An auteur and the creator of multiple cinematic universes, James Wan has become one of the most successful directors in history, his films breaking box office records worldwide. Yet there is little scholarship on Wan's work. This collection of new essays fills the gap with contributions from around the globe offering analysis of his film and television productions, including Saw (2004), Aquaman (2018) and The Conjuring Universe franchise, along with less well-known works like Death Sentence (2007), Dead Silence (2007) and his pilot for the new MacGyver series. For the first time, Wan's films are explored in-depth from wide range of critical perspectives.

Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, Emilie von Garan, Connor John Warden, and Sean Woodard The giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava's The Girl Who Knew Too Much (1963) and Dario Argento's The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom. In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this "yellow" cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.

The Rwandan genocide remains one of the most controversial and shameful events of the 20th century. For most Westerners, there understanding of the genocide has come through the Oscar-winning film Hotel Rwanda and the critically acclaimed Shooting Dogs. Yet how accurate are these films in presenting what actually happened in Rwanda in 1994? How has the genocide been portrayed on film and why primarily only through a Western perspective that is guilty of presenting a distorted truth of what went on in Rwanda? This collection explores a wide variety of feature films and documentaries associated with the Rwandan Genocide through new scholarship from a number of writers connected to African and Genocide studies as it attempts to explore the aftermath of the genocide and its expression both in Western and Rwandan cinema. The book also features exclusive interviews with a number of filmmakers who have made films relating to, or about, the Rwandan Genocide. The interviewees include investigative journalist Steve Bradshaw on his trilogy of films for BBC's Panorama, an interview with 100 days director Nick Hughes (Matthew Edwards), director Lee Isaac Chung on his film award-winning film Munyurangabo (Matthew Edwards) and an interviews with Rwandan filmmakers Eric Kabera and Kivu Ruhorahoza.

Serial killers, mass murderers, spree killers, outlaws, and real-life homicidal maniacs have long held a grim fascination for both filmmakers and viewers. Since the 1970s, hundreds of films and television movies have been made covering killer from Charles Manson to Ted Bundy and the Zodiac Killer creating a uniquely morbid sub-genre within horror and thrillers. This collection of interviews sheds light on 17 filmmakers and screenwriters who tackled this controversial subject while attempting to explore the warped world of infamous killers. The interviews include John McNaughton (Henry: Portrait of a Serial Killer), Tom Hanson (The Zodiac Killer), David Wickes (Jack the Ripper), Chris Gerolmo (Citizen X), Chuck Parello (The Hillside Stranglers), David Jacobson (Dahmer) and Clive Saunders on his ill-fated experience directing Gacy. Offering candid insights into the creative process behind these movies, the interviews also show the pitfalls and moral controversy the filmmakers had to wrestle with to bring their visions to the screen.

(Schirmer Performance Editions). Favorites of piano teachers, these short pieces show lyricism and harmonic surprise for which Prokofiev's larger works are known. Intermediate to Late Intermediate Level.

Horror and exploitation movies have played a significant role both in America and world cinema by producing a number of challenging, controversial, horrifying and surreal visions from renegade filmmakers. This collection looks to champion and speak to those filmmakers who dare to defy the conventions as laid down by Hollywood and commercial cinema, by shedding light on their films, and careers, that push the boundaries of what is deemed acceptable on screen. The interviews in the collection give insight into these unique visions and the realities of working on underground and exploitative films. The book includes 23 diverse and illuminating interviews from a number of exciting horror film directors from across the globe, including cult favorites Alfred Sole (Alice, Sweet, Alice) Romano Scavolini (Nightmares in a Damaged Brain), Stu Segall (Drive-in Massacre), Joseph Ellison (Don't Go in the House), David Paulsen (Savage Weekend, Schizoid), Jorg Buttgereit (Nekromantik, Schramm), Jack Sholder (Alone in the Dark, The Hidden) to a number of surrealistic horror filmmakers like Marinao Baino's Lovecraftian shocker Dark Waters, Yoshihiko Matsui of Noisy Requiem fame and Jamil Dehlavi's Islamic horror Born of Fire. The book also champions the new vanguard of horror filmmakers-such as Dante Tomaselli, Scott Schrimer and Rodrigo Gudino-and the struggles and pitfalls they have to endure to realize their twisted visions. The book also includes more than 100 photographs, including many rare-behind the scenes images of the filmmakers on set.

With more than 130 films and a career spanning four decades, Klaus Kinski (1926-1991) was one of the most controversial actors of his generation. Known for his wild tantrums on set and his legendary collaborations with auteur Werner Herzog-Aguirre, the Wrath of God (1972), Nosferatu the Vampyre (1979) - Kinski's intense performances made him the darling of European arthouse and exploitation/horror cinema. A genius in front of the camera, he was capable of lighting up the most risible films. Yet behind his public persona lurked a depraved man who took his art to the darkest extremes. This first ever collection of essays focusing on Kinski examines his work in exploitation and art house films and spaghetti westerns, along with his performances in such cult classics as Doctor Zhivago (1965), Crawlspace (1986), Venus in Furs (1965), The Great Silence (1968), Android (1982) and his only directorial credit, Paganini (1989). More than 50 reviews of Kinski's films are included, along with exclusive interviews with filmmakers and actors who worked with him.

Seventy years after the nuclear attacks on Hiroshima and Nagasaki, Japan is still dealing with the effects of the bombings on the national psyche. From the Occupation Period to the present, Japanese cinema had offered a means of coming to terms with one of the most controversial events of the 20th century. From the monster movies Gojira (1954) and Mothra (1961) to experimental works like Go Shibata's Nn-891102 (1999), atomic bomb imagery features in all genres of Japanese film. This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spotiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included.

(Schirmer Performance Editions). Six short pieces from Satie's early years, which capture the composer's graceful unconventionality. With historical and performance notes. Intermediate Level.

(Schirmer Performance Editions). Czerny's popular piano exercises now available in an easy-to-read edition with performance and historical notes. Includes two CDs of performances demonstrating how the pieces may be thought of as real literature rather than mechanical etudes.

Cicero, Politics, and the 21st Century addresses the West's current crisis of confidence. Reflecting on how the famed Roman philosopher-statesmen Marcus Tullius Cicero thought and acted in a time of great turbulence in the ancient world, this book offers lessons to 21st century students of politics and statesmen alike. Cicero's example shows that the survival of liberal democracy requires us to recover a sense of nobility in politics - a balance of power, honour, and justice with the pursuit of truth for the common good. Cicero, Politics, and the 21st Century brings the reader into the dirty politics of the late Roman Republic and tells how Cicero rose to the top in this environment. He managed to work with people who were often diametrically opposed to him, juggling different power blocks and interest groups, while trying to implement reforms, all at a time when the state apparatus and public consensus holding the Republic together were breaking down. Cicero was able to attain power, all the while maintaining his integrity and advancing the interests of his people. Additionally, Cicero and his time bring much needed perspective to our political thinking by enabling us to examine events through a prism of assumptions different from those we have inherited from the turmoil of the 20th century.

The Book of Wisdom's understanding of Israel's history, of contemporary politics and of the immortal fate of the persecuted sage can be understood to be part of one theological system. This system integrates texts and concepts from Jewish Wisdom, the biblical narratives of the patriarchs from Adam to Moses, eschatological hope and apocalyptic language, an understanding of the spirit of God in the enabling of prophets and leaders and, most distinctively, the Stoic concept of pneuma. This last concept unites the biblical resources and allows Wisdom, using eschatological language, to speak of the ordering of the cosmos for the judgement for the wicked and the exaltation of God's people in the present age. Matthew Edwards addresses first the question of the literary unity of Wisdom. This is followed by an examination of the differing uses of the term pneuma within Wisdom, that is as divine agent of salvation, the means of the ordering the cosmos and the substance from which souls are composed. The nature of personal salvation within Wisdom is also considered and shown to be an integral part of the understanding of the cosmos, ordered for judgement and exaltation. Finally, this notion of the ordering of the comos and history for God's people is discussed with its consequences for Jewish life under contemporary Hellenistic and Roman rule. Prepared as a doctoral dissertation under the direction of J. Schaper and presented to the University of Aberdeen, this investigation of the book of Wisdom contends that it uses the Stoic concept of pneuma to integrate various elements of the Jewish biblical tradition, including sapiential texts, the narratives of the patriarchs and the exodus, eschatological hope and apocalyptic language, and the work of the spirit of God in enabling prophets and leaders. After dealing with introductory matters concerning the book of Wisdom and the concepts of pneuma and eschatology within it, it offers an argument for the theological unity of Wisdom's different depictions of salvation. Then it discusses how the miracles of the Exodus-Numbers narrative are understood as workings of pneuma within the cosmos, and considers how an understanding of the cosmos as ordered by pneuma might be related to a traditional Jewish understanding of the world as created. Next after discussing pneuma, Stoicism, and anthropology, it considers "spirit" in the biblical tradition (OT, LXX, Philo). Then it treats the realized eschatology of Wisdom, with reference to personal eschatology, Hellenistic kingship and wisdom, and providence and fate. Edwards concludes that Wisdom follows the Hellenistic trend toward the philosophical explanation of human life by understanding it as set within a larger cosmic and physical system. New Testament Abstracts (57/1-2013), Boston College School of Theology and Ministry

Rock 'n' roll is a style that was born out of the great American melting pot. An outgrowth of the blues, rock 'n' roll music combines driving rhythms, powerful chords, and lyrics that communicate the human experience to audiences around the world. Although rock singing was once seen as a vulgar use of the human voice and was largely ignored by the academic community, voice teachers and singers around the world have recently taken a professional interest in learning specialized techniques for singing rock 'n' roll. So You Want to Sing Rock 'n' Roll gives readers a comprehensive guide to rock history, voice science, vocal health, audio technology, technical approaches to singing rock, and stylistic parameters for various rock subgenres. Matthew Edwards, assistant professor of voice at Shenandoah Conservatory, provides easy-to-understand explanations of technical concepts, with tips for practical application, and suggestions for listening and further reading. So You Want to Sing Rock 'n' Roll includes guest-authored chapters by singing voice researchers Dr. Scott McCoy and Dr. Wendy LeBorgne, as well as audio and visual examples available from the website of the National Association of Teachers of Singing. This work is not only the ideal guide to singing professionals, but the perfect reference work for voice teachers and their students, lead and back-up singers, record producers and studio engineers. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Rock 'n' Roll features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ 'The Church In Her Offices', A Sermon Charles Matthew Edward Collins

Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, Emilie von Garan, Connor John Warden, and Sean Woodard The giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava's The Girl Who Knew Too Much (1963) and Dario Argento's The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom. In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this "yellow" cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.