A must-have introduction that bridges the gap between music and computing

The rise in number of composer-programmers has given cause for an essential resource that addresses the gap between music and computing and looks at the many different software packages that deal with music technology. This up-to-date book fulfills that demand and deals with both the practical use of technology in music as well as the principles behind the discipline. Aimed at musicians exploring computers and technologists engaged with music, this unique guide merges the two worlds so that both musicians and computer scientists can benefit.Defines computer music and offers a solid introduction to representing music on a computerExamines computer music software, the musical instrument digital interface, virtual studios, file formats, and moreShares recording tips and tricks as well as exercises at the end of each section to enhance your learning experienceReviews sound analysis, processing, synthesis, networks, composition, and modeling

Assuming little to no prior experience in computer programming, this engaging book is an ideal starting point for discovering the beauty that can be created when technology and music unite.

Worldwide maritime trade has been the driver of wealth-creation, knowledge-collection, social, political and economic progress and although some historians have shown that from the 15th century, Nick Collins shows it predates the end of the Ice Age when the Indian Ocean was the centre of long-haul voyages from east Africa to the Americas. It demonstrates the centrality of the Indian subcontinent. Meaningful trade gradually penetrated the Mediterranean, resulting in more famous civilisations including Phoenicians, Egyptians, Minoans and Greeks. How they and Hittite, Mittani etc are related is explained. How it collapsed in Europe in the 5th-7th centuries but continued in Asia concludes the story. It is based on huge reading with an attractive wring style, full of fascinating insights from an author with life-long experience in international shipping.

Following the series' first book How Maritime Trade and the Indian Subcontinent Shaped the World, this book continues to demonstrate how maritime trade has been the key driver of the world's wealth-creation, economic and intellectual progress. The story begins where the first book ends, when following Roman Empire collapse, 7th-century European maritime trade almost ceased, creating population collapse and poverty; the Dark Ages. In 700 stuttering, hesitant recovery was evident with new ports but Viking and Muslim maritime raiding neutered recovery until the 11th century. In Asia by contrast, short and long-haul trade thrived and accelerated from east Africa and the Persian Gulf all the way to China, encouraging Southeast Asian state formation. The book tells the story of slowly rising, gradually accelerating European maritime trade, which until the 15th century was overshadowed by far more voluminous Asian trade in much larger, more complex ships traded by more sophisticated commercial entities, contributing to innovative tolerant wealth-creating maritime societies. In Europe, Mediterranean maritime trade made most progress from about 1000 to 1450,. But by 1700 north Europeans dominated Atlantic, American and Mediterranean trade and were penetrating sophisticated Asian maritime networks, a complete reversal. This book explains how and why and how destructive continental influences destroyed Asia's maritime supremacy. As in the first book, Nick Collins finds similar patterns; maritime inquisitiveness, invention, problem-solving and toleration and continental political suppression of those maritime traits, most dramatically in China, but destructively everywhere, allowing the millennium maritime trade revolution.

Victorian England in the 1870s and the early years of the FA Cup. Pitches are little better than mud baths. Crossbars and referees' whistles don't exist, while the players all charge around in a rough-and-tumble manner more suited to rugby. But one side dares to be different. Combining silky skills with military muscle, they pass the ball in a spectacular new style of play. And they have a team spirit like no other. They are a 'band of brothers' who fight for Queen and Country - and for each other. They are the Royal Engineers from Chatham in Kent and Foot Soldiers is their extraordinary story. Among their ranks are 'Renny', one of the game's first superstars, and 'The Major', the mastermind behind their astonishing rise. In a four-year quest to land football's greatest prize both men must confront a disastrous fire, monstrous bad luck, the elements at their fiercest and the shocking death of one of the team's favourite players on FA Cup Final day itself.

This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the subject for the first time. Chapters include key topics from synth pop to sound art, from electronic dance music to electrical instruments, and from the expression of pure sound to audiovisuals. Highly illustrated and with a wide selection of examples, the book provides many suggestions for further reading and listening to encourage students to begin their own experiments in this exciting field.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrete and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrete and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

The essential reference to SuperCollider, a powerful, flexible, open-source, cross-platform audio programming language. SuperCollider is one of the most important domain-specific audio programming languages, with potential applications that include real-time interaction, installations, electroacoustic pieces, generative music, and audiovisuals. The SuperCollider Book is the essential reference to this powerful and flexible language, offering students and professionals a collection of tutorials, essays, and projects. With contributions from top academics, artists, and technologists that cover topics at levels from the introductory to the specialized, it will be a valuable sourcebook both for beginners and for advanced users. SuperCollider, first developed by James McCartney, is an accessible blend of Smalltalk, C, and further ideas from a number of programming languages. Free, open-source, cross-platform, and with a diverse and supportive developer community, it is often the first programming language sound artists and computer musicians learn. The SuperCollider Book is the long-awaited guide to the design, syntax, and use of the SuperCollider language. The first chapters offer an introduction to the basics, including a friendly tutorial for absolute beginners, providing the reader with skills that can serve as a foundation for further learning. Later chapters cover more advanced topics and particular topics in computer music, including programming, sonification, spatialization, microsound, GUIs, machine listening, alternative tunings, and non-real-time synthesis; practical applications and philosophical insights from the composer's and artist's perspectives; and "under the hood," developer's-eye views of SuperCollider's inner workings. A Web site accompanying the book offers code, links to the application itself and its source code, and a variety of third-party extras, extensions, libraries, and examples.

This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the subject for the first time. Chapters include key topics from synth pop to sound art, from electronic dance music to electrical instruments, and from the expression of pure sound to audiovisuals. Highly illustrated and with a wide selection of examples, the book provides many suggestions for further reading and listening to encourage students to begin their own experiments in this exciting field.

Justin (the "brain"), Nick (the "jock"), Scott (the "goof"), Jessica (the "princess"), Carly (the "rebel"), and Echo (the "weird girl"), have just been chosen to work on a HUGE school project...together. Needless to say, none of them--except for the incurably cheerful Echo--are too thrilled about it. After all, they have nothing in common with one another. Or do they? Over the course of their time together, they find themselves faced with issues to deal with, goals to pursue, and obstacles to overcome: Justin struggles to win the affection of Jessica, who has a crush of her own in the form of Kellen, the cute new boy at school; Nick fights to improve his grades in order to keep his spot on the wrestling team; Scott works hard to hone his comedic skills; Carly attempts to show the world "who's boss"; and Echo simply wishes to be understood by her classmates. And as they undergo the trials and tribulations of adolescence--ranging from hilarious, to humiliating, to heartbreaking--they discover the many things they have in common with one another and learn that they're not so different after all.