Everyone knows about Mary Shelley, creator of Frankenstein; but have you heard of Margaret Cavendish, who wrote a science-fiction epic 150 years earlier? Have you read the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era? Or the stories of Gertrude Barrows Bennett, whose writing influenced H.P. Lovecraft? Monster, She Wrote shares the stories of women past and present who invented horror, speculative, and weird fiction and made it great. You ll meet celebrated icons (Ann Radcliffe, V.C. Andrews), forgotten wordsmiths (Eli Coltor, Ruby Jean Jensen), and today s vanguard (Helen Oyeyemi). And each profile includes a curated reading list so you can seek out the spine-chilling tales that interest you the most.

The Ghostly and the Ghosted in Literature and Film: Spectral Identities is a collection of essays expanding the concepts of "ghost" and "haunting" beyond literary tools used to add supernatural flavor to include questions of identity, visibility, memory and trauma, and history. Using a wide scope of texts from varying time periods and cultures, including fiction and film, this collection explores the phenomenon of social ghosts. What does it mean, for example, to be invisible, to be a ghost, particularly when that ghost is representative of a person or group living on the margins of society? Why do specific types of ghosts tend to haunt certain cultures and/or places? What is it about a people's history that invites these types of hauntings? The essays in this book, like pieces of a puzzle, approach the larger questions from diverse individual perspectives, but, taken together, they offer a richly detailed composite discussion of what it means to be haunted.

The Ghostly and the Ghosted in Literature and Film: Spectral Identities is a collection of essays aimed at expanding the concepts of ghost and haunting beyond literary tools used to add supernatural flavor to include questions of identity, visibility, memory and trauma, and history. Using a wide scope of texts from varying time periods and cultures, including fiction and film, this collection explores the phenomenon of social ghosts. What does it mean, for example, to be invisible, to be a ghost, particularly when that ghost is representative of a person or group living on the margins of society? Why do specific types of ghosts tend to haunt certain cultures and/or places? What is it about a people's history that invites these types of hauntings? The essays in this book, like pieces of a puzzle, approach the larger questions from diverse individual perspectives, but, taken together, they offer a richly detailed composite discussion of what it means to be haunted.