Debates about the legacy of colonialism in France are not new, but they have taken on new urgency in the wake of recent terrorist attacks. Responding to acts of religious and racial violence in 2005, 2010, and 2015 and beyond, the essays in this volume pit French ideals against government-sponsored revisionist decrees that have exacerbated tensions, complicated the process of establishing and recording national memory, and triggered divisive debates on what it means to identify as French. As they document the checkered legacy of French colonialism, the contributors raise questions about France and the contemporary role of Islam, the banlieues, immigration, race, history, pedagogy, and the future of the Republic. This innovative volume reconsiders the cultural, economic, political, and social realities facing global French citizens today and includes contributions by Achille Mbembe, Benjamin Stora, Francoise Verges, Alec Hargreaves, Elsa Dorlin, and Alain Mabanckou, among others.

'Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo... Through Barnum's freak shows, Hagenbeck's 'ethnic shows' (touring major European cities from their German base), French-style villages negres, as well as the great universal and colonial exhibitions, the West invented the 'savage', exhibited the 'peoples of the world', whilst in many cases preparing for or contributing to their colonization... This first mass contact between 'us' and 'them', between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.

This landmark collection by an international group of scholars and public intellectuals represents a major reassessment of French colonial culture and how it continues to inform thinking about history, memory, and identity. This reexamination of French colonial culture, provides the basis for a revised understanding of its cultural, political, and social legacy and its lasting impact on postcolonial immigration, the treatment of ethnic minorities, and national identity.

'Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo... Through Barnum's freak shows, Hagenbeck's 'ethnic shows' (touring major European cities from their German base), French-style villages negres, as well as the great universal and colonial exhibitions, the West invented the 'savage', exhibited the 'peoples of the world', whilst in many cases preparing for or contributing to their colonization... This first mass contact between 'us' and 'them', between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.

Le puits des mes est un recueil de po mes s'inscrivant dans une mouvance gothique et romantique. Il est galement question de patrimoine sot rique, d'histoires intimistes ou de noirceur stylis e. Le tout est racont travers des personnages anonymes baign s dans une atmosph re souvent tourment e. Cette po sie est un espace d di au surnaturel et aux superstitions de nos campagnes. Quelques po mes abordent bien s r des th mes traditionnels afin d'op rer un contraste avec des sujets parfois sombres et m taphysiques. L'ensemble pr sente des sentiments extr mes, des motions et des tranches de vie de gens ordinaires. L'auteur tente d'amener le lecteur r fl chir sur la part de r alit et d'irrationnel qui inondent notre environnement. Le but de cet ouvrage tait de dresser une liste de ce que l' tre humain est capable d'engendrer, le pire comme le meilleur.