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What ancient polytheistic religions can teach us about building
inclusive and equitable futures At the heart of this book is a
simple comparison: monotheistic religions are exclusive, whereas
ancient polytheistic religions are inclusive. In this
thought-provoking book, Maurizio Bettini, one of today's foremost
classicists, uses the expansiveness of ancient polytheism to shine
a bright light on a darker corner of our modern times. It can be
easy to see ancient religions as inferior, less free, and remote
from shared visions of an inclusive world. But, as Bettini deftly
shows, many ancient practices tended to produce results aligned
with contemporary progressive values, like pluralism and diversity.
In Praise of Polytheism does not chastise the modern world or blame
monotheism for our woes but rather shows in clear, sharp prose how
much we can learn from ancient religions, underscoring the
limitations of how we view the world and ourselves today.
Maurizio Bettinis Buch schildert die Praktiken und Paradigmen des
UEbersetzens in der griechischen und roemischen Antike bis hin zu
den Bibelubersetzungen des hellenistischen Judentums und der
christlichen Spatantike. Es ist zugleich eine materialreiche
historische Studie und ein kluger Essay uber die Dimensionen des
UEbersetzens als Akt der kreativen Aneignung des Fremden. Im
Kontrast zum modernen "postkolonialen" UEbersetzungsverstandnis -
das letztlich auf die monotheistische Schrift-UEbersetzung
zuruckgeht - versteht Bettini die UEbersetzungspraxis der Antike
als Teil einer Kultur der sprachlich-literarischen Umwandlung, als
Akt des (Nach-) Erzahlens, zugleich auch als ein der OEkonomie des
(sprach-)grenzuberschreitenden Austauschs verpflichtetes Handeln.
There are a surprising number of stories from antiquity about
people who fall in love with statues or paintings, and about lovers
who use such visual representations as substitutes for an absent
beloved. In a charmingly conversational, witty meditation on this
literary theme, Maurizio Bettini moves into a wide-ranging
consideration of the relationship between self and image, the
nature of love in the ancient world, the role of representation in
culture, and more. Drawing on historical events and cultural
practices as well as literary works, "The Portrait of the Lover" is
a lucid excursion into the anthropology of the image.
The majority of the stories and poems Bettini examines come from
Greek and Roman classical antiquity, but he reaches as far as
Petrarch, Da Ponte, and Poe. The stories themselves--ranging from
the impassioned to the bizarre, and from the sublime to the
hilarious--serve as touchstones for Bettini's evocative
explorations of the role of representation in literature and in
culture. Although he begins with a consideration of lovers'
portraits, Bettini soon broadens his concerns to include the role
of shadows, dreams, commemorative statues, statues brought to life,
and vengeful statues--in short, an entire range of images that take
on a life of their own.
The chapters shift skillfully from one theme to another, touching
on the nature of desire, loss, memory, and death. Bettini brings to
the discussion of these tales not only a broad learning about
cultures but also a delighted sense of wonder and admiration for
the evocative power and endless variety of the stories themselves.
The culmination of a project aimed at showcasing, in a systematic
way, the potential of applying anthropological perspectives to
classical studies, this volume highlights the fundamental
contribution this approach has to make to our understanding of
ancient Roman culture. Through the close study of themes such as
myth, polytheism, sacrifice, magic, space, kinship, the gift,
friendship, economics, animals, plants, riddles, metaphors, and
images in Roman society (often in comparison with Greece) - where
the texts of ancient culture are allowed to speak in their own
terms and where the experience of the natives (rather than the
horizon of the observer) is privileged - a rich panorama emerges of
the worldview, beliefs, and deep structures that shaped and guided
this culture.
Oral culture, just because it does not have an inexhaustible memory
at its disposal, by nature tends to preserve its cultural
inheritance. Written culture forgets nothing: but when everything
can be recalled or somehow retrieved, the problem becomes what to
remember and what to comprise to oblivion. This provocative book,
written with a light touch, rooted in the Classics but ranging over
the whole of Western literary culture, addresses many of the major
issues that face us at the turn of the millennium. What is our
shared cultural curency? What use - good or bad - do we make of it?
Why should anyone involve themselves with the Classics? The tyranny
of the anniversary and the magpie nature of the anthology, the urge
for instant gratification, the attraction of the cultural canon,
the way writing encloses or even imprisons - all these themes are
brought together in a passionate plea for the Classics as
essentially impervious to these vulgar urges of our age - the Age
of Indiscretion.
If you told a woman her sex had a shared, long-lived history with
weasels, she might deck you. But those familiar with mythology know
better: that the connection between women and weasels is an ancient
and favorable one, based in the Greek myth of a midwife who tricked
the gods to ease Heracles' birth - and was turned into a weasel by
Hera as punishment. Following this story as it is retold over
centuries in literature and art, Women and Weasels takes us on a
journey through mythology and ancient belief, revising our
understanding of myth, heroism, and the status of women and animals
in Western culture. Maurizio Bettini recounts and analyzes a
variety of key literary and visual moments that highlight the
weasel's many attributes. We learn of its legendary sexual and
childbearing habits and symbolic association with witchcraft and
midwifery, its role as a domestic pet favored by women, and its
ability to slip in and out of tight spaces. The weasel, Bettini
reveals, is present at many unexpected moments in human history,
assisting women in labor and thwarting enemies who might plot their
ruin. With a parade of symbolic associations between weasels and
women-witches, prostitutes, midwives, sisters-in-law, brides,
mothers, and heroes - Bettini brings to life one of the most
venerable and enduring myths of Western culture.
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