Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period . Edited by Dan Rebellato, Modern British Playwriting: 2000-2009 provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities. Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the Decades of Modern British Playwriting series.

Cairo, 1912. The Pasha receives an unexpected gift: a traditional Bride Box. When opened, however, the box contains an unwelcome jolt from the past . . . At the same time, a little girl is discovered riding under a train from Luxor - and the Mamur Zapt, Head of the Khedive's Secret Police, is called in to investigate.
He soon finds himself confronting a political storm as the end of British rule approaches and his investigations uncover a tangled web of family loyalties and betrayals, with its roots in a slave trade long supposed to have been stamped out in Egypt.

Black British Drama: A Transnational Story looks afresh at the ways black theatre in Britain is connected to and informed by the spaces of Africa, the Caribbean and the USA. Michael Pearce offers an exciting new approach to reading modern and contemporary black British drama, examining plays by a range of writers including Michael Abbensetts, Mustapha Matura, Caryl Phillips, Winsome Pinnock, Kwame Kwei-Armah, debbie tucker green, Roy Williams and Bola Agbaje. Chapters combine historical documentation and discussion with close analysis to provide an in-depth, absorbing account of post-war black British drama situated within global and transnational circuits. A significant contribution to black British and black diaspora theatre studies, Black British Drama is a must-read for scholars and students in this evolving field.

Black British Drama: A Transnational Story looks afresh at the ways black theatre in Britain is connected to and informed by the spaces of Africa, the Caribbean and the USA. Michael Pearce offers an exciting new approach to reading modern and contemporary black British drama, examining plays by a range of writers including Michael Abbensetts, Mustapha Matura, Caryl Phillips, Winsome Pinnock, Kwame Kwei-Armah, debbie tucker green, Roy Williams and Bola Agbaje. Chapters combine historical documentation and discussion with close analysis to provide an in-depth, absorbing account of post-war black British drama situated within global and transnational circuits. A significant contribution to black British and black diaspora theatre studies, Black British Drama is a must-read for scholars and students in this evolving field.

Filled with real examples of the way people use English in different contexts, The Routledge Dictionary of English Language Studies is an indispensable guide to the richness and variety of the English language for both students and the general reader.

From abbreviation to zero-article, via fricative and slang, the Dictionary contains over 600 wide ranging and informative entries covering:

• 
  
• the core areas of language description and analysis: phonetics and phonology, grammar, lexis, semantics, pragmatics and discourse
• 
  
• sociolinguistics, including entries on social and regional variation, stylistic variation, and language and gender
• 
  
• the history of the English language from Old English to the present-day
• 
  
• the main varieties of English spoken around the world, covering the British isles, the Caribbean, North America, Africa, Asia, and Australasia
• 
  
• stylistics, literary language and English usage.

Filled with real examples of the way people use English in different contexts, The Routledge Dictionary of English Language Studies is an indispensable guide to the richness and variety of the English language for both students and the general reader.

From abbreviation to zero-article, via fricative and slang, the Dictionary contains over 600 wide ranging and informative entries covering:

• 
  
• the core areas of language description and analysis: phonetics and phonology, grammar, lexis, semantics, pragmatics and discourse
• 
  
• sociolinguistics, including entries on social and regional variation, stylistic variation, and language and gender
• 
  
• the history of the English language from Old English to the present-day
• 
  
• the main varieties of English spoken around the world, covering the British isles, the Caribbean, North America, Africa, Asia, and Australasia
• 
  
• stylistics, literary language and English usage.

This title is set in Athens, 1913, the capital of a country on the brink of war. The new Greek prime minister, Venizelos, tired of the Ottoman overlords, has what he calls the Great Idea - a vision of a new Greece which unites all the Greek people scattered around the Mediterranean. Not such a great idea, in the view of other countries, among them Britain, which believes in letting sleeping dogs lie. And cats. Including the one recently poisoned in Athens and which belonged to the exiled former Sultan. Unfortunately, as is the way with the Balkans, rumours start flying around; one being that this was a sighting shot for the ex-Sultan himself. This, in the Balkans, could start a war and so Britain has to sit up and take notice. Something has to be done. Fast. And - please, urge the diplomats - low-key. The lowest key of all is to send out a police officer from Scotland Yard to investigate, and, as it happens, the Foreign Office has a person in mind: Seymour, of the CID, who has had some experience of this sort of thing before...

Trieste in 1906 is of vital strategic importance and one of the world's greatest seaports. But assorted nationalist movements are threatening to pull the place apart and the militarist regime has trouble keeping a lid on things. Amid all the chaos the British consul goes missing, and Special Branch Seymour is sent to find him. Born to an immigrant family in London's East End, Seymour has an acute linguistic ear - crucial in turn-of-the-century Trieste. As he attempts to solve the riddle of the consul's disappearance, Seymour discovers dark and disturbing corners of the city and finds that it holds the secrets of his own family's past.

From the author of the award-winning Mamur Zapt books, the second in a new series introducing Seymour of Special Branch and set in the British embassies and Consulates of Europe in the early 1900s. The Second Secretary of the Embassy in Istanbul has died in decidedly strange circumstances while attempting to swim the Dardanelles Straits, the passage between Europe and Asia, heavily used by warships, liners, tankers and cargo vessels of all kinds. A romantic attempt to repeat the legendary feat of Leander, as the Embassy says? Or an attempt to spy out a possible landing place for a British military expedition, as the Turks insist? Whichever, Cunningham has ended up with a bullet in his head. The suspicious circumstances of his death have to be investigated so the Foreign Office sends out an officer of the Special Branch: Seymour. As Seymour tries to untangle the threads which lead to Cunningham's death, their ends lead him into all parts of the city, from the little box shops of the Avenue of Slippers to Les Petits Champs des Morts, where fashionable Turkish ladies loiter among the tombs to eat sweets; from the crowded coffee houses around the Galata Bridge where men sit all day smoking bubble pipes to the heart of the Topkapi Palace itself.

The subject of the book is "Customer Relationship Management (CRM)." The target audience is multi-layered: Businesses of all types and sizes from SME's upwards. Board Directors, Senior Managers and middle managers in CRM related functions: IT, Marketing, Sales, Customer Service etc. MBA and masters' students and upper level graduates studying business related degrees. Students or independent learners seeking CRM education or certification through organisations such as AARM (Association for the Advancement of Relationship Marketing). Those pursuing professional qualifications in marketing through international organisations such as the Chartered Institute of Marketing. CRM first entered the business vocabulary in the early 90's; initially as a systems driven technical solution. It has since escalated in importance as system providers increased their market penetration of the business market and, in parallel, CRM's strategic importance gained more traction as it was recognised that CRM was, at its heart, a business model in the pursuit of sustainable profit. This was accentuated by the academic community starting to address the subject in the early 2000's.To-day, it is a universal business topic which has been re-engineered by the online shopping revolution in which the customer is firmly placed at the centre of the business. The current reality, however, is that, for the vast majority of businesses, CRM has not been adopted as a business philosophy and practicing business model. It has not been fully understood and therefore fully embraced and properly implemented. This book is designed to help the reader by stripping CRM down into its component parts under the umbrella of developing and executing a CRM strategy. It delves into and explains the role and relevance of the "C," "R" and "M" in CRM. It is a practical guide but set within a strategic framework. The outage is clear actionable insights and how to go about converting them into delivery. It is written in an easily digestible, non-academic style. It is intended that the reader can relate to the subject as part of "real" business whilst treating the subject with the utmost respect. In so doing, really engaging and involving the reader.

In this classic mystery from the award-winning Michael Pearce, a powerful politician is murdered in Cairo in the 1900s and the Mamur Zapt is called in to investigate. Cairo in the 1900s. As the long period of indirect British rule draws to an end, tensions mount. The attempted assassination of a politician raises the possibility of a terrorist outrage at the city's religious festival, the Return of the Holy Carpet from Mecca. When the Mamur Zapt, British head of Cairo's secret police, begins to investigate, he finds himself in a race against a deadly group of terrorists to protect the city from a catastrophic attack.

Cairo, Egypt, 1913. When schoolgirl Marie Kewfik is kidnapped, snatched away as she strolled through the bustling bazaars of the Souk, the Khedive insists that the Mamur Zapt, Head of the Secret Police, takes charge of the negotiations for her safe return. The Kewfiks are one of the wealthiest and most powerful families in Egypt but, as the Mamur Zapt discovers, not everyone thinks it's worth the trouble to secure the release of a mere girl. He also learns that there is more to Marie's kidnapping than meets the eye - and the subsequent fallout will shine a glaring light on the dangerous tensions running through Egyptian society.

Atbara, Sudan, 1913. A dead man is fished out of the River Nile. An accident - or something more sinister? A visiting Pasha from the Royal Household believes it was murder - and that he himself was the intended target. He insists that the Mamur Zapt, Head of the Khedive's Secret Police, escorts him on his return train journey to Cairo, for protection. It's to be an eventful voyage. Matters take an unexpected turn when the train is stranded in the desert following a sandstorm. With the help of English schoolboy Jamie Nicholson, the Mamur Zapt pursues his investigations, convinced that at least one of his fellow passengers has a secret to hide. And what was the Pasha really doing in that remote corner of the Sudan? Could the Mamur Zapt's deepest fears be true? Could he really be about to uncover a conspiracy against the British?

The ludic element of drama in the Middle Ages - or drama with early subject matter - is here to the fore. Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. This edition combines, perhaps unexpectedly, royalty and games. Games of all kinds, from jousting and "Christmas games" to those usually associated with children, are shown, it is suggested, to be more than they at first appear. Apparently run-of-the-mill entertainments, when presented to the court by the Londoners, by the court to a visiting emperor , or by the retainers of royalty and nobility to the general public for commercial gain, turn out to have unexpected political resonances; while the potential underlying sadism of children's games gains a horrific immediacy when diverted to the torturing of Christ. Even today, the musical SIX says a great deal more about royalty and role-playing than initially might appear, especially when set against eye-witness accounts of the first meeting of Anna of Cleves with Henry VIII, and what modern novelists have made of it . In the process we learn a great deal more about the detail of these games, from the maskerie costumes of James VI and Anna of Denmark to the elaborate fantasy challenges of the jousters in 1400/1401, which incidentally suggest that fourteenth-century court culture, whose language was Anglo-French, is a major missing link in the history of what is usually treated as purely English literature. Contributors: Philip Bennett, Philip Butterworth, Sarah Carpenter, Elisabeth Dutton, James Forse, Gordon Kipling, Michael Pearce, Meg Twycross.

A sudden bullet pierces the pungent dust that permeates Cairo. The victim is a bookkeeper called Fairclough; he has been shot at from behind while riding home on his donkey, though not badly hurt. Hardly cause for alarm, thinks Cadwallader Owen, better known as the Mamur Zapt, or head of Cairo's Secret Police. After all, Fairclough is with Customs. And in 1909 British-ruled Cairo, Customs is the lowest of all departments. But Owen's nonchalance is soon shattered as unexpected, bloody violence shakes Cairo's crowded bazaars and bustling thoroughfares. Then, scores of frightened British and Egyptian civil servants flood the police with complaints of pursuit by unknown men. Finally, on a dank back street, Owen himself is followed and nearly attacked by two shadowy characters in European dress. Is this a reign of terror to undermine British rule? Or is it a personal vendetta? The Mamur Zapt is determined to uncover the truth. It is a dangerous mission that will take him through Cairo's darkest alleys, into its loudest, bawdiest district, and out to a fearfully remote desert village. Dodging wild bombs and stray bullets, the Mamur Zapt desperately strives to preserve the law...and his own life. But to do so he must find answers to mystifying questions. Who are these would-be assailants who stalk their victims so cunningly? Who are the deadly "men behind"?

Barcelona, 1912. A city still recovering from the dramatic incidents of the so-called 'Tragic Week' when Catalonian conscripts bound for the unpopular war in Spanish Morocco had rebelled at the city's dockside against the royalist forces. In the fighting, many were killed, and afterwards, even more put in prison. Including an Englishman, who was later found dead in his cell. The dead man had been a prominent businessman in Gibraltar, so what had he been doing in Barcelona? What part did he play in the illicit three-way trade between Gibraltar, Spanish Morocco and Barcelona? And just how did he really meet his end - murdered, in a prison cell? The case, in Gibraltar's view, crys out for investigation - and by someone independent of the Spanish authorities. So Scotland Yard are summoned to send out one of their men - but who? Seymour ticks all the right boxes - he has experience of the tangled diplomatic world of that part of the Mediterranean. He speaks foreign languages. And possibly most importantly of all - he grew up near the docks of London's East End so with any luck, knows how to swim if pushed in the water... PRAISE FOR MICHAEL PEARCE'S A DEAD MAN IN... SERIES 'His sympathetic portrayal of an unfamiliar culture, impeccable historical detail and entertaining dialogue make enjoyable reading.' Sunday Telegraph 'The steady pace, atmospheric design, and detailed description re-create a complicated city. A recommended historical series.' Library Journal 'Sheer fun.' The Times

Naples, 1913. Sun-baked, blue-skied, and with its amazing bay, one of the most beautiful spots in Italy - but also, one of the most backward. Into that world is sent a minor British consular official, Scampion, banished from Florence because he has allowed himself to be caught up in the mad social whirl surrounding D'Annunzio, the famous Italian poet, Nationalist and revolutionary. Scampion brings with him from Florence the new craze that is sweeping Italy: bicycling. And one day as he walks home after a road race that he has been organising, he is stabbed to death. Nothing extraordinary about that in Naples - it happens all the time - but his wallet was not taken, a fact that is remarkable. Could Scampion's murder have something to do with the racing? Bicycling may seem like a harmless pursuit but in Italy passions run high and Neopolitans, too, are great gamblers; they gamble on anything, including bicycle races. And where there is gambling, in Naples there is usually the Camorra, the powerful Neopolitan secret society. But then the Foreign Office receives a tip off that the murder may be more complicated. It might be linked to high politics in Rome. And that's when Seymour, the foreigner from the F.O., is sent south to investigate . . . Praise for Michael Pearce's A Dead Man in . . . series 'The steady pace, atmospheric design, and detailed description re-create a complicated city. A recommended historical series' Library Journal 'Sheer fun' The Times 'His sympathetic portrayal of an unfamiliar culture, impeccable historical detail and entertaining dialogue make enjoyable reading' Sunday Telegraph

Malta, 1913, and hot air balloons hover over the Grand Harbour. One of them comes down in the water but no one is hurt - except that the balloonist dies later when taken into the Naval Hospital for a check-up. But he is not the only one who had died there unexpectedly, as a letter to The Times points out, and a special investigator, Seymour of the Foreign Office, is sent out from London to find out what is going on. For in 1913 Malta is still a British protectorate, governed by the British; indeed, with its red postboxes, English beer and English language it seems like an exotic Little Britain. But the rumblings of war are reaching out to that small island in the Mediterranean and many of the old Maltese families are becoming divided in their loyalties: at the same time staunchly supportive to the British and yet starting to question Malta's subordinate status and wondering whether the time has come to strike out an independent path for themselves. So the letter to The Times has touched a raw nerve, as Seymour soon finds out: is it a critique of bad nursing practises? Or is there a different, more sinister explanation to these sudden deaths? Praise for Michael Pearce's A Dead Man in . . . series 'The steady pace, atmospheric design, and detailed description re-create a complicated city. A recommended historical series' Library Journal 'Sheer fun' The Times 'His sympathetic portrayal of an unfamiliar culture, impeccable historical detail and entertaining dialogue make enjoyable reading' Sunday Telegraph

Essential for students of theatre studies, Methuen Drama's "Decades of Modern British Playwriting" series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four/five key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period .Edited by Dan Rebellato, "Modern British Playwriting: 2000-2009" provides an authoritative and stimulating reassessment of the theatre of the decade, together with a detailed study of the work of David Greig (Nadine Holdsworth), Simon Stephens (Jacqueline Bolton), Tim Crouch (Dan Rebellato), Roy Williams (Michael Pearce) and Debbie Tucker Green (Lynette Goddard). The volume sets the context by providing a chronological survey of the decade, one marked by the War on Terror, the excesses of economic globalization and the digital revolution. In surveying the theatrical activity and climate, Andrew Haydon explores the response to the political events, the rise of verbatim theatre, the increasing experimentation and the effect of both the Boyden Report and changes in the Arts Council's priorities. Five scholars provide detailed examinations of the playwrights' work during the decade, combining an analysis of their plays with a study of other material such as early play drafts and the critical receptions of the time. Interviews with each playwright further illuminate this stimulating final volume in the "Decades of Modern British Playwriting" series.

"Does religion belong in psychotherapy?"

For anyone in the helping profession, whether as mental health professionals or religious leaders, this question is bound to arise. Many mental health professionals feel uncomfortable discussing religion, while many religious leaders feel uncomfortable referring their congregants to professionals who have no knowledge of their faith, nor intent to engage with it.

And yet Michelle Pearce, PhD, assistant professor and clinical psychologist at the Center for Integrative Medicine at the University of Maryland, argues that if religion is important to a client, then religion will be a part of psychotherapy, whether it is discussed or not. Clients cannot check their values at the door any more than the professionals who treat them.

To Pearce, the question isn t really does religion belong? but rather how can mental health professionals help their religious clients engage with and use their faith as a healing resource in psychotherapy? "Cognitive Behavioral Therapy for Christian Clients" "with Depression "is the answer to that question, as the book s purpose is to educate mental health professionals and pastoral counselors about religion s role in therapy, as well as equip them to discuss religious issues and use evidence-based, religiously-integrated tools with Christian clients experiencing depression.

In this book, readers will find the following resources in an easy-to-use format: An overview of the scientific benefits of integrating clients religious beliefs and practices in psychotherapyAn organizing therapeutic approach for doing Christian CBTSeven tools, specific to Christian CBT, to treat depressionSuggested dialogue for therapists to introduce concepts and toolsSkill-building activity worksheets for clientsClinical examples of Christian CBT and the seventools in actionPractitioners will learn the helpful (and sometimes not so helpful) role a person s Christian faith can play in psychotherapy, and will be equipped to discuss religious issues and use religiously-integrated tools in their work. At the same time, clergy will learn how Christianity can be integrated into an evidence-based secular mental health treatment for depression, which is sure to increase their comfort level for making referrals to mental health practitioners who provide this form of treatment.

"Cognitive Behavioral Therapy for Christian Clients with Depression "is a "practical" guide for mental health professionals and pastoral counselors who want to learn how to use Christian-specific CBT tools to treat depression in their Christian clients.