Using an outmoded term in an entirely new way, Preromanticism seeks
the common ground of British literature from 1740 to 1798 not in
foreshadowings of Romanticism but in incomplete discoveries and in
impediments to expression that Romanticism was to lift. Featuring
readings of masterpieces in all genres that draw widely on recent
innovations in literary theory, it highlights the variety of
experimentation in a transitional epoch.
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