John Stockwell directs this tense action drama documenting the covert mission undertaken by a US Navy Seal team to capture or kill Osama Bin Laden. After receiving intelligence that their quarry is hiding out in a compound in Pakistan, the CIA mobilise crack US Navy Seal Team 6 to train for a daring night-time raid. After arriving at Bagram Air Base in Afghanistan, and being put through punishingly intensive training for their mission, the team learn that their target is Osama Bin Laden, codename: Geronimo. As they set out on the deadliest mission of their lives, the unit must come together in one final, all or nothing attempt to take down America's most wanted terrorist.

Obsessed from his childhood with Jonathan Swift's story of Lemuel Gulliver's travels, Arthur C. Gulliver is committed to an asylum for his pestiferous soliciting to raise funds for an insane voyage to the fictitious land of Lilliput. But, with the aid of two other inmates, he manages to realize his dream and sail to Lilliput.
The Lilliput Arthur finds in the mid 1930s is much different than Lemuel Gulliver's. The monarchy is gone. Lilliputians zoom across land and sea in spheres of transparent steel. Spanking is the Lilliputian method of formal greeting. Drunkenness is required by law. Skyscrapers hang gracefully suspended in mid-air. Politicians pay voters directly and openly for their votes. The military wields a fantastic paralytic ray. Nights in the city are lit by small artificial suns created by great beams of light. And, a mysterious third chamber in the tricameral legislature dominates Lilliputian government.
In the mid-1930s, Joseph Martin Cunningham wrote this sequel to Gulliver's Travels. Intended as a political satire about the follies of America during the Great Depression, it seems surprisingly topical today. The comical parodies of Wall Street's financial scandals, the influence of lobbyists, the Congressional reconciliation process, earmarks, and political financing seem to be drawn out of today's headlines.

The Cantigas de Santa Maria is a vast collection of over 400 pieces, with texts in the Galician language, ascribed to King Alfonso the Wise (c. 1284). While most of the cantigas narrate miracles of the Virgin Mary, the corpus is carefully structured, so that every tenth piece is a song in her praise. This new edition has been prepared with both scholars and performers in mind. The texts have been newly prepared in a regularized spelling, with a parallel English version for those who seek a word-by-word understanding of the original. An introductory chapter, and notes on the individual texts, provide a context for a fuller understanding.