Why does it matter that nations should care for their archives, and that they should develop a sense of shared identity? And why should these processes take place in the public domain? How can nations possibly speak about a shared sense of identity in pluralistic societies where individuals and groups have multiple identities? And how can such conversations be given relevance in public discussions of reconciliation and development in South Africa? These are the issues that the Public Conversations lecture series - an initiative of the Constitution of Public Intellectual Life Project at Wits University - proceeded from in 2006. Five years later, cross currents in contemporary South Africa have made the resumption of a public debate to clarify the meanings of identity and citizenship even more imperative, and an understanding of 'archive' even more urgent. The 2006 lectures were subsequently collected, resulting in this volume which takes its title from Weber's point, elaborated on in the chapter by Benedict Anderson, that the future asks us to be worthy ancestors to the yet unborn. The book, as did the lecture series, aims to reach a broad and informed reading public because the topic is still of pressing interest in contemporary public discourse. In a changed (and, some might say, degraded) environment of public dialogue, the editor hopes to inspire a re-thinking of the very essence of what it means to be a citizen of South Africa. Becoming Worthy Ancestors aims to make accessible the theoretically informed, sometimes highly academic work of its various contributors. With chapters from high profile international and local contributors, it will be of interest to South African and international audiences. Editing for publication has further enhanced the accessibility of each speaker's thinking without forfeiting any of its complexity, and the addition of an introductory chapter by the editor contributes to the coherence of the volume. While the target audience is the broad public, the book is based on a core of academic thinking and research.

An engaging inquiry into the history of South African film and its future--one that focuses on the country's cultural history while squarely facing questions of race. With the end of apartheid, South African cinema is at a turning point in its history. But how can we speak of a national cinema when so far only an elite minority has participated in it? How can filmmakers draw upon the past as they take South Africa into a new artistic era? This collection offers an unprecedented look at a film industry that has excluded its country's black majority, in both representation and production--and that now must overcome collusion between racist ideology and film form. Until recently, filmmakers could work only within a culture that reluctantly took black South Africans into account. Therefore, to explore what South African cinema has been and could become, the authors do not limit their discussion to film production but approach cinema as a manifestation of cultural history. How has the purpose of cinema been viewed at different times in South Africa, by different governments and social groups? What is the relation between film and a sense of nationhood in South Africa? What has happened when whites aim to make "black" films? How has film been viewed in relation to the notion of leisure in South Africa? Such questions lead to a consideration not only of films made by South Africans in South Africa but also of an unfolding film culture within a series of stages that have yet to give rise to a national cinema.