropology might make to its study. Andre Gingrich is Full Professor of Social Anthropology at the University of Vienna. Recent publications include Anthropology, by Comparison (co-edited with Richard G. Fox, 2002) and One Discipline, Four Ways: British, German, French, and American Anthropology: The Halle lectures (co-authored with Frederik Barth, Robert Parkin and Sydel Silverman, University of Chicago Press, forthcoming). Marcus Banks is Professor of Visual Anthropology at the University of Oxford, and author of Organizing Jainism in India and England (Clarendon Press, 1992); Ethnicity: Anthropological Constructions (Routledge, 1996) and Visual Methods in Social Research (Sage, 2001), as well as numerous journal articles and book contributions.

By the early twenty-first century neo-nationalist forces have established themselves in a number of the world's large regions and subcontinents. From Australia to South Asia, in Eastern and Western Europe, comparable parties and movements have positioned themselves in national parliaments and governments, with some considerable impact on state power. In contrast to right-wing extremist parties in the past, these recent movements mostly operate within legal parliamentary channels, using essentialized notions of local culture to mobilize against real and alleged threats to local identities of status, gender, religion, nationhood and ethnicity. Prompted by this near-simultaneous rise to political influence of more than a dozen apparently similar parties across Western Europe, this collection offers a range of European case studies with selected global examples, such as the Front National, the late Pim Fortuyn, India and the BJP, and Pauline Hanson and her One Nation Party in Australia. It takes up the theoretical and methodological challenges posed by this phenomenon and asks what distinctive contributions anthropology might make to its study.

Ethnicity has been a key concept in anthropology and sociology for many years, yet many people still seem uncertain as to its meaning, its relevance, and its relationship to other concepts such as 'race' and nationalism. In "Ethnicity: Anthropological Construction" the major anthropological and Sociological approaches to ethnicity, covering much of the significant literature and leading authors, are outlind clearly and concisely.
The term, ethnicity, has been used to describe human social interaction, but particularly in relation to groups that would previously have been described as 'tribes', and to minority migrant groups and their 'host societies'. Certain classic works are discussed and particular attention is paid to the considerable literature on ethnic minorities in Britain and the United States. Two case studies--on 'ethnic cleansing' in Bosnia, and accusations of racism in a British school dispute---are presented to demonstarte how concepts of ethnicity, 'race' and nationalism have recently been used by the public and press.
This book constructs an intellectual history of ethnicity, and argues that while it has become an overused concept in the anthropological vocabulary, it is finding increasing use in public language and thought.

Ethnicity has been a key concept in anthropology and sociology for many years, yet many people still seem uncertain as to its meaning, its relevance, and its relationship to other concepts such as `race' and nationalism. In Ethnicity: Anthropological Constructions the major anthropological and sociological approaches to ethnicity, covering much of the significant literature and leading authors, are outlined clearly and concisely.

The Second Edition of this popular text confirms the book's status as an important forerunner in the field of visual methods. Combining the theoretical, practical and technical the authors discuss changing technologies, the role of the internet and the impact of social media. Presenting an interdisciplinary guide to visual methods they explore both the creation and interpretation of visual images and their use within different methodological approaches. This clear, articulate book is full of practical tips on publishing and presenting the results of visual research and how to use film and photographic archives. This book will be an indispensable guide for anyone using or creating visual images in their research.

"Made to be Seen" brings together leading scholars of visual anthropology to examine the historical development of this multifaceted and growing field. Expanding the definition of visual anthropology beyond more limited notions, the contributors to "Made to be Seen" reflect on the role of the visual in all areas of life. Different essays critically examine a range of topics: art, dress and body adornment, photography, the built environment, digital forms of visual anthropology, indigenous media, the body as a cultural phenomenon, the relationship between experimental and ethnographic film, and more.
The first attempt to present a comprehensive overview of the many aspects of an anthropological approach to the study of visual and pictorial culture, "Made to be Seen" will be the standard reference on the subject for years to come. Students and scholars in anthropology, sociology, visual studies, and cultural studies will greatly benefit from this pioneering look at the way the visual is inextricably threaded through most, if not all, areas of human activity.

Although the Jains have a religious history spanning two-and -a-half millennia Western scholars have shown little interest in them until recently. Drawing on fieldwork conducted among Jains in the Indian state of Gujarat and a migrant Gujarati Jain group in Leicester, England, Marcus Banks aims to provide an understanding of contemporary Jain identity through an examination of their social and religious organizations. The first part of the book describes the array of religious and caste organizations found among Jains in the Indian city of Jamnagar and how Jains from Jamnagar and elsewhere in Gujarat migrated to East Africa, transforming their organizations in the process. The second part looks at the new forms of organization that have developed among the Jains who came to Leicester from East Africa and the part these have played in changing perceptions of Jainism itself. Throughout the book Dr Banks plays special attention to the use and transformation of urban space by religious and other groups, and he concludes with comments on the definition of religion and religious identity. This is one of the first book-length studies of the Jains as a migrant group overseas, where they are studied in their own right rather than simply as an ethnic minority. It will be valuable both for its documentation of a small but influential population and for its direct comparison of aspects of communal and religious organization in India and the UK.

The Second Edition of this popular text confirms the book's status as an important forerunner in the field of visual methods. Combining the theoretical, practical and technical the authors discuss changing technologies, the role of the internet and the impact of social media. Presenting an interdisciplinary guide to visual methods they explore both the creation and interpretation of visual images and their use within different methodological approaches. This clear, articulate book is full of practical tips on publishing and presenting the results of visual research and how to use film and photographic archives. This book will be an indispensable guide for anyone using or creating visual images in their research.

"Made to be Seen" brings together leading scholars of visual anthropology to examine the historical development of this multifaceted and growing field. Expanding the definition of visual anthropology beyond more limited notions, the contributors to "Made to be Seen" reflect on the role of the visual in all areas of life. Different essays critically examine a range of topics: art, dress and body adornment, photography, the built environment, digital forms of visual anthropology, indigenous media, the body as a cultural phenomenon, the relationship between experimental and ethnographic film, and more.
The first attempt to present a comprehensive overview of the many aspects of an anthropological approach to the study of visual and pictorial culture, "Made to be Seen" will be the standard reference on the subject for years to come. Students and scholars in anthropology, sociology, visual studies, and cultural studies will greatly benefit from this pioneering look at the way the visual is inextricably threaded through most, if not all, areas of human activity.

This book helps students and scholars get started on the exciting journey of using visual data in social research. It covers the many uses a researcher can make of images, from creating images as a part of the research process to collecting and analyzing images from diverse sources. Exploring the opportunities and arming readers with tools to overcome some of the practical challenges, Using Visual Data in Qualitative Research is a perfect guide to uncovering new and unexpected dimensions of social life.

For many years the field of visual anthropology has been dominated by a focus on the production and study of ethnographic film, leading many anthropologists to dismiss it as of little importance to their work. This book shows that the scope of visual anthropology is far broader, encompassing the analysis of still photography, television, electronic representation, art, ritual, and material culture. Because anthropology involves the representation of one culture or segment of society to another, say the authors, an understanding of the nature of representational processes across cultures is essential. This book brings together essays by leading anthropologists that cover an entire range of visual representation, from Balinese television to computer software manuals. Contributors discuss the anthropology of art, the study of landscape, the anthropology of ritual, the anthropology of media and communication, the history of anthropology, and art practice and production. Also included are a wide-ranging introduction and a concluding overview. The book will be of interest to all anthropologists-even those who have never picked up a camera-and also to those concerned with cross-cultural visual representation in the fields of cultural studies, media studies, and communication theory.