As the greatest satirist in the English language, Jonathan Swift was both admired and feared in his own time for the power of his writing, and hugely influential on writers who followed him. Swift transformed models such as utopian writing, political pamphleteering, and social critique with his dark and uncompromising vision of the human condition, deepening the outlook of contemporaries such as Alexander Pope, and leaving a legacy of Swiftian satire in the work of Hogarth, Fielding, Austen and Beckett, among others. This collection of essays, with its distinguished list of international contributors, centres on Swift, the genres and authors who influenced him, and his impact on satire and satirists from his own time to the twentieth century.

Although there are many books on Johnson's moral and religious thought, none has provided a detailed analysis of his relationship with the ethics and theology of the eighteenth century. This study fills the gap, examining the background to Johnson's views on a wide range of issues debated by the philosophers and divines of his age. Avoiding deceptive generalizations concerning the overall character of the century, Nicholas Hudson emphasizes the ambivalence and contradiction inherent in the orthodoxy which Johnson espoused. Yet this book also challenges the assumption that Johnson's religious beliefs were unstable and filled with anxiety. Whatever the weakness of his positions, he gleaned strength and confidence from the belief that he upheld an eminent tradition in Christian philosophy.

One of the most renowned authors of the eighteenth century, Samuel Johnson became a symbol of English national identity in the century following his death in 1784. Nicholas Hudson examines his contribution to the creation of the modern English identity, focusing on his attitudes towards class, feminism, party politics, the public sphere, nationalism, and imperialism. This new view of Johnson reflects the nature of English nationhood.

Writing and European Thought 1600-1830 argues for the central importance of writing to conceptions of language, technological progress, and Western civilization during the early modern era. Attitudes to the written language changed radically between the late Renaissance and Romanticism, and Nicholas Hudson traces the development of thought about language during this period, challenging some central assumptions of modern historical scholarship. He asserts that European thinkers have not been uniformly 'logocentric', and he questions the assumption that the rise of print and literacy produced a more visually oriented culture. Through detailed readings of major writers, Hudson shows how writing became the emblem of the superiority of European culture, and how, with the expansion of print culture, European intellectuals became more aware of the virtues of 'orality' and the deficiencies of literate society.

Johnson rose from obscure origins to become a major literary figure of the eighteenth century. Through a detailed survey of his major works and political journalism, Hudson constructs a complex picture of Johnson as a moralist forced to accept the realistic nature of politics during an era of revolutionary transition.

Samuel Johnson (1709-84) rose from obscure origins to become one of the major literary figures of the 18th century as a poet, essayist, lexicographer, literary critic, and conversationalist. He was also renowned as one of the most outspoken and controversial political commentators of the age, fomenting both admiration and rage in his own time, and still dividing scholars and readers to this day. Hudson's biography reassesses the evidence for Johnson's being an arch-conservative, as some have thought, or as a humane liberal, as others have argued.

As the greatest satirist in the English language, Jonathan Swift was both admired and feared in his own time for the power of his writing, and hugely influential on writers who followed him. Swift transformed models such as utopian writing, political pamphleteering and social critique with his dark and uncompromising vision of the human condition, deepening the outlook of contemporaries such as Alexander Pope, and leaving a legacy of Swiftian satire in the work of Hogarth, Fielding, Austen and Beckett, among others. This collection of essays, with its distinguished list of international contributors, centres on Swift, the genres and authors who influenced him, and his impact on satire and satirists from his own time to the twentieth century.

Samuel Johnson, one of the most renowned authors of the eighteenth century, became virtually a symbol of English national identity in the century following his death in 1784. In Samuel Johnson and the Making of Modern England Nicholas Hudson argues that Johnson not only came to personify English cultural identity but did much to shape it. Hudson examines his contribution to the creation of the modern English identity, approaching Johnson's writing and conversation from scarcely explored directions of cultural criticism - class politics, feminism, party politics, the public sphere, nationalism and imperialism. Hudson charts the career of an author who rose from obscurity to fame during precisely the period that England became the dominant ideological force in the Western world. In exploring the relations between Johnson's career and the development of England's modern national identity, Hudson develops provocative arguments concerning both Johnson's literary achievement and the nature of English Nationhood.

Writing and European Thought 1600-1830 argues for the central importance of writing to conceptions of language, technological progress, and Western civilization during the early modern era. Attitudes to the written language changed radically between the late Renaissance and Romanticism, and Nicholas Hudson traces the development of thought about language during this period, challenging some central assumptions of modern historical scholarship. He asserts that European thinkers have not been uniformly 'logocentric', and he questions the assumption that the rise of print and literacy produced a more visually oriented culture. Through detailed readings of major writers, Hudson shows how writing became the emblem of the superiority of European culture, and how, with the expansion of print culture, European intellectuals became more aware of the virtues of 'orality' and the deficiencies of literate society.

Pompey the Little, the canine narrator of this story, is a uniquely observant and witty guide to eighteenth-century culture, both high and low. In the course of the novel Pompey is passed from owner to owner, offering a panoramic vision of English and European societies in the period. Written with sparkling irony, The History of Pompey is an important example of an "it-narrative," or a narrative written from a non-human perspective; this genre allows the novelist to move between levels of society and to observe human behaviour from an outsider's perspective. The rich selection of historical documents in the appendices to this Broadview edition includes a similar narrative told by a cat, along with other writings on eighteenth-century attitudes towards animals.