The year is 2097. Far beneath the Caribbean Sea the huge Transcontinental Highway Tunnel links the Americas. Stretching from Florida to Santa Marta, Colombia, South America. This smart road allows commuters to travel in high-speed comfort and ease. These computer controlled one hundred ninety mile-an-hour hydrogen powered Mag-lev. hover cars are the fastest, safest ground vehicles ever mass produced in history. With their sophisticated computer guidance and smart road technology nothing ever goes wrong. well almost never When things go wrong at one hundred ninety miles an hour in a place like the Transcontinental Highway Tunnel it takes a special kind of individual to deal with the Consequences. That's where the brave men and women of the rescue corps come in to play. Meet rescue team Delta Niner four of the best in the business. Follow them on this fateful mission to the bottom of the Caribbean Sea, for tonight's mission will be no ordinary occasion. Rescue Delta Niner is a gripping tale from its high-speed beginning to its suspenseful climax. See Zack See Zack run. See Zack have a bad night. See Zack have a very, very bad night

This volume inaugurates a new critical edition of the writings of the great English philosopher and sage Francis Bacon (1561-1626) - the first such complete edition for more than a hundred years. It contains six of Bacon's Latin scientific works, each accompanied by entirely new facing-page translations which, together with the extensive introduction and commentaries, offer fresh insights into one of the great minds of the early seventeenth century.

A guide for the modern young man. Wizdumz: 99 For Men, 1 For Women, will guide you through the uncertainties of the life ahead and help you avoid the nonsense spewed with righteous certitude by various fools and villains.

Can we abolish global poverty? Should we do away with foreign aid? Is the United Nations redundant? Why should I bother? Can I help?Mike Edwards offers timely answers to issues that have been propelled to center stage. "Future Positive" is a comprehensive and authoritative rethink of an international system facing a period of unprecedented change. In a world of globalizing markets, eroding state sovereignty, expanding citizen action and uncertainty about fundamental truths, what is the best way to tackle problems of global poverty and violence?Michael Edwards charts a "third way" between heavy-handed intervention and complete laissez-faire. Covering an enormous amount of ground in clear, lively and non-technical terms, "Future Positive" explains how the international system operates, the pressures it faces, and the changes it must undergo, and offers concrete new ideas to re-frame international relations and foreign aid.

As Western aid budgets are slashed and government involvement with aid programmes reduced, NGOs in the voluntary sector are finding themselves taking an ever-increasing share of development work overseas. As they do so, they are forced to grow and to assume new responsibilities, taking more important and wide-ranging decisions - in many cases, without having had the chance to step back and review the options before them and the best ways of maximizing the impact they make. This collection of essays explores the strategies available to NGOs to enhance their development work, reviewing the ways that options can be understood, appropriate programmes and likely problems.

The last decade has seen some significant changes in international development and in the status of non-governmental organisations operating in the field. Not only has the number of NGOs virtually doubled; many of them have seen a considerable growth in their budgets, and have grown closer to governments and official aid agencies. NGOs are acknowledged by many to be more effective agents of development than governments or commercial interests ? even as a ?magic bullet? for development problems. Despite these positive trends, the real impact of the NGO sector is not well documented. This is partly because NGO performance-assessment and accountability methods are weak, and partly because NGOs are caught up increasingly in the world of official aid, which pushes them towards certain forms of evaluation at the expense of others. This unique book takes a hard and critical look at these issues, and describes how NGOs can, and must, improve the way they measure and account for their performance if they are to be truly effective.

In The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice, Michael Edward Edgerton considers contemporary vocal techniques within an acoustic and anatomical framework. Throughout, he proposes new directions for vocal exploration. Much more than a historical treatise on 20th-century masterworks or vocal science, The 21st-Century Voice explores experimental methods of sound production, offering a systematic series of approaches and methods for assessing, engaging, and, in some instances, overcoming the assumed limits of vocal singing. Appearing a decade after the publication of the first edition, this second edition draws on and advances our current understandings of voice production. Divided into four parts-air flow, source, resonance/articulation, and heightened potentials-Edgerton considers crucial matters affecting vocal production, such as 1.Registral challenges 2.Filtering 3.Airflow modification 4.Combinatorial, multiphonic principles 5.Extreme voice possibilities 6.Multidimensional vocal issues With more than 250 illustrations, 150 associated audio tracks, an extended appendix on voice science, a glossary of key terms, and lists of representative compositions, The 21st-Century Voice will appeal to composers and performers interested in exploring the ever-broadening range of vocal possibilities. Its engagement with the complexities of vocal production should also be relevant to students and scholars of voice science, acoustics, linguistics, computer modeling, and more.

This volume sets out to challenge and ultimately broaden the category of the 'photobook'. It critiques the popular art-market definition of the photobook as simply a photographer's book, proposing instead to show how books and photos come together as collective cultural productions. Focusing on North American, British and French photobooks from 1920 to the present, the chapters revisit canonical works - by Claudia Andujar and George Love, Mohamed Bourouissa, Walker Evans, Susan Meiselas and Roland Penrose - while also delving into institutional, digital and unrealised projects, illegal practices, DIY communities and the poetic impulse. They throw new light on the way that gendered, racial or colonial assumptions are resisted. Taken as a whole, the volume provides a better understanding of how the meaning of a photobook is collectively produced both inside and outside the art market. -- .

In the last ten years, NGOs have become a force for transformation in global politics and economics. Their numbers and size have grown dramatically and they have assumed far more extensive responsibilities as intermediaries between governments, businesses and other institutions, and local communities and citizens. With this growth has come an ever-more pressing requirement for effective management among NGOs and their operations.Focusing on development organizations working on issues of poverty and injustice, but relevant to NGOs in all sectors, this volume brings together a selection of key writings on how NGOs can position and organize themselves to achieve maximum impact and effectiveness. The editors set out the management challenges facing NGOs in a stimulating Introduction followed by a range of contributions divided into ten sets of issues.

Civil society, or citizen's groups, have taken centre stage in international policy debates and global problem solving. They hold out the promise of a global community and global governance. This volume, by leading scholars and participants, shows how to understand the changes that are occurring, particularly in relation to the international institutions involved. It includes case studies from all the major social movements of the 1990s.

The last decade has seen some significant changes in international development and in the status of non-governmental organisations operating in the field. Not only has the number of NGOs virtually doubled; many of them have seen a considerable growth in their budgets, and have grown closer to governments and official aid agencies. NGOs are acknowledged by many to be more effective agents of development than governments or commercial interests ? even as a ?magic bullet? for development problems. Despite these positive trends, the real impact of the NGO sector is not well documented. This is partly because NGO performance-assessment and accountability methods are weak, and partly because NGOs are caught up increasingly in the world of official aid, which pushes them towards certain forms of evaluation at the expense of others. This unique book takes a hard and critical look at these issues, and describes how NGOs can, and must, improve the way they measure and account for their performance if they are to be truly effective.

In The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice, Michael Edward Edgerton considers contemporary vocal techniques within an acoustic and anatomical framework. Throughout, he proposes new directions for vocal exploration. Much more than a historical treatise on 20th-century masterworks or vocal science, The 21st-Century Voice explores experimental methods of sound production, offering a systematic series of approaches and methods for assessing, engaging, and, in some instances, overcoming the assumed limits of vocal singing. Appearing a decade after the publication of the first edition, this second edition draws on and advances our current understandings of voice production. Divided into four parts-air flow, source, resonance/articulation, and heightened potentials-Edgerton considers crucial matters affecting vocal production, such as 1.Registral challenges 2.Filtering 3.Airflow modification 4.Combinatorial, multiphonic principles 5.Extreme voice possibilities 6.Multidimensional vocal issues With more than 250 illustrations, 150 associated audio tracks, an extended appendix on voice science, a glossary of key terms, and lists of representative compositions, The 21st-Century Voice will appeal to composers and performers interested in exploring the ever-broadening range of vocal possibilities. Its engagement with the complexities of vocal production should also be relevant to students and scholars of voice science, acoustics, linguistics, computer modeling, and more.

In 1997 we investigated the ways in which NGO-State-Donor relationships have changed the role that NGOs play in development, asking whether their growing popularity had helped them to 'solve' the problems of poverty or had changed them to become part of the 'development industry' that they used to criticize. Using case studies of African, Asian and Latin American NGOs, we highlighted that the evidence suggested that NGOs were 'losing their roots' - getting close to donors and governments and more distant from the poor beneficiaries they sought to assist. Since the book was first published, NGOs have continued to rise in number, scale and prominence, but our concerns have been little redressed and our argument remains strong today. The new Preface and Afterword to this IPE Classic provide an up to date review of the literature and debates on NGOs and the development sector that consolidate on this argument and look briefly at some of the reactions it has received.

Winner of the Leila Webster Memorial Music Award for the International Alliance for Women in Music of the 2022 Pauline Alderman Awards for Outstanding Scholarship on Women in Music Chen Yi is the most prominent woman among the renowned group of new wave composers who came to the US from mainland China in the early 1980s. Known for her creative output and a distinctive merging of Chinese and Western influences, Chen built a musical language that references a breathtaking range of sources and crisscrosses geographical and musical borders without eradicating them. Leta E. Miller and J. Michele Edwards provide an accessible guide to the composer's background and her more than 150 works. Extensive interviews with Chen complement in-depth analyses of selected pieces from Chen's solos for Western or Chinese instruments, chamber works, choral and vocal pieces, and compositions scored for wind ensemble, chamber orchestra, or full orchestra. The authors highlight Chen's compositional strategies, her artistic elaborations, and the voice that links her earliest and most recent music. A concluding discussion addresses questions related to Chen's music and issues such as gender, ethnicity and nationality, transnationalism, border crossing, diaspora, exoticism, and identity.

In the last decade the use of non-governmental agencies (NGOs) to promote development and reduce poverty and hunger has become a major feature of development policy. Donors have poured funds into NGOs, governments have allocated them major responsibilities and their number and size has grown. Has this popularity helped them to solve the problems of poverty or has it changed them so that they are now part of the 'development industry' that they used to criticize?;This book provides the most detailed study available of the ways in which NGO-State-Donor relationships have changed the role that NGOs play in development. Its papers are introduced by two international experts on the topic and the contributors are leading academics and senior practitioners. The picture that emerges from the general reviews and detailed case studies of African, Asian and Latin American NGOs, is a complex one. However, the authors conclude that there is much evidence that NGOs are 'losing their roots' - getting closer to donors and governments and more distant to the poor and disempowered who they seek to assist.

Originally published in 1985, Land Rent, Housing and Urban Planning looks at the crucial social relationships associated with land ownership, and how these have played a crucial role in the economic development of many societies. The understanding of these relationships within modern capitalist societies has proved difficult. Land ownership relations emerge as requiring specific historical analysis for specific periods and societies and as being integral aspects of the capitalist mode of production as a whole - not merely mechanisms which redistribute some independently-determined surplus.

The language of the Bible can be beautiful but profoundly elusive, possessing a strangeness that only deepens the committed reader’s sense of its impenetrability. Based on the 2022 Richard E. Myers lectures given by renowned literary scholar Michael Edwards—the first Englishman ever elected to the Académie française—this book offers a close reading of the Bible itself, directing attention to the text rather than to commentaries or to ostensible lessons to be discovered by paraphrase. Edwards explores the apparently simple instruction in Proverbs to eat honey and reveals unexpected complexity. He sounds the unfathomable depths of St. Paul’s revelation that the Christian has "died" and yet now lives in Christ—and goes on to ask what it would mean to take the awesome expression "the kingdom of heaven is at hand" seriously. Three final meditations complete the movement by scrutinizing the visionary world of Revelation: the riddle of the work’s composition, of its images, and of the enigmatic time in which its events occur.

Seated at a table in the celebrated Brasserie Lipp, the author experiences 'this in- / fernal ticking in the ink' and finds memory coming alive, recovering past moments as intensely present, spots of time which vivify him and his past. Through memory and poetry he experiences revelation of a Christian depth. England is a familiar yet now a foreign country: the author having written for years in French. 'English becomes / a strange tongue echoing readily with names / gainrising with the new-born world they name.' Distinct recollections open into one another, restored and changed in language. Music and painting, too, are evoked as windows on this world. The book includes ninety poems organised into thirty sections, each with three poems which are free-standing yet connected, speaking together. His English takes its bearings from the stress patterns of Anglo Saxon prosody. Not only the poet but his language itself returns to its beginnings.