The November 1970 coup that brought Hafiz al-Asad to power fundamentally transformed cultural production in Syria. A comprehensive intellectual, ideological, and political project—a Ba'thist cultural revolution—sought to align artistic endeavors with the ideological interests of the regime. The ensuing agonistic struggle pitted official aesthetics of power against alternative modes of creative expression that could evade or ignore the effects of the state. With this book, Max Weiss offers the first cultural and intellectual history of Ba'thist Syria, from the coming to power of Hafiz al-Asad, through the transitional period under Bashar al-Asad, and continuing up through the Syria War. Revolutions Aesthetic reconceptualizes contemporary Syrian politics, authoritarianism, and cultural life. Engaging rich original sources—novels, films, and cultural periodicals—Weiss highlights themes crucial to the making of contemporary Syria: heroism and leadership, gender and power, comedy and ideology, surveillance and the senses, witnessing and temporality, and death and the imagination. Revolutions Aesthetic places front and center the struggle around aesthetic ideology that has been key to the constitution of state, society, and culture in Syria over the course of the past fifty years.

A heart-wrenching story about love, loss, sex, the friendship between women, and the universal struggle to come to terms with death. Just before the outbreak of the July 2006 war in Lebanon, a middle-aged woman named Nahla has gone missing. Distraught, besieged, and without any leads, Nahla’s dearest friends—Suad, Azizeh, Hoda, Nadine, and the narrator Alawiya—band together to console one another. They reminisce about the better days of their youth, lifetimes of romantic turmoil, the trouble with love, and their inescapable confrontation with death. Unsure whether Nahla has been killed in the fighting, fled the country, or disappeared into the oblivion of Alzheimer’s, Alawiya pieces together Nahla’s intimate past, simultaneously illuminating the jagged history of modern Lebanon. Through searching discussions with Nahla’s closest confidante Suad, tenacious investigation, and an imaginative effort to reconstruct the life of another, Alawiya might just find a way to bring Nahla back. In This Thing Called Love, celebrated Lebanese novelist Alawiya Sobh takes the war between Israel and Hizballah as the backdrop for a heart-wrenching story about love, loss, sex, the friendship between women, and the universal struggle to come to terms with mortality.  

The November 1970 coup that brought Hafiz al-Asad to power fundamentally transformed cultural production in Syria. A comprehensive intellectual, ideological, and political project—a Ba'thist cultural revolution—sought to align artistic endeavors with the ideological interests of the regime. The ensuing agonistic struggle pitted official aesthetics of power against alternative modes of creative expression that could evade or ignore the effects of the state. With this book, Max Weiss offers the first cultural and intellectual history of Ba'thist Syria, from the coming to power of Hafiz al-Asad, through the transitional period under Bashar al-Asad, and continuing up through the Syria War. Revolutions Aesthetic reconceptualizes contemporary Syrian politics, authoritarianism, and cultural life. Engaging rich original sources—novels, films, and cultural periodicals—Weiss highlights themes crucial to the making of contemporary Syria: heroism and leadership, gender and power, comedy and ideology, surveillance and the senses, witnessing and temporality, and death and the imagination. Revolutions Aesthetic places front and center the struggle around aesthetic ideology that has been key to the constitution of state, society, and culture in Syria over the course of the past fifty years.

A hapless Aleppo bureaucrat is stranded in the middle of the deserted countryside as a violent storm sets in. When he seeks refuge in an isolated old mansion, inhabited by an aged gentleman and his sinister servant, he begins to uncover a captivating tale of family secrets, lost passions, and shady dealings. He is transported by these stories to Aleppo's golden age - a time of art, music, wealth and laughter - and the all-female society of the banat al-ishreh, a society of women who live, love, and perform song and dance together. And as he gradually realises how these entanglements of love and passion, cruelty and resentment, stretch across the generations, he discovers that his own life is also in danger. Sirees spins astonishing literary beauty out of this tangled web of family secrets, and he writes with great humour and warmth about the conflict between past and present in this surprising and unique novel about a lost world.

For decades, scholars and public intellectuals have been predicting the demise of religion in the face of secularization. Yet religion is undergoing an unprecedented resurgence in modern life-and secularization no longer appears so inevitable. Formations of Belief brings together many of today's leading historians to shed critical light on secularism's origins, its present crisis, and whether it is as antithetical to religion as it is so often made out to be. Formations of Belief offers a more nuanced understanding of the origins of secularist thought, demonstrating how Reformed Christianity and the Enlightenment were not the sole vessels of a worldview based on rationalism and individual autonomy. Taking readers from late antiquity to the contemporary era, the contributors show how secularism itself can be a form of belief and yet how its crisis today has been brought on by its apparent incapacity to satisfy people's spiritual needs. They explore the rise of the humanistic study of religion in Europe, Jewish messianism, atheism and last rites in the Soviet Union, the cult of the saints in colonial Mexico, religious minorities and Islamic identity in Pakistan, the neuroscience of religion, and more. Based on the Shelby Cullom Davis Center Seminars at Princeton University, this incisive book features illuminating essays by Peter Brown, Yaacob Dweck, Peter E. Gordon, Anthony Grafton, Brad S. Gregory, Stefania Pastore, Caterina Pizzigoni, Victoria Smolkin, Max Weiss, and Muhammad Qasim Zaman.

In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won't convert to Islam. These women have lost their families and loved ones, along with everything they've ever known. Dunya Mikhail weaves together the women's tales of endurance and near-impossible escape with the story of her own exile and her dreams for the future of Iraq.

In the midst of ISIS's reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey.

This powerful work of literary nonfiction offers a counterpoint to ISIS's genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

Fear is ubiquitous but slippery. It has been defined as a purely biological reality, derided as an excuse for cowardice, attacked as a force for social control, and even denigrated as an unnatural condition that has no place in the disenchanted world of enlightened modernity. In these times of institutionalized insecurity and global terror, "Facing Fear" sheds light on the meaning, diversity, and dynamism of fear in multiple world-historical contexts, and demonstrates how fear universally binds us to particular presents but also to a broad spectrum of memories, stories, and states in the past.

From the eighteenth-century Peruvian highlands and the California borderlands to the urban cityscapes of contemporary Russia and India, this book collectively explores the wide range of causes, experiences, and explanations of this protean emotion. The volume contributes to the thriving literature on the history of emotions and destabilizes narratives that have often understood fear in very specific linguistic, cultural, and geographical settings. Rather, by using a comparative, multidisciplinary framework, the book situates fear in more global terms, breaks new ground in the historical and cultural analysis of emotions, and sets out a new agenda for further research.

In addition to the editors, the contributors are Alexander Etkind, Lisbeth Haas, Andreas Killen, David Lederer, Melani McAlister, Ronald Schechter, Marla Stone, Ravi Sundaram, and Charles Walker.

Fear is ubiquitous but slippery. It has been defined as a purely biological reality, derided as an excuse for cowardice, attacked as a force for social control, and even denigrated as an unnatural condition that has no place in the disenchanted world of enlightened modernity. In these times of institutionalized insecurity and global terror, "Facing Fear" sheds light on the meaning, diversity, and dynamism of fear in multiple world-historical contexts, and demonstrates how fear universally binds us to particular presents but also to a broad spectrum of memories, stories, and states in the past.

From the eighteenth-century Peruvian highlands and the California borderlands to the urban cityscapes of contemporary Russia and India, this book collectively explores the wide range of causes, experiences, and explanations of this protean emotion. The volume contributes to the thriving literature on the history of emotions and destabilizes narratives that have often understood fear in very specific linguistic, cultural, and geographical settings. Rather, by using a comparative, multidisciplinary framework, the book situates fear in more global terms, breaks new ground in the historical and cultural analysis of emotions, and sets out a new agenda for further research.

In addition to the editors, the contributors are Alexander Etkind, Lisbeth Haas, Andreas Killen, David Lederer, Melani McAlister, Ronald Schechter, Marla Stone, Ravi Sundaram, and Charles Walker.

In the wake of the Arab uprisings, the Middle East descended into a frenzy of political turmoil and unprecedented human tragedy which reinforced regrettable stereotypes about the moribund state of Arab intellectual and cultural life. This volume sheds important light on diverse facets of the post-war Arab world and its vibrant intellectual, literary and political history. Cutting-edge research is presented on such wide-ranging topics as poetry, intellectual history, political philosophy, and religious reform and cultural resilience all across the length and breadth of the Arab world, from Morocco to the Gulf States. This is an important statement of new directions in Middle East studies that challenges conventional thinking and has added relevance to the study of global intellectual history more broadly.

In the wake of the Arab uprisings, the Middle East descended into a frenzy of political turmoil and unprecedented human tragedy which reinforced regrettable stereotypes about the moribund state of Arab intellectual and cultural life. This volume sheds important light on diverse facets of the post-war Arab world and its vibrant intellectual, literary and political history. Cutting-edge research is presented on such wide-ranging topics as poetry, intellectual history, political philosophy, and religious reform and cultural resilience all across the length and breadth of the Arab world, from Morocco to the Gulf States. This is an important statement of new directions in Middle East studies that challenges conventional thinking and has added relevance to the study of global intellectual history more broadly.

This is a new release of the original 1941 edition.

Report To The National Committee Of The Communist Party, U.S.A.

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What is the relationship between thought and practice in the domains of language, literature and politics? Is thought the only standard by which to measure intellectual history? How did Arab intellectuals change and affect political, social, cultural and economic developments from the eighteenth to the twentieth centuries? This volume offers a fundamental overhaul and revival of modern Arab intellectual history. Using Hourani's Arabic Thought in the Liberal Age, 1798-1939 (Cambridge, 1962) as a starting point, it reassesses Arabic cultural production and political thought in the light of current scholarship and extends the analysis beyond Napoleon's invasion of Egypt and the outbreak of World War II. The chapters offer a mixture of broad-stroke history on the construction of 'the Muslim world', and the emergence of the rule of law and constitutionalism in the Ottoman empire, as well as case studies on individual Arab intellectuals that illuminate the transformation of modern Arabic thought.

What is the relationship between thought and practice in the domains of language, literature and politics? Is thought the only standard by which to measure intellectual history? How did Arab intellectuals change and affect political, social, cultural and economic developments from the eighteenth to the twentieth centuries? This volume offers a fundamental overhaul and revival of modern Arab intellectual history. Using Hourani's Arabic Thought in the Liberal Age, 1798-1939 (Cambridge, 1962) as a starting point, it reassesses Arabic cultural production and political thought in the light of current scholarship and extends the analysis beyond Napoleon's invasion of Egypt and the outbreak of World War II. The chapters offer a mixture of broad-stroke history on the construction of 'the Muslim world', and the emergence of the rule of law and constitutionalism in the Ottoman empire, as well as case studies on individual Arab intellectuals that illuminate the transformation of modern Arabic thought.

Contrary to the conventional wisdom that sectarianism is intrinsically linked to violence, bloodshed, or social disharmony, Max Weiss uncovers the complex roots of Shii sectarianism in twentieth-century Lebanon.

The template for conflicted relations between the Lebanese state and Shii society arose under French Mandate rule through a process of gradual transformation, long before the political mobilization of the Shii community under the charismatic Imam Musa al-Sadr and his Movement of the Deprived, and decades before the radicalization linked to Hizballah. Throughout the period, the Shii community was buffeted by crosscutting political, religious, and ideological currents: transnational affiliations versus local concerns; the competing pull of Arab nationalism and Lebanese nationalism; loyalty to Jabal Amil, the cultural heartland of Shii Lebanon; and the modernization of religious and juridical traditions.

Uncoupling the beginnings of modern Shii collective identity from the rise of political Shiism, Weiss transforms our understanding of the nature of sectarianism and shows why in Lebanon it has been both so productive and so destructive at the same time.