This latest volume in the celebrated Cambridge History of Literary Criticism addresses literary criticism of the Romantic period, chiefly in Europe. Its seventeen chapters are by internationally respected academics and explore a range of key topics and themes. The book is designed to help readers locate essential information and to develop approaches and viewpoints for a deeper understanding of issues discussed by Romantic critics or that were fundamental to their works. Primary and secondary bibliographies provide a guide for further research.

"Romantic gothic fiction is not exciting. Gothic novels are not ghost stories. Gothic novels are not women's writing."
Opening with these three theses, "The Gothic Text" undertakes a fresh approach to a much-studied mode. Marshall Brown combines the teleological approach to literary history developed in his "Preromanticism" with a European perspective on the one truly international literary form of its era. New insights into literary history and the history of ideas provide a framework for innovative close readings--of Horace Walpole's "The Castle of Otranto," Ann Radcliffe's "The Italian," and Mary Shelley's "Frankenstein," among others--that approach classics of the genre from unusual angles. The book also provides a thoroughly researched account of German romantic psychology as it developed out of Kant's idealist philosophy into a gothic sensibility. Accessibly written and argued in careful, lively detail, "The Gothic Text" gives many new impulses to the study of romanticism, nineteenth-century fiction, and the origins of psychoanalysis.

Romantic gothic fiction is not exciting. Gothic novels are not ghost stories. Gothic novels are not women's writing. Opening with these three theses, The Gothic Text undertakes a fresh approach to a much-studied mode. Marshall Brown combines the teleological approach to literary history developed in his Preromanticism with a European perspective on the one truly international literary form of its era. New insights into literary history and the history of ideas provide a framework for innovative close readings-of Horace Walpole's The Castle of Otranto, Ann Radcliffe's The Italian, and Mary Shelley's Frankenstein, among others-that approach classics of the genre from unusual angles. The book also provides a thoroughly researched account of German romantic psychology as it developed out of Kant's idealist philosophy into a gothic sensibility. Accessibly written and argued in careful, lively detail, The Gothic Text gives many new impulses to the study of romanticism, nineteenth-century fiction, and the origins of psychoanalysis.

Through a combination of general reflections, studies of important critics, and both comprehensive and specific analyses of cultural change in literature, music, art, and philosophy, "Turning Points "demonstrates the role of style and form in promoting and shaping cultural development.
The book proposes that works do not timelessly abstract, retrospectively reflect, or passively express; instead, they promote and shape historical change. Moving rather than consolidating, cultural expressions advance cultures not through what they say (musical works, in particular, say nothing) but through inventing new ways of communicating. Styles and forms are the vessels imagined by cultural works to convey ideas, ideologies, and structures of feeling and society. Hence, in contrast to much recent work in cultural studies, "Turning Points "argues that works of the imagination anticipate and produce the intellectual contexts adduced to explain them.
The book offers new insights into both the theory and the practice of cultural history by combining general meditations with studies of representative theorists and of works and periods in movement. Two framing chapters reflect on the constant flow of history as guided by the energy of form. Of the remaining nine chapters (two of which are previously unpublished), three chapters analyze important theorists: the concept of style in the work of Hippolyte Taine, expressive flux in the formalism of the art historian Heinrich Wolfflin, and stylistic energy in the work of the Marxist literary critic Jerome J. McGann.
Six critical studies sample works and periods ranging in time from the Renaissance through modernism, with close readings of passages and works by Coleridge, the neo-Latin poet Casimir Sarbiewski, Kant, Descartes, Thomas Parnell, and Mozart, and general considerations of style change in the eighteenth and nineteenth centuries. In sum, "Turning Points" presents an interdisciplinary perspective on the achievements of modern European culture that blends fine-grained examples with broad considerations of both intellectual history and trends in literary criticism.

Using an outmoded term in an entirely new way, Preromanticism seeks the common ground of British literature from 1740 to 1798 not in foreshadowings of Romanticism but in incomplete discoveries and in impediments to expression that Romanticism was to lift. Featuring readings of masterpieces in all genres that draw widely on recent innovations in literary theory, it highlights the variety of experimentation in a transitional epoch.

Using an outmoded term in an entirely new way, Preromanticism seeks the common ground of British literature from 1740 to 1798 not in foreshadowings of Romanticism but in incomplete discoveries and in impediments to expression that Romanticism was to lift. Featuring readings of masterpieces in all genres that draw widely on recent innovations in literary theory, it highlights the variety of experimentation in a transitional epoch.

A foundational book by one of the most distinguished German humanists of the last half century, Tempus joins cultural linguistics and literary interpretation at the hip. Developing two controversial theses—that sentences are not truly meaningful in isolation from their contexts and that verb tenses are primarily indicators not of time but of the attitude of the speaker or writer—Tempus surveys a dazzling array of ancient and modern texts from famous authors as well as casual speakers of German, French, Italian, Spanish, Portuguese, Latin, and English, with a final chapter extending the observations to Greek, Russian, and world languages. A classic in German and long available in many other languages, Tempus launched a new discipline, text linguistics, and established a unique career that was marked by precise observation, sensitive cultural outreach, and practical engagement with the situation of migrants. Weinrich’s robust and lucid close readings of famous and little-known authors from all the major languages of western Europe expand our literary horizons and challenge our linguistic understanding.

A collection of poetry written between the years 1998-2010.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Foreigners In Turkey; Their Juridical Status Philip Marshall Brown Princeton university press, 1914

The Making of Modern Law: Foreign, Comparative and International Law, 1600-1926, brings together foreign, comparative, and international titles in a single resource. Its International Law component features works of some of the great legal theorists, including Gentili, Grotius, Selden, Zouche, Pufendorf, Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among others. The materials in this archive are drawn from three world-class American law libraries: the Yale Law Library, the George Washington University Law Library, and the Columbia Law Library.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.+++++++++++++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: +++++++++++++++Yale Law LibraryLP3Y006710019170101The Making of Modern Law: Foreign, Comparative, and International Law, 1600-1926Reprinted in part from the North American review.New York: Charles Scribner's Sons, 1917xvi, 233 p.; 19 cmUnited States

The Making of the Modern Law: Legal Treatises, 1800-1926 includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard Law School Libraryocm13337281Includes index.Chicago: T.H. Flood, 1899. xv, 578 p.; 24 cm.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Wit And Humor: A Choice Collection 15 Marshall Brown, John Wesley Beatty S.C. Griggs, 1882 Humor; General; Humor / General; Wit and humor

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This book, from the series Primary Sources: Historical Books of the World (Asia and Far East Collection), represents an important historical artifact on Asian history and culture. Its contents come from the legions of academic literature and research on the subject produced over the last several hundred years. Covered within is a discussion drawn from many areas of study and research on the subject. From analyses of the varied geography that encompasses the Asian continent to significant time periods spanning centuries, the book was made in an effort to preserve the work of previous generations.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

A small town doctor in the Shawnee Nation is severely injured and briefly dies in an Internation highway pileup. When the doctor is brought back, he recovers and returns to work but has residual seizures and paranoia. The doctor and his immigrant town are then increasingly plagued by the presence of a menacing dark figure, and the figure appears to contribute to a number of deaths in the town.

Scalp Bounty: Ravaging Myths Book 2 begins in the Apache Nation with the mysterious death of an Apache soldier. The death rocks the Intertribal Council and the Apache Tribe Council representative, General Andrea Cochise of the Apache Nation military is determined to track the killer down.