As atmospheric CO2 increases there will almost certainly be alterations in soil carbon fluxes. It is likely that such alterations will be accompanied by changes in the partitioning of carbon between organic structures and to soil processes. These changes have the potential for further altering the structure and function of terrestrial ecosystems. While there has been increasing recognition of the importance of soil-mediated responses to global climate change, the nature and magnitude of these responses are not well understood. In an effort to expand our assessment of the significance of belowground responses to rising atmospheric CO2, a workshop has been organized that resulted in the peer-reviewed contributions that are contained in this volume.

Postapocalyptic Fiction and the Social Contract: 'We'll Not Go Home Again' provides a framework for our fascination with the apocalyptic events. The popular appeal of the end of the world genre is clear in movies, novels, and television shows. Even our political debates over global warming, nuclear threats, and pandemic disease reflect a concern about the possibility of such events. This popular fascination is really a fascination with survival: how can we come out alive? And what would we do next? The end of the world is not about species death, but about beginning again. This book uses postapocalyptic fiction as a terrain for thinking about the state of nature: the hypothetical fiction that is the driving force behind the social contract. The first half of the book examines novels that tell the story of the move from the state of nature to civil society through a Hobbesian, a Lockean, or a Rousseauian lens, including Lucifer's Hammer by Larry Niven and Jerry Pournelle, Alas, Babylon by Pat Frank, Malevil by Robert Merle, and Into the Forest by Jean Hegland. The latter half of the book examines Octavia Butler's postapocalyptic Parable series in which a new kind of social contract emerges, one built on the fact of human dependence and vulnerability.

Postapocalyptic Fiction and the Social Contract: 'We'll Not Go Home Again' provides a framework for our fascination with the apocalyptic events. The popular appeal of the end of the world genre is clear in movies, novels, and television shows. Even our political debates over global warming, nuclear threats, and pandemic disease reflect a concern about the possibility of such events. This popular fascination is really a fascination with survival: how can we come out alive? And what would we do next? The end of the world is not about species death, but about beginning again. This book uses postapocalyptic fiction as a terrain for thinking about the state of nature: the hypothetical fiction that is the driving force behind the social contract. The first half of the book examines novels that tell the story of the move from the state of nature to civil society through a Hobbesian, a Lockean, or a Rousseauian lens, including Lucifer's Hammer by Larry Niven and Jerry Pournelle, Alas, Babylon by Pat Frank, Malevil by Robert Merle, and Into the Forest by Jean Hegland. The latter half of the book examines Octavia Butler's postapocalyptic Parable series in which a new kind of social contract emerges, one built on the fact of human dependence and vulnerability.

As atmospheric CO2 increases there will almost certainly be alterations in soil carbon fluxes. It is likely that such alterations will be accompanied by changes in the partitioning of carbon between organic structures and to soil processes. These changes have the potential for further altering the structure and function of terrestrial ecosystems. While there has been increasing recognition of the importance of soil-mediated responses to global climate change, the nature and magnitude of these responses are not well understood. In an effort to expand our assessment of the significance of belowground responses to rising atmospheric CO2, a workshop has been organized that resulted in the peer-reviewed contributions that are contained in this volume.

One of the hottest topics in America is the burning issue of immigration. On the one hand, immigration is what has kept America growing and prospering. On the other hand, the demographics are politically sensitive, the emotions high and sometimes mean-spirited, and some state government services in as bad shape as America's bridges. This book presents important issues on this nontrivial issue

Arthur Stoneman was content as a magician. Then the magic carpet was pulled out from under him.In "Arthur Stoneman, Magician: Barrier Deception," Arthur is forced to confront the true meaning of magic. Where did magic come from? Why are people able to wield it?Those questions are a beginning that only leads to more mysteries for Arthur. Who is the woman, D'lonra, that seeks him out for help? Should he trust Deppevil, a gnarled old man wanted by the law?Through it all, Arthur must figure out who to trust in order to learn the secrets behind his magical ability and what the truth could mean for not only every living person but for the entire Universe.