A vital book for understanding the use of political violence in pursuit of political ends, by one of the major French philosophers of the 20th century Includes a fascinating chapter on Arthur Koestler's famous novel about the 1930s 'show trials' in Moscow, Darkness at Noon Extremely clearly written and still highly relevant for dealing with questions of political power and authoritarianism This Routledge Classics edition includes a new foreword by William McBride, helpfully placing the book in the context of Merleau-Ponty's thought as a whole

No matter how long I may look at an image, I shall never find anything in it but what I put there. It is in this fact that we find the distinction between an image and a perception.' - Jean-Paul Sartre"

L Imagination" was published in 1936 when Jean-Paul Sartre was thirty years old. Long out of print, this is the first English translation in many years. "The Imagination" is Sartre s first full philosophical work, presenting some of the basic arguments concerning phenomenology, consciousness and intentionality that were to later appear in his master works and be so influential in the course of twentieth-century philosophy.

Sartre begins by criticising philosophical theories of the imagination, particularly those of Descartes, Leibniz and Hume, before establishing his central thesis. Imagination does not involve the perception of mental images in any literal sense, Sartre argues, yet reveals some of the fundamental capacities of consciousness. He then reviews psychological theories of the imagination, including a fascinating discussion of the work of Henri Bergson. Sartre argues that the classical conception is fundamentally flawed because it begins by conceiving of the imagination as being like perception and then seeks, in vain, to re-establish the difference between the two. Sartre concludes with an important chapter on Husserl s theory of the imagination which, despite sharing the flaws of earlier approaches, signals a new phenomenological way forward in understanding the imagination.

"The Imagination" is essential reading for anyone interested in the philosophy of Jean-Paul Sartre, phenomenology, and the history of twentieth-century philosophy.

This new translation includes a helpful historical and philosophical introduction by Kenneth Williford and David Rudrauf. Also included is Maurice Merleau-Ponty s important review of "L Imagination "upon its publication in French in 1936.

Translated by Kenneth Williford and David Rudrauf.

A vital book for understanding the use of political violence in pursuit of political ends, by one of the major French philosophers of the 20th century Includes a fascinating chapter on Arthur Koestler's famous novel about the 1930s 'show trials' in Moscow, Darkness at Noon Extremely clearly written and still highly relevant for dealing with questions of political power and authoritarianism This Routledge Classics edition includes a new foreword by William McBride, helpfully placing the book in the context of Merleau-Ponty's thought as a whole

Raymond Aron called Merleau-Ponty "the most influential French philosopher of his generation." First published in France in 1947, Humanism and Terror was in part a response to Arthur Koestler's "Darkness at Noon," and in a larger sense a contribution to the political and moral debates of a postwar world suddenly divided into two ideological armed camps. For Merleau-Ponty, the central question was: could Communism transcend its violence and intentions?

The value of a society is the value it places upon man's relation to man, Merleau-Ponty examines not only the Moscow trials of the late thirties but also Koestler's re-creation of them. He argues that violence in general in the Communist world can be understood only in the context of revolutionary activism. He demonstrates that it is pointless to ask whether Communism respects the rules of liberal society; it is evident that Communism does not.

In post-Communist Europe, when many are addressing similar questions throughout the world, Merleau-Ponty's discourse is of prime importance; it stands as a major and provocative contribution to limits on the use of violence. The argument is placed in its current context in a brilliant new introduction by John O'Neill. His remarks extend the line of argument originally developed by the great French political philosopher. This is a major contribution to political theory and philosophy.

Raymond Aron called Merleau-Ponty "the most influential French philosopher of his generation." First published in France in 1947, Humanism and Terror was in part a response to Arthur Koestler's Darkness at Noon, and in a larger sense a contribution to the political and moral debates of a postwar world suddenly divided into two ideological armed camps. For Merleau-Ponty, the central question was: could Communism transcend its violence and intentions? The value of a society is the value it places upon man's relation to man, Merleau-Ponty examines not only the Moscow trials of the late thirties but also Koestler's re-creation of them. He argues that violence in general in the Communist world can be understood only in the context of revolutionary activism. He demonstrates that it is pointless to ask whether Communism respects the rules of liberal society; it is evident that Communism does not. In post-Communist Europe, when many are addressing similar questions throughout the world, Merleau-Ponty's discourse is of prime importance; it stands as a major and provocative contribution to limits on the use of violence. The argument is placed in its current context in a brilliant new introduction by John O'Neill. His remarks extend the line of argument originally developed by the great French political philosopher. This is a major contribution to political theory and philosophy.

First published in 1945, Maurice Merleau-Ponty s monumental Phenomenologie de la perception signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with the prevailing picture of existentialism and phenomenology at the time, it has become one of the landmark works of twentieth-century thought. This new translation, the first for over fifty years, makes this classic work of philosophy available to a new generation of readers.

Phenomenology of Perception stands in the great phenomenological tradition of Husserl, Heidegger, and Sartre. Yet Merleau-Ponty s contribution is decisive, as he brings this tradition and other philosophical predecessors, particularly Descartes and Kant, to confront a neglected dimension of our experience: the lived body and the phenomenal world. Charting a bold course between the reductionism of science on the one hand and "intellectualism" on the other, Merleau-Ponty argues that we should regard the body not as a mere biological or physical unit, but as the body which structures one s situation and experience within the world.

Merleau-Ponty enriches his classic work with engaging studies of famous cases in the history of psychology and neurology as well as phenomena that continue to draw our attention, such as phantom limb syndrome, synaesthesia, and hallucination. This new translation includes many helpful features such as the reintroduction of Merleau-Ponty s discursive Table of Contents as subtitles into the body of the text, a comprehensive Translator s Introduction to its main themes, essential notes explaining key terms of translation, an extensive Index, and an important updating of Merleau-Ponty s references to now available English translations.

Also included is a new foreword by Taylor Carman and an introduction to Merleau-Ponty by Claude Lefort.

Translated by Donald A. Landes.

First published in 1945, Maurice Merleau-Ponty's monumental Phenomenologie de la perception signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with the prevailing picture of existentialism and phenomenology at the time, it has become one of the landmark works of twentieth-century thought. This new translation, the first for over fifty years, makes this classic work of philosophy available to a new generation of readers. Phenomenology of Perception stands in the great phenomenological tradition of Husserl, Heidegger, and Sartre. Yet Merleau-Ponty's contribution is decisive, as he brings this tradition and other philosophical predecessors, particularly Descartes and Kant, to confront a neglected dimension of our experience: the lived body and the phenomenal world. Charting a bold course between the reductionism of science on the one hand and intellectualism on the other, Merleau-Ponty argues that we should regard the body not as a mere biological or physical unit, but as the body which structures one's situation and experience within the world. Merleau-Ponty enriches his classic work with engaging studies of famous cases in the history of psychology and neurology as well as phenomena that continue to draw our attention, such as phantom limb syndrome, synaesthesia, and hallucination. This new translation includes many helpful features such as the reintroduction of Merleau-Ponty's discursive Table of Contents as subtitles into the body of the text, a comprehensive Translator's Introduction to its main themes, essential notes explaining key terms of translation, an extensive Index, and an important updating of Merleau-Ponty's references to now available English translations. Also included is a new foreword by Taylor Carman and an introduction to Merleau-Ponty by Claude Lefort. Translated by Donald A. Landes.

'In simple prose Merleau-Ponty touches on his principle themes. He speaks about the body and the world, the coexistence of space and things, the unfortunate optimism of science and also the insidious stickiness of honey, and the mystery of anger.' - James Elkins

Maurice Merleau-Ponty was one of the most important thinkers of the post-war era. Central to his thought was the idea that human understanding comes from our bodily experience of the world that we perceive: a deceptively simple argument, perhaps, but one that he felt had to be made in the wake of attacks from contemporary science and the philosophy of Descartes on the reliability of human perception.

From this starting point, Merleau-Ponty presented these seven lectures on The World of Perception to French radio listeners in 1948. Available in a paperback English translation for the first time in the Routledge Classics series to mark the centenary of Merleau-Ponty 's birth, this is a dazzling and accessible guide to a whole universe of experience, from the pursuit of scientific knowledge, through the psychic life of animals to the glories of the art of Paul C zanne.

First published in France In 1947, Merleau-Ponty's essay was in part a response to Arthur Koestler's novel, "Darkness at Noon," and in a larger sense a contribution to the political and moral debates of a postwar world suddenly divided into two armed camps. For Merleau-Ponty, the basic question was: given the violence in Communism, is Communism still equal to its humanist intentions?
Starting with the assumption that a society is not a "temple of value-idols that figure on the front of its monuments or in its constitutional scrolls; the value of a society is the value It places upon man's relation to man," Merleau-ponty examines not only the Moscow trials of the late thirties but also Koestler's re-creation of them. And Merleau-Ponty makes it clear that the Moscow trials--and violence in general in the Communist world--can be understood only In the context of revolutionary violence. He demonstrates that it is pointless to begin an examination of Communist violence by asking whether Communism respects the rules of liberal thought; it is evident that Communism does not. The question that should be asked is whether the violence Communism exercises is revolutionary violence, capable of building humane relations among men.
At a time when many are addressing similar questions to societies both in the East and in the West, Merleau-Ponty's investigations and speculations are of prime importance; they stand as a major and provocative contribution to the argument surrounding the use of violence.

Institution and Passivity is based on course notes for classes taught at the Bibliotheque Nationale de Paris. Philosophically, this collection connects the issue of passive constitution of meaning with the dimension of history, furthering discussions and completing arguments started in The Visible and the Invisible and Signs (both published by Northwestern). Leonard Lawlor and Heath Massey's translation makes available to an English-speaking readership a critical transitional text in the history of phenomenology.

""Speech is a way of tearing out a meaning from an undivided whole.""
Thus does Maurice Merleau-Ponty describe speech in this collection of his important writings on the philosophy of expression, composed during the last decade of his life. For him, expression is a category of human behavior and existence much broader than language alone. He maintains that man is essentially expressive, even prior to speaking: in his silence, gestures, and lived behavior.

"The Visible and the Invisible "contains the unfinished manuscript and working notes of the book Merleau-Ponty was writing when he died. The text is devoted to a critical examination of Kantian, Husserlian, Bergsonian, and Sartrean method, followed by the extraordinary "The Intertwining--The Chiasm," that reveals the central pattern of Merleau-Ponty's own thought. The working notes for the book provide the reader with a truly exciting insight into the mind of the philosopher at work as he refines and develops new pivotal concepts.