Was it one of the war's most memorable feats of valor or an act of desperation, even madness?

In Out of the Sky, Matti Friedman unravels one of the strangest episodes of World War II: In 1944, a team of young women and men who had escaped the Holocaust made the inconceivable choice to parachute back into Nazi-occupied Europe under the cover of a British military operation. Yet by the end of the mission, not a single Nazi was harmed and not a single Jew was saved, and many of the parachutists died in the process. Even so, some of their names would become legendary, especially that of twenty-three-year-old Hannah Senesh, the author of the beloved Hebrew song "Eli, Eli." Their story would become one of the young state of Israel's founding myths--but what exactly was the mission, and what had the parachutists actually accomplished? What made them heroes?

Using thousands of original documents from once-secret files, manuscripts, memoirs, and unpublished letters, Matti Friedman follows four of the parachutists from the spring of 1944 to the operation's dramatic end that winter. In Out of the Sky, he tells the gripping and surprising tale of a forgotten moment, demonstrating how storytelling itself can have a power even greater than warfare. And in exploring the line between myth and reality, heroism and futility, he creates an argument that has resonance in our own time.

It was just one remote hilltop in an unnamed war in the late 1990s, but it would send out ripples that are still felt today, foreshadowing the chaos of 21stcentury conflicts in the Middle East. The hill, in Lebanon, was called the Pumpkin; 'flowers' was the military code word for casualties.Part memoir, part reportage and part haunting elegy for lost youth, award-winning writer Matti Friedman's powerful account follows the band of young soldiers - the author among them - conscripted out of high school into holding this remote outpost, and explores how the task would change them forever. Pumpkinflowers is a lyrical yet devastating insight into the day-to-day realities of war, and a powerful coming-of-age narrative. Raw and beautifully rendered, this essential chronicle casts an unfl inching look at the nature of modern warfare, in which there is never a clear victor and innocence is not all that is lost.

"A book about young men transformed by war, written by a veteran whose dazzling literary gifts gripped my attention from the first page to the last." --The Wall Street Journal "Friedman's sober and striking new memoir . . . [is] on a par with Tim O'Brien's The Things They Carried -- its Israeli analog." --The New York Times Book Review It was just one small hilltop in a small, unnamed war in the late 1990s, but it would send out ripples that are still felt worldwide today. The hill, in Lebanon, was called the Pumpkin; flowers was the military code word for "casualties." Award-winning writer Matti Friedman re-creates the harrowing experience of a band of young Israeli soldiers charged with holding this remote outpost, a task that would change them forever, wound the country in ways large and small, and foreshadow the unwinnable conflicts the United States would soon confront in Afghanistan, Iraq, and elsewhere. Pumpkinflowers is a reckoning by one of those young soldiers now grown into a remarkable writer. Part memoir, part reportage, part history, Friedman's powerful narrative captures the birth of today's chaotic Middle East and the rise of a twenty-first-century type of war in which there is never a clear victor and media images can be as important as the battle itself. Raw and beautifully rendered, Pumpkinflowers will take its place among classic war narratives by George Orwell, Philip Caputo, and Tim O'Brien. It is an unflinching look at the way we conduct war today.

In an age when physical books matter less and less, here is a thrilling story about a book that meant everything. This true-life detective story unveils the journey of a sacred text - the tenth-century annotated bible known as the Aleppo Codex - from its hiding place in a Syrian synagogue to the newly founded state of Israel. Based on Matti Friedman's independent research, documents kept secret for fifty years, and personal interviews with key players, the book proposes a new theory of what happened when the codex left Aleppo, Syria, in the late 1940s and eventually surfaced in Jerusalem, mysteriously incomplete. The codex provides vital keys to reading biblical texts. By recounting its history, Friedman explores the once vibrant Jewish communities in Islamic lands and follows the thread into the present, uncovering difficult truths about how the manuscript was taken to Israel and how its most important pages went missing. Along the way, he raises critical questions about who owns historical treasures and the role of myth and legend in the creation of a nation.

"An expedition into the troubled soul of one of the world's greatest songwriters."-Haaretz "Not only is a hidden side of Cohen revealed but so too a hidden side of Israel."-David Bezmozgis The little-known story of Leonard Cohen's concert tour to the front lines of the Yom Kippur War, including never-before-seen selections from an unfinished manuscript by Cohen and rare photographs In October 1973, the poet and singer Leonard Cohen-thirty-nine years old, famous, unhappy, and at a creative dead end-traveled from his home on the Greek island of Hydra to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a guitar and a group of local musicians, Cohen met hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen. He had announced that he was abandoning his music career, but he instead returned to Hydra and to his family, had a second child, and released one of the best albums of his career. In Who by Fire, journalist Matti Friedman gives us a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, formative moment for both a young country at war and a singer at a crossroads.