'A cult figure.' Guardian 'A dark and brilliant achievement.' Ian McEwan 'Shamelessly clever ... Exhilaratingly subversive and funny.' Independent 'A modern classic ... As relevant now as when it was first published. ' John Banville A young woman is in love with a successful surgeon; a man torn between his love for her and his womanising. His mistress, a free-spirited artist, lives her life as a series of betrayals; while her other lover stands to lose everything because of his noble qualities. In a world where lives are shaped by choices and events, and everything occurs but once, existence seems to lose its substance and weight - and we feel 'the unbearable lightness of being'. The Unbearable Lightness of Being encompasses passion and philosophy, infidelity and ideas, the Prague Spring and modern America, political acts and private desires, comedy and tragedy - in fact, all of human existence. What readers are saying: 'Some books change your mind, some change your heart, the very best change your whole world ... A mighty piece of work, that will shape your life forever.' 'One of the best books I've ever read ... A book about love and life, full of surprises. Beautiful.' 'This book is going to change your life ... It definitely leaves you with a hangover after you're done reading.' 'A must read - loved it, such beautiful observations on life, love and sexuality.' 'Kundera writes about love as if in a trance so the beauty of it is enchanting and dreamy ... Will stay with you forever.' 'A beautiful novel that helps you understand life better ... Loved it.' 'One of those rare novels full of depth and insight into the human condition ... Got me reading Camus and Sartre.' 'One of the best books I have ever read ... An intellectual love story if ever there was one.'

St. Charles is the second-oldest city in Missouri and one of the oldest cities in the United States. For most of its history, it could have been featured in any bad western movie, with a legacy of street shootings and lynch mobs. When you sit on the banks of the Missouri River, it does not take much of an imagination to see, feel and perhaps even smell the ghosts lingering there. The scoundrels, the criminals and the victims of traumatic events are the spirits that cannot rest. Join Michael Henry for some of their stories as he keeps vigil with representatives of the city's restless past, from the lost dogs of the Lewis and Clark Expedition to the mysterious Lady in White.

In twelve dreams, Robert, a boy who hates math, meets a Number Devil, who leads him to discover the amazing world of numbers: infinite numbers, prime numbers, Fibonacci numbers, numbers that magically appear in triangles, and numbers that expand without end. As we dream with him, we are taken further and further into mathematical theory, where ideas eventually take flight, until everyone -- from those who fumble over fractions to those who solve complex equations in their heads -- winds up marveling at what numbers can do.

This is the first English-language translation of Michel Henry's compelling philosophical critique of capitalism, technology and education. "Barbarism" represents a critique, from the perspective of Michel Henry's unique philosophy of life, of the increasing potential of science and technology to destroy the roots of culture and the value of the individual human being. For Henry, barbarism is the result of a devaluation of human life and culture that can be traced back to the spread of quantification, the scientific method and technology over all aspects of modern life. The book develops a compelling critique of capitalism, technology and education and provides a powerful insight into the political implications of Henry's work. It also opens up a new dialogue with other influential cultural critics, such as Marx, Heidegger and Husserl. First published in French in 1987, "Barbarism" aroused great interest as well as virulent criticism. Today the book reveals what for Henry is a cruel reality: the tragic feeling of powerlessness experienced by the cultured person. Above all he argues for the importance of returning to philosophy in order to analyse the root causes of barbarism in our world. "The Continuum Impacts" are seminal works by the finest minds in contemporary thought, including Adorno, Badiou, Derrida, Heidegger and Deleuze. They are works of such power that they changed the philosophical and cultural landscape when they were first published and continue to resonate today. They represent landmark texts in the fields of philosophy, popular culture, politics and theology.

This book provides a unique, philosophical interpretation of a significant twentieth-century painter - Wassily Kandinsky. Michel Henry was one of the leading French philosophers of the twentieth century. His numerous works of philosophy are all organized around the theme of life. In contrast to the scientific understanding of life as a biological process, Henry's philosophy develops a conception of life as an immediate feeling of one's own living."Seeing the Invisible" marks Henry's most sustained engagement in the field of aesthetics. Through an analysis of the life and works of Wassily Kandinsky, Henry uncovers the philosophical significance of Kandinsky's revolution in painting: that abstract art reveals the invisible essence of life. Henry shows that Kandinsky separates colour and line from the constraints of visible form and, in so doing, conveys the invisible intensity of life - a force rooted in the corporeity and pathos of all living beings. More than just a study of art history, this book presents Kandinsky as an artist who is engaged in the project of painting the invisible and thus offers invaluable methodological clues for Henry's own phenomenology of the invisible.

The Joke, Milan Kundera's first novel, gained him a huge following in his own country and launched his worldwide literary reputation. In his foreword Kundera explains why this completely revised translation is the definitive edition of his work. 'It is impossible to do justice here to the subtleties, comedy and wisdom of this very beautiful novel. The author of The Joke is clearly one of the best to be found anywhere.' Salman Rushdie, Observer

According to Michel Henry, no thinker has been more influential than Marx, and no one has been more misunderstood. With his characteristic clarity and elegance, Henry seeks to pull out the philosophical heart of Marx's work and the reasons this complex philosophy has so often been simplified, distorted and obscured. Marx: An Introduction is not just a recovery of the theoretical centre of Marx's thinking, but also a brilliant introduction to the work of Marx in general; concise and punchy without glossing over the difficult material, it provides a totally fresh reading of Marx's corpus. Michel Henry shares with Marx a concern for the living work and the living individual and this shared preoccupation is brilliantly conveyed throughout the book. An essential read for those wrestling with Marx for the first time, and those looking for a new way to approach well-trodden territory.

From beginning to end, the philosophy of Michel Henry offers an original and profound reflection on life. Henry challenges the conventional understanding of life as a set of natural processes and a general classification of beings. Maintaining that our access to the meaning of life has been blocked by naturalism as well as by traditional philosophical assumptions, Henry carries out an enterprise that can rightfully be called "radical." His phenomenology leads back to the original dimension of life-to a reality that precedes and conditions the natural sciences and even objectivity as such. The Michel Henry Reader is an indispensable resource for those who are approaching Henry for the first time as well as for those who are already familiar with his work. It provides broad coverage of the major themes in his philosophy and new translations of Henry's most important essays. Sixteen chapters are divided into four parts, demonstrating the profound implications of Henry's philosophy of life for phenomenology; for subjectivity; for politics, art, and language; and for ethics and religion.

This is the only complete and unabridged one-volume edition of Matthew Henry's famous work.Now, this classic volume has been re-typset and features a slimmer and handier trim size and an attractive new cover.First among the mighty (commentaries) for general usefulness we are bound to mention the man whose name is a household word, Matthew Henry. He is the most pious and pithy, sound and sensible, suggestive and sober, terse and trustworthy . . . he is deeply spiritual, heavenly, profitable; finding good matter in every text, and from all deducting the most practical and judicious lessons . . . It is the Christian's companion, suitable to everybody, instructive to all.
--Charles H. SpurgeonFrom Genesis to Revelation, Matthew Henry successfully combines practical application, devotional insight, and scholarship on the entire Bible. Henry has profound insights on the content, message and nature of God's divine revelation. Perfect for all readers of the Bible who want a convenient, comprehensive commentary.- Includes the entire text of Matthew Henry's original multi-volume commentary
- Modern easy-to-read type
- Portable
- Attractive and affordable

A young woman in love with a man torn between his love for her and his incorrigible womanizing one of his mistresses and her humbly faithful lover--these are the two couples whose story is told in this masterful novel. In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence, we feel "the unbearable lightness of being" not only as the consequence of our private actions, but also in the public sphere, and the two inevitably intertwine.

This volume explores the role of some of the most prominent twentieth-century philosophers and political thinkers as teachers. It examines how these teachers conveyed truth to their students against the ideological influences found in the university and society. Philosophers from Edmund Husserl and Hannah Arendt to political thinkers like Eric Voegelin and Leo Strauss, and their students such as Ellis Sandoz, Stanley Rosen, and Harvey Mansfield, are in this volume as teachers who analyze, denounce, and attempt to transcend ideology for a more authentic way of thinking. What the reader will discover is that teaching is not merely a matter of holding concepts together, but a way of existing or living in the world. The thinkers in this volume represent this form of teaching as the philosophical search for truth in a world deformed by ideology.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This volume explores the role of some of the most prominent twentieth-century philosophers and political thinkers as teachers. It examines how these teachers conveyed truth to their students against the ideological influences found in the university and society. Philosophers from Edmund Husserl and Hannah Arendt to political thinkers like Eric Voegelin and Leo Strauss, and their students such as Ellis Sandoz, Stanley Rosen, and Harvey Mansfield, are in this volume as teachers who analyze, denounce, and attempt to transcend ideology for a more authentic way of thinking. What the reader will discover is that teaching is not merely a matter of holding concepts together, but a way of existing or living in the world. The thinkers in this volume represent this form of teaching as the philosophical search for truth in a world deformed by ideology.

The privileged link of psychoanalysis to spoken language does not necessarily facilitate communication among analysts and psychotherapists of different mother tongues. The Journal of European Psychoanalysis published since 1995 has long sought to overcome these linguistic barriers. Traditionally, it has introduced English readers to important European authors, as well as to authors of Latin American countries whose paradigms are close to European "styles." Freed of the editorial and political constraints that often govern the official organs of schools and institutions, the Journal of European Psychoanalysis has, for many years, regularly featured conversations with some of the most prominent and brilliant figures in contemporary psychoanalysis: highlighting debates and trends within psychoanalysis and related fields while remaining ever-sensitive to the practical, ethical, and theoretical implications of clinical practice. In Freud's Tracks collects some of the most engaging and provocative of these conversations, thus tracing a recent history of psychoanalysis in Europe while also evidencing the discipline's vital and vibrant connections with the fields of politics and social policy, science and philosophy, cultural studies and the social sciences."

From beginning to end, the philosophy of Michel Henry offers an original and profound reflection on life. Henry challenges the conventional understanding of life as a set of natural processes and a general classification of beings. Maintaining that our access to the meaning of life has been blocked by naturalism as well as by traditional philosophical assumptions, Henry carries out an enterprise that can rightfully be called "radical." His phenomenology leads back to the original dimension of life-to a reality that precedes and conditions the natural sciences and even objectivity as such. The Michel Henry Reader is an indispensable resource for those who are approaching Henry for the first time as well as for those who are already familiar with his work. It provides broad coverage of the major themes in his philosophy and new translations of Henry's most important essays. Sixteen chapters are divided into four parts, demonstrating the profound implications of Henry's philosophy of life for phenomenology; for subjectivity; for politics, art, and language; and for ethics and religion.

How has American literature after postmodernism responded to the digital age? Drawing on insights from contemporary media theory, this is the first book to explore the explosion of new media technologies as an animating context for contemporary American literature. Casey Michael Henry examines the intertwining histories of new media forms since the 1970s and literary postmodernism and its aftermath, from William Gaddis's J R and Bret Easton Ellis's American Psycho through to David Foster Wallace's Infinite Jest. Through these histories, the book charts the ways in which print-based postmodern writing at first resisted new mass media forms and ultimately came to respond to them.

Law Without Force is a landmark in political and social philosophy. It proposes nothing less than a completely new basis for international law. As relevant today as when it was first published nearly sixty years ago, it commands the attention of all concerned with what the future may bring to the law of nations. The great scope of Niemeyer's undertaking draws respect even from those who disagree with his challenging analysis of the historical past and his suggestions for the future of international law. In his new introduction, Michael Henry observes that Law Without Force provides us with a foundation of Niemeyer's thinking. Published in 1941, when Hitler was swallowing up Europe, this volume shows how a first-rate mind grappled with a legal, historical, social, and ultimately metaphysical problem. It provides in detail the reasoning behind Niemeyer's rejection of a foreign policy based on morality and his distinction between authoritarian and totalitarian governments; and it provides us with the first stage of his lengthy and prodigious effort to understand "this terrible century." It is a book that no serious student of Niemeyer can afford to ignore. At the very heart of the author's vigorous discussion may be found his rejection of a moral basis for international law and his suggestion that a functional basis should be substituted for it. The book incisively reviews the relation between traditional international law and the changing structure of international politics concluding that the traditional system of law has operated as an agency of disharmony and conflict. After an investigation of the traditional legal system, the author then asks, "What type of law fits the social structure of this modern world?" The answers are presented in the last part of the book, as Neimeyer offers his case for a functional system of law, divorced from moral exhortations or appeals to shattered authority. Philosophy, sociology, and legal theory are brilliantly interwoven in this volume, which will engage serious readers interested in political and social theory.

"Law Without Force" is a landmark in political and social philosophy. It proposes nothing less than a completely new basis for international law. As relevant today as when it was first published nearly sixty years ago, it commands the attention of all concerned with what the future may bring to the law of nations. The great scope of Niemeyer's undertaking draws respect even from those who disagree with his challenging analysis of the historical past and his suggestions for the future of international law.

In his new introduction, Michael Henry observes that Law Without Force provides us with a foundation of Niemeyer's thinking. Published in 1941, when Hitler was swallowing up Europe, this volume shows how a first-rate mind grappled with a legal, historical, social, and ultimately metaphysical problem. It provides in detail the reasoning behind Niemeyer's rejection of a foreign policy based on morality and his distinction between authoritarian and totalitarian governments; and it provides us with the first stage of his lengthy and prodigious effort to understand "this terrible century." It is a book that no serious student of Niemeyer can afford to ignore.

At the very heart of the author's vigorous discussion may be found his rejection of a moral basis for international law and his suggestion that a functional basis should be substituted for it. The book incisively reviews the relation between traditional international law and the changing structure of international politics concluding that the traditional system of law has operated as an agency of disharmony and conflict. After an investigation of the traditional legal system, the author then asks, "What type of law fits the social structure of this modern world?" The answers are presented in the last part of the book, as Neimeyer offers his case for a functional system of law, divorced from moral exhortations or appeals to shattered authority. Philosophy, sociology, and legal theory are brilliantly interwoven in this volume, which will engage serious readers interested in political and social theory.

Adventures in Immediate Irreality, the masterwork of Max Blecher a magnificent writer who brings to mind Bruno Schulz paints in vivid colors the crises of irreality that plagued him in his youth, eerie mirages wherein he would glimpse future events, glowing glimpses unsettling in every way. In gliding chapters that move with a peculiar dream logic of their own, this memoiristic novella sketches the tremulous, frightening and exhilarating awakenings of a very young man."

Collection of Jan Neruda's intimate, wry, bitter-sweet stories of life among the inhabitants of Mala Strana, the Little Quarter of nineteenth century Prague. These finely tuned and varied vignettes established Neruda as the quintessential Czech nineteenth century realist, the Charles Dickens of a Prague becoming ever more aware of itself as a Czech, rather than an Austrian city. Prague Tales is a classic story whose influence has been acknowledged by generations of Czech writers, including Ivan Klima, who has contributed an introduction to this new translation.